Some Other Time: The Lost Session From the Black Forest

~ Release by Bill Evans with Eddie Gomez and Jack DeJohnette (see all versions of this release, 3 available)

Annotation

Countries excluded (iTunes)

(As of 2025-02-14).

  • Southern Europe: 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me) 🇷🇸 Serbia (rs)
  • Eastern Europe: 🇽🇰 Kosovo (xk)
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  • Polynesia: 🇹🇴 Tonga (to)
  • Melanesia: 🇻🇺 Vanuatu (vu)
Annotation last modified on 2025-02-14 08:13 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleRatingLength
1You’re Gonna Hear From Me
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
You’re Gonna Hear From Me (on 1968-06-20)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:32
2Walkin’ Up
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
recording of:
Walkin' Up (on 1968-06-20)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and TRO-Acorn Music
4:11
3Baubles, Bangles and Beads (trio)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1968-06-20)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
4:52
4It’s All Right With Me (incomplete)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
partial instrumental cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1968-06-20)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:45
5What Kind of Fool Am I? (alternate take)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
What Kind of Fool Am I? (on 1968-06-20)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
2:52
6How About You?
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
How About You? (on 1968-06-20)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
3:57
7On Green Dolphin Street
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
On Green Dolphin Street (on 1968-06-20)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:33
8Wonder Why
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Wonder Why (Rich, Young and Pretty) (on 1968-06-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:14
9Lover Man (Oh, Where Can You Be?)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Lover Man (on 1968-06-20)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:50
10You’re Gonna Hear From Me (alternate take)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental recording of:
You’re Gonna Hear From Me (on 1968-06-20)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:24