Greatest Ever Feelgood Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Daydream Believer
producer:
Chip Douglas
bass:
Chip Douglas (from 1967-06-14 until 1967-08-09)
bass trombone:
Richard Leith (trombonist) (from 1967-06-14 until 1967-08-09) and Phil Teele (from 1967-06-14 until 1967-08-09)
drums (drum set):
Eddie Hoh (from 1967-06-14 until 1967-08-09)
guitar:
Michael Nesmith (from 1967-06-14 until 1967-08-09)
percussion:
William E. Martin (from 1967-06-14 until 1967-08-09)
piano:
Peter Tork (from 1967-06-14 until 1967-08-09)
trombone:
Richard Noel (trombonist) (from 1967-06-14 until 1967-08-09)
trumpet:
Pete Candoli (from 1967-06-14 until 1967-08-09), Al Porcino (from 1967-06-14 until 1967-08-09) and Manuel Stevens (from 1967-06-14 until 1967-08-09)
violin:
Nathan Kaproff (from 1967-06-14 until 1967-08-09), George Kast (from 1967-06-14 until 1967-08-09), Alex Murray (violinist) (from 1967-06-14 until 1967-08-09) and Erno Neufeld (from 1967-06-14 until 1967-08-09)
background vocals:
Micky Dolenz (from 1967-06-14 until 1967-08-09)
lead vocals:
Davy Jones (The Monkees member) (from 1967-06-14 until 1967-08-09)
horn and strings arranger:
Shorty Rogers (trumpet)
music videos:
Daydream Believer by The Monkees
part of:
TV Cream: Real 100 Best Singles Ever (number: 39)
recording of:
Daydream Believer (from 1967-06-14 until 1967-08-09)
lyricist and composer:
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:57
2I Feel for You
cover recording of:
I Feel for You
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.354:10
3I Want Your Love
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic3:24
4Nights on Broadway
cover recording of:
Nights on Broadway
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) and Flam Music Ltd. (in 1975)
Candi Staton3:26
5These Days
phonographic copyright (℗) by:
Asylum Records UK (company credits only; do not use as release label!) (in 2017)
part of:
BILLIONS CLUB
recording of:
These Days
writer:
Piers Aggett, Amir Amor, Ben Haggerty, Julian Bunetta, Dan Caplen (British R&B singer/songwriter and musician), Kesi Dryden, Jamie Scott (UK singer-songwriter), John Ryan (American pop singer/producer a/k/a “John the Blind”) and Leon “Locksmith” Rolle
Rudimental feat. Jess Glynne, Macklemore & Dan Caplen43:30
6Get Outta My Way
recording engineer:
Pete Hofmann (UK producer/mix engineer) and Damon Sharpe
programming:
Daniel Davidsen and Peter Wallevik
co-producer:
Lucas Secon (producer/songwriter Lucas Secon), Damon Sharpe and Stuart Price
producer:
Daniel Davidsen, Mich Hansen and Peter Wallevik
assistant mixer:
Dave Emery (engineer)
mixer:
Mads Nilsson and Stuart Price
editor:
Pete Hofmann (UK producer/mix engineer)
additional keyboard:
Lucas Secon (producer/songwriter Lucas Secon)
bass:
Maime Hladiy
guitar:
Daniel Davidsen
keyboard:
Daniel Davidsen and Peter Wallevik
percussion:
Mich Hansen
additional background vocals:
Alexandra Segal (vocalist)
background vocals and lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2010)
produced for:
XL Talent
recorded at:
Central Command Studios (Jason Miller/ Jamison Boaz studio) in Hollywood, Los Angeles, California, United States and Metropolis Studios (London) in London (Greater London), England, United Kingdom
mixed at:
Tracques (Stuart Price’s studio, London) in London (Greater London), England, United Kingdom and White Room in Copenhagen, Capital Region of Denmark, Denmark
edited at:
Mux Music Studios in London (Greater London), England, United Kingdom
music videos:
Get Outta My Way (video) by Kylie Minogue
recording of:
Get Outta My Way
writer:
Daniel Davidsen, Lucas Secon (producer/songwriter Lucas Secon), Mich Hansen, Damon Sharpe and Peter Wallevik
publisher:
Bug Music (music publishing), Cutfather Publishing Limited, Damon Sharpe Music, EMI April Music Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kylie Minogue4.23:38
7Somewhere Only We Know
programming, producer and mixer:
Paul Beard (violinist)
engineer:
Joe Kearns (British record producer, writer and engineer)
co-mixer:
Joe Kearns (British record producer, writer and engineer)
acoustic guitar:
Paul Sayer
percussion and piano:
Paul Beard (violinist)
lead vocals:
Lily Allen
strings arranger:
James Banbury, Andy Cook (engineer), Matt Doughty and Will Hicks
arranger:
Paul Beard (violinist)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014)
cover recording of:
Somewhere Only We Know
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Lily Allen43:28
8Walking in Memphis
cover recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cher3:54
9Baker Street
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
drums (drum set):
Henry Spinetti (in 1977)
guitar [lead guitar]:
Hugh Burns (in 1977)
guitar [rhythm guitar]:
Nigel Jenkins (in 1977)
keyboard:
Tommy Eyre (in 1977)
percussion:
Glen LeFleur (in 1977)
saxophone:
Raphael Ravenscroft (in 1977)
lead vocals:
Gerry Rafferty (in 1977)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
edit of:
Baker Street by Gerry Rafferty
recording of:
Baker Street (in 1977)
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:06
101973
assistant engineer:
Sam Holland (sound engineer)
engineer:
Mike Tarantino
producer and mixer:
Tom Rothrock (American musician, composer and record producer)
editor:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
bass guitar [bass]:
Malcolm Moore (bassist)
drums (drum set) [drums]:
Karl Brazil (UK drummer/songwriter)
electric guitar:
Ben Castle
electric guitar [Buckingham electric guitar], piano and reed organ [pump organ]:
James Blunt
Hammond organ [Hammond] and Wurlitzer electric piano [Wurlitzer]:
Paul Beard (keyboard player)
vocals:
Paul Beard (keyboard player), James Blunt, Ben Castle and Malcolm Moore (bassist)
recording of:
1973
writer:
Mark Batson (American producer, songwriter, composer, arranger, and musician) and James Blunt
James Blunt4.44:38
11Closest Thing to Heaven
The Kane Gang4:48
12Juxtapozed With U
engineer:
Chris Shaw (US producer & engineer) and Eric Tew
producer:
Chris Shaw (US producer & engineer) and Super Furry Animals
cello:
Nick Cooper (UK cellist) and Sophie Harris (cellist)
flute:
John Telfer (sax/flute)
harp:
Beti Rhys
percussion:
Kris Jenkins (Catatonia, Super Furry Animals)
viola:
Nick Barr (viola player) and Clare Smith (violinist/violist)
violin:
Harriet Harris (violinist), Jackie Norrie, S. Herbert (violinist, composer, and conductor) and Sonia Slany (violinist)
strings arranger:
SFA and Sonia Slany (violinist)
phonographic copyright (℗) by:
Rights Management (UK) Limited (not for release label use! see annotation) (in 2021)
mixed at:
Metropolis Studios (London) in London (Greater London), England, United Kingdom
recording of:
Juxtapozed With U
writer:
Huw Bunford, Cian Ciaran, Dafydd Ieuan, Guto Pryce and Gruff Rhys
Super Furry Animals2.053:09
13Wings of a Dove
producer:
Clive Langer, Clive Langer & Alan Winstanley and Alan Winstanley (English record producer)
recording of:
Wings of a Dove
writer:
Graham McPherson and Carl Smyth
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
part of:
10 Things I Hate About You
Madness42:56
14Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:44
15Build Me Up Buttercup
music videos:
Build Me Up Buttercup by The Foundations (British soul band, active from 1967 to 1970)
part of:
Cachitos Nochevieja 2022 (number: 43) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 252)
recording of:
Build Me Up Buttercup
writer:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) and Tony Macaulay
publisher:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. and Welbeck Music (publisher)
The Foundations3.52:58
16(Sittin’ on the) Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
17Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
18Gimme All Your Lovin
recording of:
Gimme All Your Lovin’
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three and Songs of Mosaic
ZZ Top3:27
19St. Elmo’s Fire (Man in Motion)
producer:
David Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Foster (Canadian music producer, arranger and composer) and Jerry Hey
phonographic copyright (℗) by:
Columbia Pictures Industries, Inc. (in 1985) and John Parr Music Ltd. (in 2016)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 28) and TV Cream: Real 100 Best Singles Ever (number: 85)
recording of:
St. Elmo’s Fire
writer:
David Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:07
20I Believe in a Thing Called Love
assistant recording engineer:
Will Bartle
engineer, producer and mixer:
Pedro Ferreira
assistant mixer:
Nick Taylor (UK recording engineer)
bass:
Frankie Poullain
drums (drum set):
Ed Graham
guitar:
Dan Hawkins (member of The Darkness and Stone Gods) and Justin Hawkins
lead vocals:
Justin Hawkins
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 94)
recording of:
I Believe in a Thing Called Love
writer:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham and Justin Hawkins
The Darkness4.13:36
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