Nummerlijst

1digitale media: Sibelius: Symphony no. 5 / Valse triste / Finlandia / Tapiola
2digitale media: Ives: “Concord” Sonata / Central Park in the Dark / Three Places in New England / Barber: Adagio for Strings
3digitale media: Janáček: Taras Bulba / Concertino / Sinfonietta
4digitale media: Ravel: Boléro / Piano Concerto / Pavane / Ma mère l’oye
5digitale media: Schönberg: Transfigured Night / Pierrot lunaire / Webern: 6 Pieces for Orchestra / Symphony, op. 21
6digitale media: Berg: Violin Concerto / Lyric Suite / 3 Pieces for Orchestra
7digitale media: Stravinsky: Petrushka / Apollo / Circus Polka
8digitale media: Stravinsky: The Rite of Spring / Pulcinella
9digitale media: Prokofiev: Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé
10digitale media: Bartók: Concerto for Orchestra / Music for Strings, Percussion & Celesta
11digitale media: Hindemith: Symphony “Mathis der Maler” / Busoni: Doktor Faust / Pfitzner: Palestrina / Weill: Kleine Dreigroschenmusik
12digitale media: Shostakovich: Symphony no. 5 / Cello Concerto no. 2
13digitale media: Britten: Serenade for Tenor, Horn & Strings / Delius: 2 Pieces for Orchestra / Vaughan Williams: The Lark Ascending / Fantasia on “Greensleeves”
14digitale media: Rodrigo: Concierto de Aranjuez / Falla: El amor brujo / Noches en los jardines de España
15digitale media: Gershwin: Rhapsody in Blue / An American in Paris / Bernstein: “Candide” Overture / Symphonic Dances From “West Side Story”
16digitale media: Messiaen: Turangalîla‐Symphonie
17digitale media: Boulez: Le marteau sans maître / Stockhausen: Gruppen
#TitelArtiestWaarderingDuur
1Le Marteau sans maître: Avant “l’Artisanat furieux”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez1:54
2Le Marteau sans maître: Commentaire I de “Bourreaux de solitude”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez4:31
3Le Marteau sans maître: “L’Artisanat furieux”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez2:39
4Le Marteau sans maître: Commentaire II de “Bourreaux de solitude”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez4:15
5Le Marteau sans maître: “Bel édifice et les pressentiments” I
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez4:07
6Le Marteau sans maître: “Bourreaux de solitude”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: VI. Bourreaux de solitude. Assez lent (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez5:03
7Le Marteau sans maître: Après “L’Artisanat furieux”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez1:07
8Le Marteau sans maître: Commentaire III de “Bourreaux de solitude”
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez6:25
9Le Marteau sans maître: “Bel édifice et les pressentiments” II
mezzo-sopraanvocalen:
Hilary Summers (contralto) (in 2002-09)
orkest:
Ensemble intercontemporain (in 2002-09)
was dirigent:
Pierre Boulez (composer and conductor) (in 2002-09)
opgenomen bij:
Espace de projection (IRCAM) in Paris, Île-de-France, Frankrijk (in 2002-09)
is een opname van:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 2002-09)
componist:
Pierre Boulez (composer and conductor) (van 1953 tot 1955)
deel van:
Le marteau sans maître
Pierre Boulez8:30
10Gruppen für drei Orchester, Werk Nr.6
opnametechnicus:
Jürgen Bulgrin (sound engineer) (in 1994-12) en Reinhard Lagemann (in 1994-12)
leidinggevend producent:
Christopher Alder (editor/engineer/producer)
producent:
Arend Prohmann (producer / editor) (taak: recording producer)
orkest:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1994-12)
was dirigent:
Claudio Abbado (conductor) (in 1994-12), Marcus Creed (conductor) (in 1994-12) en Friedrich Goldmann (in 1994-12)
balanstechnicus:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
fonografisch auteursrecht (℗):
Deutsche Grammophon GmbH, Berlin (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
opgenomen bij:
Philharmonie, Großer Saal, Berlin in Mitte, Berlin, Duitsland (in 1994-12)
is een live-opname van:
Gruppen, Nr. 6 (in 1994-12)
componist:
Karlheinz Stockhausen (composer) (van 1955 tot 1957)
toegewijdt aan:
Herbert Eimert (German composer and critic)
had de première bij:
[concert] (1958-03-24) (premiere concert for “Gruppen” by Karlheinz Stockhausen)
uitgever:
Universal Edition (publisher; do NOT use as release label)
deel van:
Works of Karlheinz Stockhausen by Werk Nr. (nummer: Nr. 6)
Karlheinz Stockhausen22:26
18digitale media: Lutosławski: Chain 3 / Novelette / Schnittke: Concerto grosso no. 1 / Ligeti: Chamber Concerto
19digitale media: Górecki: Symphony no. 3
20digitale media: Reich: Six Pianos / Adams: Shaker Loops / Glass: Violin Concerto

Relaties

Uitgavegroep

bevat:Cello Concerto no. 2 / Symphony no. 5 van Shostakovich (Dmitri Sjostakovitsj, composer); Mstislav Rostropovich (Mstislav Rostropovitsj, cellist/conductor), National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings), Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
Concord Sonata / Three Places in New England / Central Park in the Dark van Charles Ives (American composer); Roberto Szidon, Boston Symphony Orchestra, Michael Tilson Thomas (conductor and pianist), Seiji Ozawa (conductor and composer)
Le Sacre du printemps / Pulcinella van Igor Strawinsky (Igor Stravinsky, Russian composer); Teresa Berganza (mezzo-soprano), Ryland Davies (tenor), John Shirley‐Quirk (bass-baritone), London Symphony Orchestra, Claudio Abbado (conductor)
Music for Strings, Percussion and Celesta / Concerto for Orchestra van Bartók (Béla Bartók, composer); Lorin Maazel (conductor), Seiji Ozawa (conductor and composer)
Music from America van Gershwin (composer), Bernstein (Leonard Bernstein, American conductor, composer, pianist); Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor), San Francisco Symphony, Seiji Ozawa (conductor and composer)
Musik aus England, II van Benjamin Britten (English composer, conductor, and pianist), Frederick Delius (English composer), Ralph Vaughan Williams (English composer); Carlo Maria Giulini (conductor), Daniel Barenboim (pianist and conductor)
Musik des 20. Jahrhunderts, I van Hindemith (German composer, 1895–1963), Weill (composer), Pfitzner (German composer), Busoni (Ferruccio Busoni, Italian composer, pianist, conductor, editor, writer, and teacher); William Steinberg (conductor), David Atherton (conductor), Ferdinand Leitner (conductor)
Musik des 20. Jahrhunderts, II van Schnittke (Alfred Schnittke, Russian composer and pianist), Lutosławski (Polish composer), Ligeti (Austrian-Hungarian composer); Heinrich Schiff (cellist and conductor), Witold Lutosławski (Polish composer), Pierre Boulez (composer and conductor)
Petruschka / Apollon Musagète / Zirkuspolka van Igor Stravinsky (Russian composer); London Symphony Orchestra, Charles Dutoit (conductor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé van Prokofiev (Sergej Prokofjev, Russian composer); Martha Argerich (Argentine pianist), Shlomo Mintz (violinist, violist and conductor), Claudio Abbado (conductor)
Rodrigo: Concierto de Aranjuez / Falla: Night in the Gardens of Spain / El amor brujo van Rodrigo (Joaquín Rodrigo, Spanish composer and virtuoso pianist), Falla (Spanish composer); Narciso Yepes (classical guitarist), Margrit Weber (Swiss pianist), Teresa Berganza (mezzo-soprano)
Sinfonietta / Taras Bulba / Concertino van Janáček (Czech composer); Rudolf Firkušný (pianist), Bavarian Radio Symphony Orchestra, Rafael Kubelík (conductor)
Symphony no. 3 van Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer); Joanna Kozłowska (soprano), Warsaw Philharmonic Orchestra (The Warsaw National Philharmonic Orchestra), Kazimierz Kord (conductor)
Symphony no. 5 / Valse Triste / Finlandia / Tapiola van Jean Sibelius (Finnish composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Turangalîla‐Symphonie van Messiaen (composer and organist); Yvonne Loriod (pianist), Jeanne Loriod, Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (Myung-whun Chung, pianist and conductor)
Violin Concerto / 3 Pieces for Orchestra, op. 6 / Lyric Suite (excerpts) van Berg (Austrian composer); Henryk Szeryng (violinist), Rafael Kubelík (conductor), Herbert von Karajan (conductor)
deel van:The History of Classical Music: From Gregorian Chant to Górecki (volgorde: 5)