Musik zur Ruhe

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Elégie für Violoncello und Orchester c-moll, op. 24:: Molto adagio - Poco piú animato
cello:
Heinrich Schiff (cellist and conductor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Charles Mackerras (Australian conductor)
recording of:
Élégie, op. 24 (for cello and orchestra)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie pour violoncelle et piano, op. 24
Gabriel Fauré7:07
2Thaïs: Meditation
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:03
3Konzert für Fagott und Orchester B-dur, KV 191: 2. Andante ma adagio
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart7:41
4Konzert für Klavier und Orchester G-dur: 2. Adagio assai
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:05
5Fantasía para un gentilhombre: Españoleta. Adagio
guitar:
Narciso Yepes (classical guitarist) (in 1969-05)
orchestra:
Orquesta Sinfónica de Radio Televisión Española (Spanish Radio and Television Symphony Orchestra) (in 1969-05)
conductor:
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (in 1969-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Phonogram Studio (Madrid) in Madrid, Comunidad de Madrid (Community of Madrid), Spain (in 1969-05)
edit of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la cabellería de Nápoles: Adagio - Allegretto by Narciso Yepes (classical guitarist), Orquesta Sinfónica R.T.V. Española (Spanish Radio and Television Symphony Orchestra), Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española)
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles (in 1969-05)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:51
6Suite für Altblockflöte und Streich-Orchester: 3. Lament (Adagio espressivo)Gordon Jacob4:07
7The Lark Ascending
violin:
Pinchas Zukerman (violinist/conductor)
orchestra:
English Chamber Orchestra
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams13:33
8Kantate: Herz und Mund und Tat und Leben BWV, 147: Nr. 10 "Jesus bleibet meine Freude"
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:35
9Sonate für Orgel Nr.1 f-moll, op. 65: AdagioFelix Mendelssohn Bartholdy3:34
10Ave verum corpus, KV 618
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:33
11Remember not, Lord, our offences aus Anthems Nr. 5
instruments:
The English Concert
choir vocals:
Christ Church Cathedral Choir, Oxford
conductor:
Simon Preston (organist, conductor, composer)
recording of:
Remember not, Lord, our offences, Z. 50
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 50)
Henry Purcell3:43
12Ave Maria
choir vocals:
Berliner Händel-Chor
conductor:
Günther Arndt (choral conductor)
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner4:04
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