Jingle All the Way: Original Motion Picture Soundtrack

~ Veröffentlichung von David Newman (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Main Title
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Main Title (Jingle All the Way)
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:01
2Traffic
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Traffic
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:50
3Howard & Hummel
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Howard & Hummel
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:35
4Turbo Man Commercial
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Turbo Man Commercial
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
0:34
5Howard & Jamie
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Howard & Jamie
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
3:09
6Abusing the Help
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Abusing the Help
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:10
7Late Delivery
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Late Delivery
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
0:49
8Nutcracker Mall
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
arranger:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Nutcracker Mall
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:11
9Riot in the Workshop
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Riot in the Workshop
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
5:29
10Here’s to You Dad
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Here's to You Dad
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:55
11Music Box Bomb
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Music Box Bomb
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:03
12Bomb #2
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Bomb #2
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:25
13Breaking & Entering
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Breaking & Entering
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:59
14Drinking With Reindeer
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Drinking With Reindeer
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:50
15Howard in the Taxi
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Howard in the Taxi
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:43
16Show Time
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Show Time
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:34
17Turbo Tom Marching Band #1
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Turbo Tom Marching Band #1
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:06
18Turbo Tom Marching Band #2
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Turbo Tom Marching Band #2
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:10
19Dementor Arrives
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Dementor Arrives
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
1:33
20Howard Saves the Day
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Howard Saves the Day
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
5:03
21Rescue Jamie and Finale (original version)
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Rescue Jamie and Finale (original version)
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
4:08
22Turbo Tom Marching Band #1 (with guitar)
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Turbo Tom Marching Band #1 (with guitar)
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
2:07
23Rescue Jamie and Finale (revised)
recording engineer und Mix:
Robert Fernandez (engineer)
Produzent(in):
Douglass Fake und Nick Redman (Soundtrack and Film Producer)
Editing:
Douglass Fake und Tom Villano
conductor:
David Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
aufgenommen bei:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
edited at:
Intrada in Oakland, California (Kalifornien), Vereinigte Staaten
recording of:
Rescue Jamie and Finale (revised)
Orchestrator(in):
Alexander Janko, Daniel Hamuy und David Newman (American score composer)
Komponist(in):
David Newman (American score composer)
4:03

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Veröffentlichungsgruppe

IMDb:https://www.imdb.com/title/tt0116705/ [Info]