Highlights From the Complete Soundtrack of “American Graffiti”

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1(We’re Gonna) Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:12
2Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.42:20
3Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:20
4That’ll Be the Day
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
Gitarre:
Niki Sullivan
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:18
5Almost Grown
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Bass und Kontrabass:
Willie Dixon (am 1959-02-17)
Gitarre:
Chuck Berry (am 1959-02-17) und Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1959-02-17)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1959-02-17)
Schlagzeug:
Jasper Thomas (am 1959-02-17)
Hintergrundgesang:
Chuck Barksdale (am 1959-02-17), Harvey Fuqua (am 1959-02-17), Marvin Gaye (am 1959-02-17), Etta James (am 1959-02-17), The Marquees (am 1959-02-17), The Moonglows (1950s Cleveland R&B group) (am 1959-02-17), James Nolan (Second Tenor, Baritone singer) (am 1959-02-17), Reese Palmer (First Tenor singer) (am 1959-02-17) und Chester Simmons (am 1959-02-17)
Sologesang:
Chuck Berry (am 1959-02-17)
vocals:
Chuck Berry (am 1959-02-17)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1959-02-17)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 6)
recording of:
Almost Grown (am 1959-02-17)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.652:21
6Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:40
7Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:09
8Barbara Ann
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 35)
recording of:
Barbara‐Ann
Texter und Komponist(in):
Fred Fassert
publisher:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. und Windswept Pacific Music Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adaptations:
Bomb Iran (Vince Vance & the Valiants parody)
adaptations:
Bomb Iran (Paul Shanklin parody)
adaptations:
Bomb Iraq
The Regents2:09
9Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
Buddy Holly3.752:03
10Ain’t That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:27
11Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:41
12I Only Have Eyes for You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 157) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 175)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
The Flamingos4.253:23
13To the Aisle
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
recording of:
To the Aisle
Verfasser(in):
Billy Smith (1950s Ohio rockabilly artist) und Stuart Wiener
publisher:
Wemar Music Corp.
The Five Satins2:45
14Come Go With Me
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
Texter und Komponist(in):
C.E. Quick
publisher:
Fee Bee Music Company und Gil Music Corporation
The Del‐Vikings42:42
15You’re Sixteen – You’re Beautiful (and You’re Mine)
recording of:
You’re Sixteen
Verfasser(in):
Bob Sherman (American songwriter) und Dick Sherman
publisher:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1960)
Johnny Burnette41:58
16Love Potion No.9
recording of:
Love Potion No. 9
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Freddy Bienstock Music Co., Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
The Clovers1:53
17Since I Don’t Have You
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 18)
recording of:
Since I Don’t Have You
Verfasser(in):
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
Komponist(in):
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen und Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. und Southern Music Publ. Co. Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:38
18Only You (and You Alone)
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (lead singer for The Platters) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:42
19Goodnight, Well It’s Time to Go
recording of:
Goodnight, Well It’s Time to Go
Verfasser(in):
Calvin Carter und James Hudson (American clarinetist and saxophonist)
publisher:
Conrad Music (publisher; do NOT use as release label)
The Spaniels2:45
20All Summer Long
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
E-Bass:
Al Jardine (guitarist and singer) (von 1964-05-06 bis 1964-05-07)
E-Gitarre [electric rhythm guitars]:
Carl Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Marimba und xylophone:
Brian Wilson (Beach Boys co‐founder) (von 1964-05-06 bis 1964-05-07)
Piccoloflöte und Schwegel:
Jay Migliori (von 1964-05-06 bis 1964-05-07)
Schlagzeug:
Dennis Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (von 1964-05-06 bis 1964-05-07)
Bass-Gesang und Sologesang:
Mike Love (Beach Boys) (von 1964-05-06 bis 1964-05-07)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1964-05-06 bis 1964-05-07), Brian Wilson (Beach Boys co‐founder) (von 1964-05-06 bis 1964-05-07), Carl Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07) und Dennis Wilson (Beach Boys) (von 1964-05-06 bis 1964-05-07)
arranger:
Brian Wilson (Beach Boys co‐founder)
recording of:
All Summer Long (von 1964-05-06 bis 1964-05-07)
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc.
The Beach Boys3.42:06