The Ultimate Collection: Soul: 100 Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’m Still Waiting
Produzent(in):
Hal Davis und Deke Richards (American songwriter and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer) und Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
I’m Still Waiting
Texter und Komponist(in):
Deke Richards (American songwriter and record producer)
publisher:
Jobete Music Co., Inc.
Diana Ross33:43
2I Second That Emotion
Gitarre:
Marvin Tarplin (am 1967-09-21)
Instrumente:
The Funk Brothers (am 1967-09-21)
Hintergrundgesang:
Warren “Pete” Moore (am 1967-09-21), Claudette Robinson (am 1967-09-21), Bobby Rogers (am 1967-09-21) und Ronald White (soul singer, founding member of The Miracles) (am 1967-09-21)
Sologesang:
Smokey Robinson (am 1967-09-21)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-09-21)
recording of:
I Second That Emotion (am 1967-09-21)
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:43
3It’s a Man’s, Man’s, Man’s World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:47
4Son of a Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
5Soulville
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-08)
Produzent(in):
Robert Mersey
Klavier und Hintergrundgesang und Sologesang:
Aretha Franklin (am 1964-02-08)
Orgel:
Paul Griffin (American pianist, session musician) (am 1964-02-08)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Soulville (am 1964-02-08)
Verfasser(in):
Henry Glover, Morris Levy, Titus Turner und Dinah Washington
publisher:
DeLarue Music Corp und EMI Longitude Music
Aretha Franklin2:20
6Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:53
7You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Diana Ross & The Supremes3.42:41
8Nowhere to Run
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves & the Vandellas4.652:56
9Be Young, Be Foolish, Be Happy
cover recording of:
Be Young, Be Foolish, Be Happy
Verfasser(in):
J. R. Cobb und Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) und Low‐Sal Music, Inc.
The Tams2:05
10This Old Heart of Mine (Is Weak for You)
Produzent(in):
Lamont Dozier, Holland–Dozier (with Brian Holland) und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers4.252:46
11Loving You Is Sweeter Than Ever
Produzent(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Ivy Jo Hunter
recording of:
Loving You Is Sweeter Than Ever (in 1966)
Texter:
Ivy Jo Hunter
Komponist(in):
Ivy Jo Hunter und Stevie Wonder
publisher:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) und Screen Gems-Columbia (publisher) (in 1967)
The Four Tops2:48
12How Sweet It Is (to Be Loved by You)
Mix:
Suha Gur
Bass:
James Jamerson
Gitarre:
Willie Woods (US guitarist & songwriter)
Keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
Saxophon:
Junior Walker
cover recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Junior Walker & the All Stars43:00
13It’s Wonderful (to Be Loved by You)
recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jimmy Ruffin2:45
14Help Me Make It Through the Night
Produzent(in):
Johnny Bristol
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (Los Angeles) (company credits only; do NOT use as release label) (in 1971)
cover recording of:
Help Me Make It Through the Night
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips34:21
15Got to Be There
Produzent(in):
Hal Davis
Sologesang:
Michael Jackson (“King of Pop”) (von 1970-06 bis 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (von 1971-06 bis 1971-07)
Texter und Komponist(in):
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson33:20
16My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:48
17Betcha by Golly, Wow
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Avco Record Corp. (in 1971)
cover recording of:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics3:45
18Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:10
19Think It Over
The Delfonics4:37
20People Get Ready
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 122)
recording of:
People Get Ready
Texter und Komponist(in):
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Curtis Mayfield & The Impressions42:39
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Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, "100 Hits", ULTIMBX) (Nummer: 6) (Reihenfolge: 4)