Music for Your Wedding: Perfect Music for Your Perfect Day

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

has an outer slipover cardboard cover

Annotation last modified on 2019-12-06 11:43 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Suite no. 3 in D, BWV 1068: II. Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:50
2Jesu, Joy of Man’s Desiring, Cantata BMV 147
engineer and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
arranger:
Guillermo Figueroa
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
instrumental recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:25
3Trumpet Voluntary
trumpet:
John Wilbraham (trumpet player)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1971)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:19
4Canon and Gigue in D, PWC 37, T. 337, PC 358: I. Canon
harpsichord:
Edward Brewer (harpsichordist)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:11
5Lohengrin, WWV 75: Prelude to Act III. Bridal Chorus
organ:
Stephen Cleobury (organist, conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1979)
recording of:
Bridal Chorus from “Lohengrin” (for organ, Cunningham Woods)
composer:
Richard Wagner (composer)
arranger:
Francis Cunningham Woods
arrangement of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
Richard Wagner1:56
6The Island Princess: Trumpet Tune in D
trumpet:
Philip Jones (trumpeter) and James Watson (trumpeter)
orchestra:
The Philip Jones Brass Ensemble
arranger:
Elgar Howarth (English conductor, composer and trumpeter)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1977)
recording of:
Trumpet Tune in D (from The Island Princess, erroneously attributed to Henry Purcell)
composer:
Jeremiah Clarke (English baroque composer and organist)
previously attributed to:
Henry Purcell (Baroque composer)
Jeremiah Clarke2:56
7Sheep May Safely Graze, Cantata BWV 20
engineer:
Gordon Parry (engineer) (from 1956-12-04 until 1956-12-07)
producer:
John Culshaw
soprano vocals:
Kirsten Flagstad (soprano) (from 1956-12-04 until 1956-12-07)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1956-12-04 until 1956-12-07)
conductor:
Sir Adrian Boult (conductor) (from 1956-12-04 until 1956-12-07)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1957)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-04 until 1956-12-07)
recording of:
Sheep May Safely Graze (English lyrics) (from 1956-12-04 until 1956-12-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach5:21
8Serenade in G, K. 525 “Eine klein Nachtmusik”: II. Romance (Andante)
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:43
9Gianni Schicchi: O mio babbino caro
engineer and mixer:
Jon Bailey (engineer)
producer:
Simon Franglen (English score composer)
acoustic guitar:
Bryan Adams (Canadian singer/songwriter)
cello:
Adrian Bradbury (British cellist)
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
orchestra:
The Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Anthony Inglis and Anthony Ingliss (conductor)
arranger and orchestrator:
John Whitfield (British conductor & bassoonist)
phonographic copyright (℗) by:
UCJ (UK label of “Universal Classics & Jazz, a division of Universal Music Operations Ltd.”) (in 2006) and Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2006)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini52:39
10Ave Maria, “Ellens Gesang III”, D 839
harp:
Thelma Owen (in 1984-06)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1984-06)
arranger:
Thelma Owen
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1984)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) (in 1984-06)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert3:34
11Suite bergamasque: III. Clair de lune
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (in 1977, in 1977-05)
balance engineer:
Colin Moorfoot (engineer) (from 1977-05 to present, in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-05)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1977-05)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1977)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:26
12Sleepers, Awake, BWV 645
organ:
Carlo Curley (US organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1992)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach4:39
13Gymnopédie no. 1
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1989)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:53
14Solomon HWV 67: Act III. The Arrival of the Queen of Sheba
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:08
15A Midsummer Night’s Dream. op. 61, no. 9: Wedding March
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1986-05)
conductor:
Charles Dutoit (conductor) (in 1986-05)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1987)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1986-05)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (in 1986-05)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:00
16Te deum, H 146; Prélude
organ:
Peter Hurford (organist)
performer:
Michael Laird Brass Ensemble
arranger:
Chris Hazell
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Gustave Charpentier2:10
17Water Music, Suites II & III in D/G, HWV 349/350: II. Alla Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
violin:
Simon Standage (English violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) and Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:16
18Lyric Pieces, Book VIII, op. 65: no. 6. Wedding Day at Troldhaugen
orchestra:
Nordmark-Sinfonie-Orchester (1950-1974, then replaced by Schleswig-Holsteinisches Sinfonieorchester)
conductor:
Heinrich Steiner (German conductor, chorus master, pianist, composer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Lyriske stykker, op. 65 no. 6: Bryllupsdag på Troldhaugen (for orchestra)
composer:
Edvard Grieg (composer)
orchestration of:
Lyriske stykker, hefte VIII, op. 65: No. 6: Bryllupsdag på Troldhaugen (Lyric Pieces, Book 8, op. 65: No. 6. Wedding Day at Troldhaugen, for piano)
Edvard Grieg6:11

Credits

Release

manufactured in:the U.K.
copyrighted (©) by and phonographic copyright (℗) by:Marks & Spencer PLC (in 2007)
produced for:Marks & Spencer PLC