The Ultimate Collection: Soul: 100 Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:45
2After the Love Has Gone
recording of:
After the Love Has Gone
Verfasser(in):
Bill Champlin, David Foster (Canadian music producer, arranger and composer) und Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music und Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire43:37
3Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:03
4Being With You
assistierende(r) Techniker(in):
Richie Griffin
Techniker(in):
Howard Lee Wolen und Mark Wolfson
Produzent(in):
George Tobin
Mix:
Mike Piccirillo (songwriter and producer) und George Tobin
arranger:
George Tobin
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei und mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Being With You
Texter und Komponist(in):
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. und Primary Wave Robinson
Smokey Robinson3.253:51
5Heartbreaker
recording of:
Heartbreaker (Dionne Warwick song)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick4:13
6Piano in the Dark
recording of:
Piano in the Dark
Verfasser(in):
Scott Cutler, Jeff Hull (songwriter and producer) und Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Dwarf Village Music
Brenda Russell4:18
7Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:34
8My One Temptation
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris43:34
9There’s Nothing Like This
recording of:
There’s Nothing Like This
Texter und Komponist(in):
Omar Hammer
publisher:
Congo Music und PolyGram Music Publishing
Omar4:09
10You Gotta Be
drum machine-Programmierung:
Kevin Clarke (in 1999)
Koproduzent(in):
Des’ree und Ashley Ingram
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Keyboard:
Ashley Ingram (in 1999)
Saiteninstrumente arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
Verfasser(in):
Des’ree und Ashley Ingram
Des’ree2.93:59
11I’m Doing Fine Now
cover recording of:
I’m Doin’ Fine Now
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Pasadenas3:30
12If You Let Me Stay
recording engineer und Mix:
Phil Legg
zusätzliche(r) Techniker(in):
Michael Brauer (engineer)
Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician)
Bass:
Sean Oliver
Gitarre:
Pete Glenister
Keyboard:
Nick Plytas
Perkussion:
Terence Trent D’Arby (now known as Sananda Maitreya) und Frank Ricotti (percussionist)
Schlagzeug:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Lance Ellington (Strictly Come Dancing) und Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987)
recording of:
If You Let Me Stay
Texter und Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:13
13And the Beat Goes On
recording of:
And the Beat Goes On
Verfasser(in):
William Shelby, Stephen Shockley und Leon Sylvers
publisher:
Notting Hill Music (UK) Ltd. und Sony/ATV Music Publishing (UK) Ltd.
The Whispers3.353:22
14Give Me the Sunshine
recording of:
Give Me the Sunshine
Verfasser(in):
Johnny Simone
Leo’s Sunshipp6:04
15Galveston Bay
Lonnie Hill4:04
16I’d Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:34
17Don’t Be a Stranger
recording of:
Don’t Be a Stranger
Verfasser(in):
Coral Gordon und Geoff Gurd
Dina Carroll3.54:20
18Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:39
19A Love Supreme
recording of:
A Love Supreme
Texter:
David Cole (US musician/producer, member of C+C Music Factory) und Will Downing (American soul, house singer, songwriter and producer)
Komponist(in):
John Coltrane
basiert auf:
A Love Supreme (entire suite)
Will Downing3.54:41
20Ghetto Lament
Don Blackman6:02
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Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (Nummer: 6) (Reihenfolge: 4)