The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▼CD: Bach: Mass in B minor, BWV 232 (conclusion)
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Credo. XII. Credo in unum Deum (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:52
2Mass in B minor, BWV 232: Credo. XIII. Patrem omnipotentem (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:12
3Mass in B minor, BWV 232: Credo. XIV. Et in unum Dominum (soprano, mezzo-soprano)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
mezzo-soprano vocals:
Magali Schwartz (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
soprano vocals:
Wally Staempfli (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:02
4Mass in B minor, BWV 232: Credo. XV. Et incarnatus est (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:48
5Mass in B minor, BWV 232: Credo. XVI. Crucifixus (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:32
6Mass in B minor, BWV 232: Credo. XVII. Et resurrexit (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:15
7Mass in B minor, BWV 232: Credo. XVIII. Et in Spiritum Sanctum Dominum (baritone)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
baritone vocals:
Philippe Huttenlocher (baritone) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:18
8Mass in B minor, BWV 232: Credo. XIX. Confiteor
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:14
9Mass in B minor, BWV 232: Credo. XX. Et expecto (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:27
10Mass in B minor, BWV 232: Sanctus. XXI. Sanctus (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
11Mass in B minor, BWV 232: Sanctus. XXII. Osanna in excelsis (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
12Mass in B minor, BWV 232: Sanctus. XXIII. Benedictus (tenor)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
tenor vocals:
Olivier Dufour (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
13Mass in B minor, BWV 232: Sanctus. XXIV. Osanna repetirur (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:57
14Mass in B minor, BWV 232: Sanctus. XXV. Agnus Dei (mezzo-soprano)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
mezzo-soprano vocals:
Magali Schwartz (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:23
15Mass in B minor, BWV 232: Sanctus. XXVI. Dona nobis pacem (chorus)
producer:
Michel Garcin (French producer)
bassoon:
Assaf Bar-Lev (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and André Vivian (bassoonist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
cello:
Marçal Cervera (cellist, viola da gamba player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
double bass:
Hartmut Bennewitz (double bassist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
flute:
Brigitte Buxtorf (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
harpsichord:
Christiane Jaccottet (harpsichord) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
horn:
Georges Barboteu (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
oboe d'amore:
Stephen Ayrton (oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
organ:
André Luy (organist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo flute:
Aurèle Nicolet (flutist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
solo oboe:
Michael Kühn (classical oboist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
trumpet:
Maurice André (French trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03), Bernard Soustrot (trumpeter) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03) and Guy Touvron (trumpet player) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
violin:
Hansheinz Schneeberger (violinist) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
choir vocals:
Ensemble Vocal de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
orchestra:
Ensemble Instrumental de Lausanne (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
conductor:
Michel Corboz (conductor and composer) (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
balance engineer:
Guy Laporte and Peter Willemoës
recorded at:
Casino de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (from 1972-01-29 until 1972-01-30, from 1972-02-02 until 1972-02-03)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:38
24▶CD: Carissimi: Jephté et Trois motets
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)