Teenage Kicks 2: Going Underground

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Going Underground
Produzent(in):
Vic Coppersmith‐Heaven
Bass:
Bruce Foxton (am 1980-01-16)
Gitarre:
Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
Schlagzeug:
Rick Buckler (am 1980-01-16)
vocals:
Bruce Foxton (am 1980-01-16) und Paul Weller (English singer‐songwriter and musician) (am 1980-01-16)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1980)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (am 1980-01-16)
recording of:
Going Underground (am 1980-01-16)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.252:54
2Message in a Bottle
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Surrey Sound Studios in Leatherhead, Surrey, England, Vereinigtes Königreich
recording of:
Message in a Bottle
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner und Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:52
3My Girl
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bass:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
recording of:
My Girl
Texter und Komponist(in):
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.752:46
4Cool for Cats
recording of:
Cool for Cats
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:09
5Papa’s Got a Brand New Pigbag
recording of:
Papa’s Got a Brand New Pigbag
Komponist(in):
Chip Carpenter, Roger Freeman, Chris Hamlyn, James Johnstone (UK percussionist/guitarist/ambient producer), Chris Lee (trumpet player), Ollie Moore und Simon Underwood (bass guitar)
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Pigbag4.53:36
6Denis (Denee)
cover recording of:
Denise
Texter und Komponist(in):
Neil Levenson (pianist and songwriter)
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. und Taking Care of Business Music Inc. (BMI)
Blondie2:17
7The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:25
8Boys Keep Swinging
assistierende(r) Techniker(in):
Eugene Chaplin
Techniker(in):
Rod O’Brien, David Richards (Swiss-based producer and engineer) und Tony Visconti
Produzent(in):
David Bowie (English singer‐songwriter) und Tony Visconti
assistierende(r) Mix:
Greg Caruso
Mix:
Rod O’Brien und Tony Visconti
Analoger Synthesizer [EMS Synthi AKS] und Klavier:
Brian Eno (von 1978-08 bis 1979-03)
Bass:
Tony Visconti (von 1978-08 bis 1979-03)
Geige / Violine:
Simon House (von 1978-08 bis 1979-03)
Gitarre:
Adrian Belew (von 1978-08 bis 1979-03)
Gitarre und Klavier:
David Bowie (English singer‐songwriter) (von 1978-08 bis 1979-03)
Schlagzeug:
Carlos Alomar (von 1978-08 bis 1979-03)
Hintergrundgesang:
Tony Visconti (in 1979-03)
Hintergrundgesang und Sologesang:
David Bowie (English singer‐songwriter) (in 1979-03)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1978-09 bis 1978-09-15) und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1979-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Boys Keep Swinging (von 1978-08 bis 1979-03)
Texter:
David Bowie (English singer‐songwriter)
Komponist(in):
David Bowie (English singer‐songwriter) und Brian Eno
David Bowie3.83:17
9The Cutter
Techniker(in):
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige und Steve Short (sound engineer & producer)
Produzent(in):
Kingbird
Bass:
Les Pattinson
Gast-Saiteninstrumente:
Shankar (L. Shankar)
Gitarre:
Ian McCulloch (Echo & the Bunnymen) und Will Sergeant
Schlagzeug:
Pete de Freitas
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen43:54
10The Love Cats
Produzent(in):
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Mix:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Bassgitarre:
Phil Thornalley
Gitarre und Keyboard und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Schlagzeug:
Andy Anderson (drummer for The Cure)
Vibraphon:
Lol Tolhurst
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 448)
recording of:
The Lovecats
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.83:41
11Money
Produzent(in):
David Cunningham
cover recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Flying Lizards4.22:33
12Rat Trap
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978)
Musikvideos:
Rat Trap von The Boomtown Rats
recording of:
Rat Trap
Texter und Komponist(in):
Bob Geldof
publisher:
Sewer Fire Hits Ltd
The Boomtown Rats44:57
13Swords of a Thousand Men
Produzent(in):
Bob Andrews (keyboardist and producer) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
Texter und Komponist(in):
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:57
14Jimmy Jimmy
recording of:
Jimmy Jimmy
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal/MCA Music Ltd. (not for release label use!) und West Bank Songs Ltd.
The Undertones2:43
15Walls Come Tumbling Down
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Bassgitarre, Gitarre, Synthesizer [synth], zwölfsaitige Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician) (von 1984-12 bis 1985-03)
Hammerklavier [piano forte], Hammond-Orgel und Keyboard [electronic keyboards]:
Mick Talbot (von 1984-12 bis 1985-03)
Klavier:
Helen Turner (von 1984-12 bis 1985-03)
Perkussion und Schlagzeug [drums]:
Steve White (Style Council drummer) (von 1984-12 bis 1985-03)
Posaune:
Chris Lawrence (von 1984-12 bis 1985-03)
Saxophon:
Mike Mower (von 1984-12 bis 1985-03)
Trompete:
David DeFries (von 1984-12 bis 1985-03) und Stewart Prosser (von 1984-12 bis 1985-03)
vocals:
D.C. Lee (von 1984-12 bis 1985-03)
Saiteninstrumente arranger:
John Mealing (British keyboards player, composer and arranger.)
aufgenommen bei:
Solid Bond Studio in London (Greater London), England, Vereinigtes Königreich (von 1984-12 bis 1985-03)
recording of:
Walls Come Tumbling Down (von 1984-12 bis 1985-03)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:25
16Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:39
17Three Minute Hero
Produzent(in):
Errol Ross und The Selecter
recording of:
Three Minute Hero
Komponist(in):
Neol Davies (British musician and founder of The Selecter)
The Selecter43:02
18Identity
assistierende(r) Techniker(in):
Andy Pearce (Mastering engineer)
Techniker(in):
John Mackenzie Burns
Produzent(in):
Falcon Stuart
recording of:
Identity
Texter und Komponist(in):
Poly Styrene
X Ray Spex2:25
19Hurry Up Harry
recording of:
Hurry Up Harry
Verfasser(in):
Dave Parsons (Sham 69 guitarist) und Jimmy Pursey (Founder member of Sham 69)
Sham 693:26
20Egyptian Reggae
recording of:
Egyptian Reggae
Verfasser(in):
Earl Anthony Johnson (reggae singer Earl Zero) und Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:40
2Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:27
3I Can’t Stand Up for Falling Down
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
Komponist(in):
Homer Banks (soul singer and songwriter) und Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions4.52:07
4Is She Really Going Out With Him?
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:35
5Jackie Wilson Said (I’m in Heaven When You Smile)
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
cover recording of:
Jackie Wilson Said (I’m in Heaven When You Smile)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music, Chappell Music (UK), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America und WB Music Corp. (1929–2019)
Dexys Midnight Runners2:38
6Reasons to Be Cheerful, Part 3
Saxophon:
Davey Payne (UK saxophonist) (in 1979)
Sologesang:
Ian Dury (in 1979)
Interpret(in):
Chaz Jankel (English musician and songwriter) (in 1979)
aufgenommen bei:
Eretcia Studios in Roma (Rom), Roma, Lazio, Italien (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 20)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter) und Davey Payne (UK saxophonist)
Ian Dury and the Blockheads4.54:45
72‐4‐6‐8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band4.253:17
868 Guns
recording of:
Sixty Eight Guns
Verfasser(in):
Eddie MacDonald und Mike Peters
publisher:
Concord Bicycle Assets und Illegal Music Ltd. (publisher; not for release label use!)
The Alarm4.353:17
9Baby I Love You
assistierende(r) Techniker(in):
Bruce Gold (Engineer)
Techniker(in):
Larry Levine und Boris Menart
Produzent(in):
Phil Spector
cover recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
The Ramones43:46
10Senses Working Overtime
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Bearbeitung von:
Senses Working Overtime von XTC (English rock band)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:36
11Is Vic There?
recording of:
Is Vic There?
Verfasser(in):
Mike Herbage und Vaughn Toulouse
publisher:
Modern Music Publishing Ltd.
Department S53:08
12Promises
Techniker(in):
Doug Bennett (producer, engineer)
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Promises von Buzzcocks (English punk band)
recording of:
Promises
Verfasser(in):
Steve Diggle und Pete Shelley (Buzzcocks lead singer)
Buzzcocks3.652:37
13It’s Going to Happen
recording of:
It’s Going to Happen!
Verfasser(in):
Michael Bradley (Undertones bassist) und Damian O’Neill
The Undertones3:38
14Back of My Hand
recording of:
Back of My Hand
Verfasser(in):
John Alder (UK guitarist) und Nick Watkinson
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Jags3:22
15Da‐a‐a‐ance
recording of:
Da‐a‐ance
Texter und Komponist(in):
Jez Bird
publisher:
Rocket Music Ltd. (publisher)
The Lambrettas2:20
16Love Song
The Damned2:05
17Borstal Breakout
Produzent(in):
Jimmy Pursey (Founder member of Sham 69) und Peter Wilson (UK Producer)
recording of:
Borstal Breakout
Verfasser(in):
Dave Parsons (Sham 69 guitarist) und Jimmy Pursey (Founder member of Sham 69)
Sham 6942:12
18Milk & Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr Feelgood4.152:50
19God Save the Queen (demo)
recording of:
God Save the Queen
Verfasser(in):
Paul Cook (drummer for the Sex Pistols), Steve Jones (Sex Pistols member), John Lydon (Johnny Rotten of the Sex Pistols) und Glen Matlock (bass guitarist of the Sex Pistols)
publisher:
Arista Music, Inc., Careers Music, Inc., Rotten Music Ltd (publishing company of Johnny Rotten), Stephen Philip Jones, Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Sex Pistols3:40
20Ace of Spades
Produzent(in):
Vic Maile (von 1980-08-04 bis 1980-09-15)
E-Bass und Sologesang:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (von 1980-08-04 bis 1980-09-15)
E-Gitarre:
'Fast' Eddie Clarke (Motörhead guitarist) (von 1980-08-04 bis 1980-09-15)
Schlagzeug:
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (von 1980-08-04 bis 1980-09-15)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980) und Universal Music (plain logo: “Universal Music”) (in 1980)
aufgenommen bei:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Vereinigtes Königreich (von 1980-08-04 bis 1980-09-15)
Musikvideos:
Ace of Spades von Motörhead
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 33), TV Cream: Real 100 Best Singles Ever (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 442)
recording of:
Ace of Spades (von 1980-08-04 bis 1980-09-15)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:47

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