Jingle All the Way: Original Motion Picture Soundtrack

~ Release by David Newman (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Main Title
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Main Title (Jingle All the Way)
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:01
2Traffic
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Traffic
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:50
3Howard & Hummel
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Howard & Hummel
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:35
4Turbo Man Commercial
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Turbo Man Commercial
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
0:34
5Howard & Jamie
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Howard & Jamie
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
3:09
6Abusing the Help
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Abusing the Help
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:10
7Late Delivery
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Late Delivery
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
0:49
8Nutcracker Mall
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
arranger:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Nutcracker Mall
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:11
9Riot in the Workshop
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Riot in the Workshop
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
5:29
10Here’s to You Dad
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Here's to You Dad
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:55
11Music Box Bomb
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Music Box Bomb
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:03
12Bomb #2
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bomb #2
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:25
13Breaking & Entering
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Breaking & Entering
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:59
14Drinking With Reindeer
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Drinking With Reindeer
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:50
15Howard in the Taxi
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Howard in the Taxi
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:43
16Show Time
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Show Time
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:34
17Turbo Tom Marching Band #1
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Turbo Tom Marching Band #1
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:06
18Turbo Tom Marching Band #2
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Turbo Tom Marching Band #2
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:10
19Dementor Arrives
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Dementor Arrives
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
1:33
20Howard Saves the Day
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Howard Saves the Day
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
5:03
21Rescue Jamie and Finale (original version)
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Rescue Jamie and Finale (original version)
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
4:08
22Turbo Tom Marching Band #1 (with guitar)
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Turbo Tom Marching Band #1 (with guitar)
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
2:07
23Rescue Jamie and Finale (revised)
recording engineer and mixer:
Robert Fernandez (engineer)
producer:
Douglass Fake and Nick Redman (Soundtrack and Film Producer)
editor:
Douglass Fake and Tom Villano
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
recorded at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Rescue Jamie and Finale (revised)
orchestrator:
Alexander Janko, Daniel Hamuy and David Newman (American score composer)
composer:
David Newman (American score composer)
4:03