The Complete Erato Recordings: Baroque & Renaissance Eras

~ Release by Michel Corboz (see all versions of this release, 1 available)

Annotation

A 74-CD collection of the complete Erato recordings covering the Baroque and Renaissance eras made between 1964-1996. Some recordings appear for the first time on CD and have been remastered in 192 kHz/24-bit by Art & Son Studio.

Annotation last modified on 2023-07-12 08:15 UTC.

Tracklist

1▶CD: Monteverdi: Messa a 4 voci / Ingegneri: Tenebrae factae sunt & Lamentations de Jérémie
2▶CD: A. Scarlatti: Motets & Missa ad usum Cappellae Pontificiae
3▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
4▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
5▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice I
6▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice II
7▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice III
8▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice IV
9▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice V
10▶CD: Monteverdi: Selva Morale Spirituale and Sacred Works for St. Mark’s Basilica, Venice VI
11▶CD: Monteverdi: Orfeo (beginning)
12▶CD: Monteverdi: Orfeo (conclusion)
13▶CD: La Chanson et la danse – Paris, vers 1540
14▶CD: La Chanson de Lausanne
15▶CD: Goudimel: Mass “La Bien que j’ay” / Six Psalms
16▶CD: De Lalande: De profundis / Regina cœli
17▶CD: I Dolci Frutti: Venice before Monteverdi (I)
18▶CD: I Dolci Frutti: Venice before Monteverdi (II)
19▶CD: Gabrieli: Sacrae Symphoniae vol. 1
20▶CD: Gabrieli: Sacrae Symphoniae vol. 2
21▶CD: Bach: Magnificat / Cantata BWV 187
22▶CD: Bach: Mass in B minor, BWV 232 (beginning)
23▶CD: Bach: Mass in B minor, BWV 232 (conclusion)
24▼CD: Carissimi: Jephté et Trois motets
#TitleArtistRatingLength
1Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
alto vocals [Historicus]:
Helena Claudio (alto) (in 1972)
bass vocals [Jephte]:
Philippe Huttenlocher (baritone) (in 1972)
choir vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vocasset in proelium” (Historicus, Jephte, chorus) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi3:28
2Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
alto vocals [Historicus]:
Helena Claudio (alto) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Et percussit Jephte” (Historicus) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi1:18
3Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
alto vocals [Historicus]:
Helena Claudio (alto) (in 1972)
choir vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (in 1972)
soprano vocals [Filia de Jephte]:
Jennifer Smith (soprano) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum autem victor Jephte” (Historicus, Filia, chorus) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi2:23
4Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
choir vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (in 1972)
soprano vocals [Filia de Jephte]:
Jennifer Smith (soprano) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cantate mecum Domino” (Filia, chorus) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi2:02
5Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
alto vocals [Historicus]:
Helena Claudio (alto) (in 1972)
bass vocals [Jephte]:
Philippe Huttenlocher (baritone) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Cum vidisset Jephte” (Historicus, Jephte) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi3:43
6Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
bass vocals [Jephte]:
Philippe Huttenlocher (baritone) (in 1972)
soprano vocals [Filia de Jephte]:
Jennifer Smith (soprano) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Pater mi, si voviste votum Domino” (Filia, Jephte) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi2:12
7Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
bass vocals [Jephte]:
Philippe Huttenlocher (baritone) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Vade filia mea” (Jephte, Historicus a 4) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi1:12
8Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
soprano vocals [Filia de Jephte]:
Jennifer Smith (soprano) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate colles” (Filia, Eccho) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi5:53
9Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus)
producer:
Michel Garcin (French producer)
cello:
Elias Arizcuren Escuhra (in 1972)
harp:
Catherine Heisenhofer (in 1972)
violin:
Ernest Ortwin Neeth (in 1972)
choir vocals:
Chœur de Chambre de la Fondation Gulbenkian de Lisbonne (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Historia di Jephte, oratorio for soli, chorus and orchestra: “Plorate filii Israel” (chorus) (in 1972)
composer:
Giacomo Carissimi
part of:
Jephte
Giacomo Carissimi3:54
10Motet “O qual pulchra es”, for soprano, strings and continuo
producer:
Michel Garcin (French producer)
vocals:
Jennifer Smith (soprano) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Motet “O qual pulchra es”, for soprano, strings and continuo (in 1972)
composer:
Giacomo Carissimi
Giacomo Carissimi12:54
11Motet “O vulnera dolorim”, for bass and organ
producer:
Michel Garcin (French producer)
organ:
Antoine Sibertin Blanc (organist) (in 1972)
bass vocals:
Philippe Huttenlocher (baritone) (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Motet “O vulnera dolorim”, for bass and organ (in 1972)
composer:
Giacomo Carissimi
Giacomo Carissimi5:54
12Motet “Salve, salve puellule”, for tenor, strings and continuo
producer:
Michel Garcin (French producer)
tenor vocals:
Olivier Dufour (in 1972)
orchestra:
Orchestre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (in 1972)
conductor:
Michel Corboz (conductor and composer) (in 1972)
balance engineer:
Peter Willemoës
recorded at:
Igreja de Graça in Lisboa (Lisbon), Lisboa (Lisbon District), Portugal (in 1972)
recording of:
Motet “Salve, salve puellule”, for tenor, strings and continuo (in 1972)
composer:
Giacomo Carissimi
Giacomo Carissimi8:06
25▶CD: Carissimi: Ezechias / Abraham et Isaac / Tolle Sponza / Messe à huit voix
26▶CD: Charpentier: Messe pour les trépassés (1)
27▶CD: Charpentier: Messe pour les trépassés (2)
28▶CD: Bach: Missae breves I
29▶CD: Bach: Missae breves II
30▶CD: Chansons et Madrigaux de la Renaissance avec leur Double Orrié par Bassano
31▶CD: Marcello: Seven Psalms I
32▶CD: Marcello: Seven Psalms II
33▶CD: Monteverdi: Madrigali I
34▶CD: Monteverdi: Madrigali II
35▶CD: Bach: Piano Concertos BWV 1052, 1055 & 1056
36▶CD: Vivaldi: Sacred Music I
37▶CD: Monteverdi: Madrigali III-V (I)
38▶CD: Monteverdi: Madrigali III-V (II)
39▶CD: J.C. Bach: Fortepiano Concertos
40▶CD: Vivaldi: Sacred Music II
41▶CD: Vivaldi: Sacred Music III
42▶CD: Vivaldi: Sacred Music IV
43▶CD: Charpentier: Te Deum / Beatus vir / Tenebrae factae sunt / Nuit / Seniores populi
44▶CD: Vivaldi: Sacred Music V
45▶CD: Bach: Cantatas I
46▶CD: Bach: Cantatas II
47▶CD: Bach: Johannes-Passion, BWV 245 (beginning)
48▶CD: Bach: Johannes-Passion, BWV 245 (conclusion)
49▶CD: Vivaldi: Sacred Music VI
50▶CD: Charpentier: Le jugement dernier / Beatus vir
51▶CD: Monteverdi: Magrigali VI-VIII (I)
52▶CD: Monteverdi: Madrigali VI-VIII (II)
53▶CD: Bach: Mass in B minor, BWV 232 (beginning)
54▶CD: Bach: Mass in B minor, BWV 232 (conclusion) / Magnificat
55▶CD: Cavalli: Ercole amante (beginning)
56▶CD: Cavalli: Ercole amante (continuing)
57▶CD: Cavalli: Ercole amante (conclusion)
58▶CD: Handel: Suites from Rodrigo & Il pastor fido
59▶CD: Charpentier: David et Jonathas, H. 490 (beginning)
60▶CD: Charpentier: David et Jonathas, H. 490 (conclusion)
61▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (beginning)
62▶CD: Monteverdi: Vespro della Beata Vergine, SV 206 (conclusion)
63▶CD: Bach: Matthäus-Passion, BWV 244 (beginning)
64▶CD: Bach: Matthäus-Passion, BWV 244 (continuing)
65▶CD: Bach: Matthäus-Passion, BWV 244 (conclusion)
66▶CD: Bach: Weihnachtsoratorium, BWV 248 (beginning)
67▶CD: Bach: Weihnachtsoratorium, BWV 248 (conclusion)
68▶CD: Monteverdi: Orfeo (beginning)
69▶CD: Monteverdi: Orfeo (conclusion)
70▶CD: Purcell: Dido and Aeneas
71▶CD: Handel: Messiah, KV 572 (beginning)
72▶CD: Handel: Messiah, KV 572 (conclusion)
73▶CD: Bach: Mass in B minor, BWV 232 (beginning)
74▶CD: Bach: Mass in B minor, BWV 232 (conclusion)