The History of Classical Music, Part 5: Modern: From Sibelius to Glass

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium: Sibelius: Symphony no. 5 / Valse triste / Finlandia / Tapiola
2▶Digitales Medium: Ives: “Concord” Sonata / Central Park in the Dark / Three Places in New England / Barber: Adagio for Strings
3▶Digitales Medium: Janáček: Taras Bulba / Concertino / Sinfonietta
4▶Digitales Medium: Ravel: Boléro / Piano Concerto / Pavane / Ma mère l’oye
5▶Digitales Medium: Schönberg: Transfigured Night / Pierrot lunaire / Webern: 6 Pieces for Orchestra / Symphony, op. 21
6▶Digitales Medium: Berg: Violin Concerto / Lyric Suite / 3 Pieces for Orchestra
7▶Digitales Medium: Stravinsky: Petrushka / Apollo / Circus Polka
8▶Digitales Medium: Stravinsky: The Rite of Spring / Pulcinella
9▶Digitales Medium: Prokofiev: Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé
10▶Digitales Medium: Bartók: Concerto for Orchestra / Music for Strings, Percussion & Celesta
11▶Digitales Medium: Hindemith: Symphony “Mathis der Maler” / Busoni: Doktor Faust / Pfitzner: Palestrina / Weill: Kleine Dreigroschenmusik
12▶Digitales Medium: Shostakovich: Symphony no. 5 / Cello Concerto no. 2
13▶Digitales Medium: Britten: Serenade for Tenor, Horn & Strings / Delius: 2 Pieces for Orchestra / Vaughan Williams: The Lark Ascending / Fantasia on “Greensleeves”
14▶Digitales Medium: Rodrigo: Concierto de Aranjuez / Falla: El amor brujo / Noches en los jardines de España
15▶Digitales Medium: Gershwin: Rhapsody in Blue / An American in Paris / Bernstein: “Candide” Overture / Symphonic Dances From “West Side Story”
16▶Digitales Medium: Messiaen: Turangalîla‐Symphonie
17▼Digitales Medium: Boulez: Le marteau sans maître / Stockhausen: Gruppen
Nr.TitelKünstlerBewertungLänge
1Le Marteau sans maître: Avant “l’Artisanat furieux”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez1:54
2Le Marteau sans maître: Commentaire I de “Bourreaux de solitude”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez4:31
3Le Marteau sans maître: “L’Artisanat furieux”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez2:39
4Le Marteau sans maître: Commentaire II de “Bourreaux de solitude”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez4:15
5Le Marteau sans maître: “Bel édifice et les pressentiments” I
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez4:07
6Le Marteau sans maître: “Bourreaux de solitude”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: VI. Bourreaux de solitude. Assez lent (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez5:03
7Le Marteau sans maître: Après “L’Artisanat furieux”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez1:07
8Le Marteau sans maître: Commentaire III de “Bourreaux de solitude”
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez6:25
9Le Marteau sans maître: “Bel édifice et les pressentiments” II
Mezzosoprangesang:
Hilary Summers (contralto) (in 2002-09)
Orchester:
Ensemble intercontemporain (in 2002-09)
conductor:
Pierre Boulez (composer and conductor) (in 2002-09)
aufgenommen bei:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankreich (in 2002-09)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 2002-09)
Komponist(in):
Pierre Boulez (composer and conductor) (von 1953 bis 1955)
Teil von:
Le marteau sans maître
Pierre Boulez8:30
10Gruppen für drei Orchester, Werk Nr.6
recording engineer:
Jürgen Bulgrin (sound engineer) (in 1994-12) und Reinhard Lagemann (in 1994-12)
leitende(r) Produzent(in):
Christopher Alder (editor/engineer/producer)
Produzent(in):
Arend Prohmann (producer / editor) (Aufgabe: recording producer)
Orchester:
Berliner Philharmoniker (in 1994-12)
conductor:
Claudio Abbado (conductor) (in 1994-12), Marcus Creed (conductor) (in 1994-12) und Friedrich Goldmann (in 1994-12)
Tonmeister(in):
Gernot von Schultzendorff (sound engineer and producer of classical releases)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH, Berlin (Deutsche Grammophon GmbH, this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Philharmonie, Großer Saal, Berlin in Mitte, Berlin, Deutschland (in 1994-12)
live recording of:
Gruppen, Nr. 6 (in 1994-12)
Komponist(in):
Karlheinz Stockhausen (composer) (von 1955 bis 1957)
gewidmet:
Herbert Eimert (German composer and critic)
Premiere bei:
[concert] (1958-03-24) (premiere concert for “Gruppen” by Karlheinz Stockhausen)
publisher:
Universal Edition (publisher; do NOT use as release label)
Teil von:
Works of Karlheinz Stockhausen by Werk Nr. (Nummer: Nr. 6)
Karlheinz Stockhausen22:26
18▶Digitales Medium: Lutosławski: Chain 3 / Novelette / Schnittke: Concerto grosso no. 1 / Ligeti: Chamber Concerto
19▶Digitales Medium: Górecki: Symphony no. 3
20▶Digitales Medium: Reich: Six Pianos / Adams: Shaker Loops / Glass: Violin Concerto

Nennungen

Veröffentlichungsgruppe

enthält:Cello Concerto no. 2 / Symphony no. 5 von Shostakovich (Dmitri Dmitrijewitsch Schostakowitsch, composer); Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor), National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings), Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
Concord Sonata / Three Places in New England / Central Park in the Dark von Charles Ives (American composer); Roberto Szidon, Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist), Seiji Ozawa (conductor and composer)
Le Sacre du printemps / Pulcinella von Igor Strawinsky (Igor Strawinski, Russian composer); Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
Music for Strings, Percussion and Celesta / Concerto for Orchestra von Bartók (Béla Bartók, composer); Lorin Maazel (conductor), Seiji Ozawa (conductor and composer)
Music from America von Gershwin (composer), Bernstein (Leonard Bernstein, American conductor, composer, pianist); Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor), San Francisco Symphony, Seiji Ozawa (conductor and composer)
Musik aus England, II von Benjamin Britten (English composer, conductor, and pianist), Frederick Delius (English composer), Ralph Vaughan Williams (English composer); Carlo Maria Giulini (conductor), Daniel Barenboim (pianist and conductor)
Musik des 20. Jahrhunderts, I von Hindemith (German composer, 1895–1963), Weill (composer), Pfitzner (German composer), Busoni (Ferruccio Busoni, Italian composer, pianist, conductor, editor, writer, and teacher); William Steinberg (conductor), David Atherton (conductor), Ferdinand Leitner (conductor)
Musik des 20. Jahrhunderts, II von Schnittke (Alfred Schnittke, Russian composer and pianist), Lutosławski (Polish composer), Ligeti (Austrian-Hungarian composer); Heinrich Schiff (cellist and conductor), Witold Lutosławski (Polish composer), Pierre Boulez (composer and conductor)
Petruschka / Apollon Musagète / Zirkuspolka von Igor Stravinsky (Igor Strawinski, Russian composer); London Symphony Orchestra, Charles Dutoit (conductor), Berliner Philharmoniker, Herbert von Karajan (conductor)
Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé von Prokofiev (Sergei Prokofjew, Russian composer); Martha Argerich (Argentine pianist), Shlomo Mintz (violinist, violist and conductor), Claudio Abbado (conductor)
Rodrigo: Concierto de Aranjuez / Falla: Night in the Gardens of Spain / El amor brujo von Rodrigo (Joaquín Rodrigo, Spanish composer and virtuoso pianist), Falla (Spanish composer); Narciso Yepes (classical guitarist), Margrit Weber (Swiss pianist), Teresa Berganza (mezzo-soprano)
Sinfonietta / Taras Bulba / Concertino von Janáček (Czech composer); Rudolf Firkušný (pianist), Bavarian Radio Symphony Orchestra (Symphonie-Orchester des Bayerischen Rundfunks), Rafael Kubelík (conductor)
Symphony no. 3 von Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer); Joanna Kozłowska (soprano), Warsaw Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra), Kazimierz Kord (conductor)
Symphony no. 5 / Valse Triste / Finlandia / Tapiola von Jean Sibelius (Finnish composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
Turangalîla‐Symphonie von Messiaen (composer and organist); Yvonne Loriod (pianist), Jeanne Loriod, Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Violin Concerto / 3 Pieces for Orchestra, op. 6 / Lyric Suite (excerpts) von Berg (Austrian composer); Henryk Szeryng (violinist), Rafael Kubelík (conductor), Herbert von Karajan (conductor)
Teil von:The History of Classical Music: From Gregorian Chant to Górecki (Reihenfolge: 5)