Some Other Time: The Lost Session From the Black Forest

~ Release by Bill Evans with Eddie Gomez and Jack DeJohnette (see all versions of this release, 3 available)

Annotation

Countries excluded (iTunes)

(As of 2025-02-14).

  • Southern Europe: 🇧🇦 Bosnia and Herzegovina (ba) 🇲🇪 Montenegro (me) 🇷🇸 Serbia (rs)
  • Eastern Europe: 🇽🇰 Kosovo (xk)
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  • Middle Africa: 🇨🇩 Democratic Republic of Congo (cd) 🇬🇦 Gabon (ga)
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Annotation last modified on 2025-02-14 08:13 UTC.

Tracklist

| |
1▼Digital Media
#TitleRatingLength
1You Go to My Head
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
You Go to My Head (on 1968-06-20)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:59
2Very Early
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
recording of:
Very Early (on 1968-06-20)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
5:13
3What Kind of Fool Am I?
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
What Kind of Fool Am I? (on 1968-06-20)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
5:21
4I’ll Remember April
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
I’ll Remember April (on 1968-06-20)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
4:08
5My Funny Valentine
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1968-06-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
6:58
6Baubles, Bangles and Beads (duo)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1968-06-20)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
4:39
7Turn Out the Stars
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
recording of:
Turn Out the Stars (on 1968-06-20)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:56
8It Could Happen to You
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
It Could Happen to You (on 1968-06-20)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:00
9In a Sentimental Mood
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
In a Sentimental Mood (on 1968-06-20)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
4:18
10These Foolish Things
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
These Foolish Things (Remind Me of You) (on 1968-06-20)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
4:14
11Some Other Time
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
On the Town: Some Other Time (on 1968-06-20)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
5:29
2▼Digital Media
#TitleRatingLength
1You’re Gonna Hear From Me
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
You’re Gonna Hear From Me (on 1968-06-20)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:32
2Walkin’ Up
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
recording of:
Walkin' Up (on 1968-06-20)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. and TRO-Acorn Music
4:11
3Baubles, Bangles and Beads (trio)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (on 1968-06-20)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
4:52
4It’s All Right With Me (incomplete)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
partial instrumental cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1968-06-20)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:45
5What Kind of Fool Am I? (alternate take)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
What Kind of Fool Am I? (on 1968-06-20)
lyricist and composer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music and Ludlow Music
part of:
Grammy Award: Song of the Year nominees (number: 1963 winner)
part of:
Stop the World – I Want to Get Off
2:52
6How About You?
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
How About You? (on 1968-06-20)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
3:57
7On Green Dolphin Street
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
On Green Dolphin Street (on 1968-06-20)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
4:33
8Wonder Why
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Wonder Why (Rich, Young and Pretty) (on 1968-06-20)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:14
9Lover Man (Oh, Where Can You Be?)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental cover recording of:
Lover Man (on 1968-06-20)
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:50
10You’re Gonna Hear From Me (alternate take)
recording engineer:
Joachim-Ernst Berendt and Hans Georg Brunner‐Schwer
mixer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
double bass:
Eddie Gomez (jazz double bassist) (on 1968-06-20)
drums (drum set):
Jack DeJohnette (on 1968-06-20)
piano:
Bill Evans (pianist) (on 1968-06-20)
phonographic copyright (℗) by:
Resonance Records (jazz)
recorded at:
MPS-Studio in Villingen-Schwenningen, Baden-Württemberg, Germany (on 1968-06-20)
instrumental recording of:
You’re Gonna Hear From Me (on 1968-06-20)
lyricist:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
composer:
André Previn (pianist, conductor, composer, arranger)
publisher:
Remick Music Corp., Warner Brothers Music Inc. and Warner Bros., Inc. (not for release label use!) (in 1965)
3:24