Teenage Kicks 2: Going Underground

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer‐songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.252:54
2Message in a Bottle
engineer:
Nigel Gray (UK producer)
producer:
Nigel Gray (UK producer) and The Police (British rock band)
drums (drum set):
Stewart Copeland (drummer, percussionist, pianist and composer)
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) and A&M Records, Inc. (in 1997)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
recording of:
Message in a Bottle
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner and Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:52
3My Girl
producer:
Clive Langer & Alan Winstanley
baritone saxophone and tenor saxophone:
Lee “Kix” Thompson (Madness)
bass:
Mark Bedford
drums (drum set) and percussion:
Daniel Woodgate
guitar:
Chris Foreman (UK musician, aka “Chrissy Boy”)
keyboard:
Mike Barson
background vocals:
Chas Smash
vocals:
Suggs and Lee “Kix” Thompson (Madness)
recording of:
My Girl
lyricist and composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:46
4Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:09
5Papa’s Got a Brand New Pigbag
recording of:
Papa’s Got a Brand New Pigbag
composer:
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore and Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Pigbag4.53:36
6Denis (Denee)
cover recording of:
Denise
lyricist and composer:
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. and Taking Care of Business Music Inc. (BMI)
Blondie2:17
7The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:25
8Boys Keep Swinging
assistant engineer:
Eugene Chaplin
engineer:
Rod O’Brien, David Richards (Swiss-based producer and engineer) and Tony Visconti
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
assistant mixer:
Greg Caruso
mixer:
Rod O’Brien and Tony Visconti
analog synthesizer [EMS Synthi AKS] and piano:
Brian Eno (from 1978-08 until 1979-03)
bass:
Tony Visconti (from 1978-08 until 1979-03)
drums (drum set):
Carlos Alomar (from 1978-08 until 1979-03)
guitar:
Adrian Belew (from 1978-08 until 1979-03)
guitar and piano:
David Bowie (English singer‐songwriter) (from 1978-08 until 1979-03)
violin:
Simon House (from 1978-08 until 1979-03)
background vocals:
Tony Visconti (in 1979-03)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (in 1979-03)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-09 until 1978-09-15) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1979-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Boys Keep Swinging (from 1978-08 until 1979-03)
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
David Bowie3.83:17
9The Cutter
engineer:
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige and Steve Short (sound engineer & producer)
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:54
10The Love Cats
producer:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
mixer:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Phil Thornalley
bass guitar:
Phil Thornalley
drums (drum set):
Andy Anderson (drummer for The Cure)
guitar and keyboard and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibraphone:
Lol Tolhurst
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 448)
recording of:
The Lovecats
lyricist and composer:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.83:41
11Money
producer:
David Cunningham
cover recording of:
Money (That’s What I Want)
writer:
Janie Bradford and Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Flying Lizards4.22:33
12Rat Trap
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978)
music videos:
Rat Trap by The Boomtown Rats
recording of:
Rat Trap
lyricist and composer:
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats44:57
13Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:57
14Jimmy Jimmy
recording of:
Jimmy Jimmy
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal/MCA Music Ltd. (not for release label use!) and West Bank Songs Ltd.
The Undertones2:43
15Walls Come Tumbling Down
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
12 string guitar, bass guitar, guitar, synthesizer [synth] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (from 1984-12 until 1985-03)
drums (drum set) [drums] and percussion:
Steve White (Style Council drummer) (from 1984-12 until 1985-03)
fortepiano [piano forte], Hammond organ and keyboard [electronic keyboards]:
Mick Talbot (from 1984-12 until 1985-03)
piano:
Helen Turner (from 1984-12 until 1985-03)
saxophone:
Mike Mower (from 1984-12 until 1985-03)
trombone:
Chris Lawrence (from 1984-12 until 1985-03)
trumpet:
David DeFries (from 1984-12 until 1985-03) and Stewart Prosser (from 1984-12 until 1985-03)
vocals:
D.C. Lee (from 1984-12 until 1985-03)
strings arranger:
John Mealing (British keyboards player, composer and arranger.)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1984-12 until 1985-03)
recording of:
Walls Come Tumbling Down (from 1984-12 until 1985-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:25
16Tears of a Clown
producer:
Bob Sargeant
cover recording of:
The Tears of a Clown
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
The Beat32:39
17Three Minute Hero
producer:
Errol Ross and The Selecter
recording of:
Three Minute Hero
composer:
Neol Davies (British musician and founder of The Selecter)
The Selecter43:02
18Identity
assistant engineer:
Andy Pearce (Mastering engineer)
engineer:
John Mackenzie Burns
producer:
Falcon Stuart
recording of:
Identity
lyricist and composer:
Poly Styrene
X Ray Spex2:25
19Hurry Up Harry
recording of:
Hurry Up Harry
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 693:26
20Egyptian Reggae
recording of:
Egyptian Reggae
writer:
Earl Anthony Johnson (reggae singer Earl Zero) and Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
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