Musik zur Ruhe

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Erbarm dich mein, o Herre Gott, BWV 721
producer and balance engineer:
Teije van Geest (engineer/producer)
organ:
Wolfgang Rübsam (organist) (in 1977)
recorded at:
Freiburger Münster (Freiburg Minster) in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (in 1977)
recording of:
Erbarm' dich mein, o Herre Gott, BWV 721 (in 1977)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 721) and Bach Compendium (number: BC K 107)
Johann Sebastian Bach3:33
2Et incarnatus est - Crucifixus aus Messe in H-Moll, BWV 232 (Nr. 15 + 16)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
compilation of:
Mass in B Minor: XVI. Chor: Et incarnatus est by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) and Mass in B Minor: XVII. Chor: Crucifixus by Münchener Bach‐Chor (Munich Bach Choir), Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:53
3Requiem, op. 48: Agnus Dei
organ:
Daniel Chorzempa (organist)
choir vocals:
Groot Omroepkoor (Netherlands Radio Choir)
orchestra:
Rotterdams Philharmonisch Orkest (Rotterdam Philharmonic Orchestra)
conductor:
Jean Fournet (conductor)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:13
4Cantabile H-dur: Non troppo lento
organ:
Wolfgang Rübsam (organist)
recording of:
3 Pièces pour grand orgue: Cantabile, FWV 36
composer:
César Franck (Belgian‐born French composer) (in 1878)
part of:
Catalogue of the works of César Franck by Joël-Marie Fauquet (CFF) (number: CFF 103) and Franck Werke Verzeichnis (number: 36)
part of:
3 Pièces pour grand orgue
César Franck5:22
5Ein deutsches Requiem, op. 45: Selig sind, die Leid tragen
choir vocals:
Edinburgh Festival Chorus
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen” (Chor)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms12:23
6Les Corps glorieux: Le Mystère de la Sainte Trinité
organ:
Simon Preston (organist, conductor, composer)
recording of:
Les Corps glorieux: VII. Le Mystère de la Sainte-Trinité
composer:
Olivier Messiaen (composer and organist) (in 1939)
publisher:
Éditions Leduc
part of:
Les Corps glorieux
Olivier Messiaen7:07
7Nun komm' der Heiden Heiland (nach BWV 659)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1975-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1975-04)
recording of:
Nun komm' der Heiden Heiland, BWV 659 (for piano, Kempff) (in 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Wilhelm Kempff (pianist)
arrangement of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
Johann Sebastian Bach / Wilhelm Kempff4:32
8Sonate pout la Harpe B-dur: 2. Adagio
harp:
Nicanor Zabaleta (harpist)
recording of:
Harp Sonata in B-flat major: II. Adagio
composer:
Giovanni Battista Viotti (violinist and composer)
part of:
Harp Sonata in B-flat major
Giovanni Battista Viotti4:44
9Madrigal
guitar:
Narciso Yepes (classical guitarist)
arranger:
Narciso Yepes (classical guitarist)
recording of:
Madrigal
composer:
Ernesto Halffter (Spanish composer and conductor)
Ernesto Halffter5:56
10Pieśń Roksany (aus der Oper "König Roger")
grand piano:
Krystian Zimerman (pianist)
violin:
Kaja Danczowska (violinist)
recording of:
Pieśń Roksany (Roxana's Song, for violin and piano, arr. Kochanski)
composer:
Karol Szymanowski (Polish composer)
piano and violin arranger:
Paweł Kochański (violinist) (in 1926)
arrangement of:
King Roger, op. 46: Chant de Roxane
Karol Szymanowski5:04
11Auf verwachsenem Pfade I: IV. Die Friedeker Mutter Gottes. Grave
piano:
Rudolf Firkušný (pianist)
recording of:
On an Overgrown Path, Book 1: No. 4. The Madonna of Frýdek
composer:
Leoš Janáček (Czech composer) (from 1900 until 1911)
part of:
On an Overgrown Path, Book 1
Leoš Janáček2:51
12Klavier-Trio Nr. 1 H-dur, op. 8: 3. Adagio
piano trio:
Trio di Trieste
recording of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8: III. Adagio (Unspecified revision)
composer:
Johannes Brahms (German composer) (in 1854)
part of:
Trio for Piano, Violin, and Cello no. 1 in B major, op. 8 (Unspecified revision)
Johannes Brahms8:47
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