Greatest Ever Feelgood Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas (dal 1967-06-14 al 1967-08-09)
batteria :
Eddie Hoh (dal 1967-06-14 al 1967-08-09)
chitarra :
Michael Nesmith (dal 1967-06-14 al 1967-08-09)
percussione :
William E. Martin (dal 1967-06-14 al 1967-08-09)
pianoforte :
Peter Tork (dal 1967-06-14 al 1967-08-09)
tromba :
Pete Candoli (dal 1967-06-14 al 1967-08-09), Al Porcino (dal 1967-06-14 al 1967-08-09) e Manuel Stevens (dal 1967-06-14 al 1967-08-09)
trombone :
Richard Noel (trombonist) (dal 1967-06-14 al 1967-08-09)
trombone basso :
Richard Leith (trombonist) (dal 1967-06-14 al 1967-08-09) e Phil Teele (dal 1967-06-14 al 1967-08-09)
violino :
Nathan Kaproff (dal 1967-06-14 al 1967-08-09), George Kast (dal 1967-06-14 al 1967-08-09), Alex Murray (violinist) (dal 1967-06-14 al 1967-08-09) e Erno Neufeld (dal 1967-06-14 al 1967-08-09)
voce di accompagnamento:
Micky Dolenz (dal 1967-06-14 al 1967-08-09)
voce principale:
Davy Jones (The Monkees member) (dal 1967-06-14 al 1967-08-09)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:57
2I Feel for You
registrazione cover di:
I Feel for You
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan3.354:10
3I Want Your Love
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
I Want Your Love
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1989)
Chic3:24
4Nights on BroadwayCandi Staton3:26
5These Days
diritti fonografici (℗) detenuti da:
Asylum Records UK (company credits only; do not use as release label!) (nel 2017)
parte di:
BILLIONS CLUB
registrazione di:
These Days
autore:
Piers Aggett, Amir Amor, Ben Haggerty, Julian Bunetta, Dan Caplen (British R&B singer/songwriter and musician), Kesi Dryden, Jamie Scott (UK singer-songwriter), John Ryan (American pop singer/producer a/k/a “John the Blind”) e Leon “Locksmith” Rolle
Rudimental feat. Jess Glynne, Macklemore & Dan Caplen43:30
6Get Outta My Way
tecnico di registrazione:
Pete Hofmann (UK producer/mix engineer) e Damon Sharpe
programmazione:
Daniel Davidsen e Peter Wallevik
co-produttore:
Lucas Secon (producer/songwriter Lucas Secon), Damon Sharpe e Stuart Price
produttore:
Daniel Davidsen, Mich Hansen e Peter Wallevik
assistente tecnico di missaggio:
Dave Emery (engineer)
tecnico di missaggio:
Mads Nilsson e Stuart Price
editor:
Pete Hofmann (UK producer/mix engineer)
basso :
Maime Hladiy
chitarra :
Daniel Davidsen
percussione :
Mich Hansen
tastiera :
Daniel Davidsen e Peter Wallevik
tastiera aggiunto:
Lucas Secon (producer/songwriter Lucas Secon)
voce di accompagnamento e voce principale:
Kylie Minogue
voce di accompagnamento aggiuntiva:
Alexandra Segal (vocalist)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2010)
è stato produttore per:
XL Talent
registrata presso:
Central Command Studios (Jason Miller/ Jamison Boaz studio) in Hollywood, Los Angeles, California, Stati Uniti e Metropolis Studios (London) in London (Greater London), England, Regno Unito
mixata presso:
Tracques (Stuart Price’s studio, London) in London (Greater London), England, Regno Unito e White Room in Copenhagen, Capital Region of Denmark, Danimarca
editing effettuato presso:
Mux Music Studios in London (Greater London), England, Regno Unito
video musicali:
Get Outta My Way (video) di Kylie Minogue
registrazione di:
Get Outta My Way
autore:
Daniel Davidsen, Lucas Secon (producer/songwriter Lucas Secon), Mich Hansen, Damon Sharpe e Peter Wallevik
editore:
Bug Music (music publishing), Cutfather Publishing Limited, Damon Sharpe Music, EMI April Music Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kylie Minogue4.23:38
7Somewhere Only We Know
programmazione, produttore e tecnico di missaggio:
Paul Beard (violinist)
tecnico:
Joe Kearns (British record producer, writer and engineer)
co-tecnico di missaggio:
Joe Kearns (British record producer, writer and engineer)
chitarra acustica :
Paul Sayer
percussione e pianoforte :
Paul Beard (violinist)
voce principale:
Lily Allen
arrangiatore archi :
James Banbury, Andy Cook (engineer), Matt Doughty e Will Hicks
arrangiatore:
Paul Beard (violinist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2014)
registrazione cover di:
Somewhere Only We Know
autore:
Tom Chaplin, Richard Hughes (Keane member) e Tim Rice‐Oxley
editore:
BMG Music Publishing Ltd.
Lily Allen43:28
8Walking in Memphis
registrazione cover di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cher3:54
9Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:06
101973
assistente tecnico:
Sam Holland (sound engineer)
tecnico:
Mike Tarantino
produttore e tecnico di missaggio:
Tom Rothrock (American musician, composer and record producer)
editor:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
batteria [drums] :
Karl Brazil (UK drummer/songwriter)
chitarra basso [bass] :
Malcolm Moore (bassist)
chitarra elettrica :
Ben Castle
chitarra elettrica [Buckingham electric guitar] , organo a pompa [pump organ] e pianoforte :
James Blunt
organo Hammond [Hammond] e piano elettrico Wurlitzer [Wurlitzer] :
Paul Beard (keyboard player)
voce:
Paul Beard (keyboard player), James Blunt, Ben Castle e Malcolm Moore (bassist)
registrazione di:
1973
autore:
Mark Batson (American producer, songwriter, composer, arranger, and musician) e James Blunt
James Blunt4.44:38
11Closest Thing to Heaven
The Kane Gang4:48
12Juxtapozed With U
tecnico:
Chris Shaw (US producer & engineer) e Eric Tew
produttore:
Chris Shaw (US producer & engineer) e Super Furry Animals
arpa :
Beti Rhys
flauto :
John Telfer (sax/flute)
percussione :
Kris Jenkins (Catatonia, Super Furry Animals)
viola :
Nick Barr (viola player) e Clare Smith (violinist/violist)
violino :
Harriet Harris (violinist), Jackie Norrie, S. Herbert (violinist, composer, and conductor) e Sonia Slany (violinist)
violoncello :
Nick Cooper (UK cellist) e Sophie Harris (cellist)
arrangiatore archi :
SFA e Sonia Slany (violinist)
diritti fonografici (℗) detenuti da:
Rights Management (UK) Limited (not for release label use! see annotation) (nel 2021)
mixata presso:
Metropolis Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
Juxtapozed With U
autore:
Huw Bunford, Cian Ciaran, Dafydd Ieuan, Guto Pryce e Gruff Rhys
Super Furry Animals2.053:09
13Wings of a Dove
produttore:
Clive Langer, Clive Langer & Alan Winstanley e Alan Winstanley (English record producer)
registrazione di:
Wings of a Dove
autore:
Graham McPherson e Carl Smyth
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
parte di:
10 Things I Hate About You
Madness42:56
14Harlem Shuffle
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd. e HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster di:
Harlem Shuffle di Bob & Earl
registrazione di:
Harlem Shuffle
autore:
Earl Nelson e Bob Relf
editore:
Bug Music Ltd., Bug Music (music publishing) (nel 1988), Keyman Music (publisher) (nel 1988) e Marc-Jean Music (publisher) (nel 1988)
Bob & Earl22:44
15Build Me Up Buttercup
video musicali:
Build Me Up Buttercup di The Foundations (British soul band, active from 1967 to 1970)
parte di:
Cachitos Nochevieja 2022 (numero: 43) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 252)
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations3.52:58
16(Sittin’ on the) Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
17Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
18Gimme All Your Lovin
registrazione di:
Gimme All Your Lovin’
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Hamstein Music Company (publisher), Music of Stage Three e Songs of Mosaic
ZZ Top3:27
19St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:07
20I Believe in a Thing Called Love
assistente tecnico di registrazione:
Will Bartle
tecnico, produttore e tecnico di missaggio:
Pedro Ferreira
assistente tecnico di missaggio:
Nick Taylor (UK recording engineer)
basso :
Frankie Poullain
batteria :
Ed Graham
chitarra :
Dan Hawkins (member of The Darkness and Stone Gods) e Justin Hawkins
voce principale:
Justin Hawkins
registrata presso:
Chapel Studios in Lincolnshire, England, Regno Unito
mixata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 94)
registrazione di:
I Believe in a Thing Called Love
autore:
Daniel Francis Hawkins (member of The Darkness and Stone Gods), Francis Gilles Poullain-Patterson, Edwin James Graham e Justin Hawkins
The Darkness4.13:36
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