The Collector’s Edition

~ Release by Edward Elgar (see all versions of this release, 1 available)

Annotation

Performers are listed at https://www.amazon.co.uk/review/R31DTP5044KW7N/.

Annotation last modified on 2016-12-12 09:11 UTC.

Tracklist

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#TitleRatingLength
1The Music Makers, Op. 69: (Moderato e nobilmente)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Moderato e nobilmente (from 1966-12-21 until 1966-12-23)
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
3:29
2The Music Makers, Op. 69: We are the music makers
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Larghetto. "We are the music makers" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
1:57
3The Music Makers, Op. 69: With wonderful deathless ditties
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "With wonderful deathless ditties" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
1:41
4The Music Makers, Op. 69: We, in the ages lying
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegretto. "We, in the ages lying" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
3:58
5The Music Makers, Op. 69: A breath of our inspiration
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
4:01
6The Music Makers, Op. 69: They had no vision amazing
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Contralto solo, lento, quasi recitativo. "They had no vision amazing" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
3:21
7The Music Makers, Op. 69: And therefore to-day is thrilling
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro molto. "And therefor today is thrilling" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
4:27
8The Music Makers, Op. 69: But we, with our dreaming and singing
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Andantino. "But we, with our dreaming and singing" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
3:32
9The Music Makers, Op. 69: For we are afar with the dawning
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Come prima. "For we are afar with the dawning" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
2:38
10The Music Makers, Op. 69: Great wall we cry to the corners
producer:
Christopher Bishop (conductor/producer)
choir vocals:
London Philharmonic Choir (from 1966-12-21 until 1966-12-23)
solo mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1966-12-21 until 1966-12-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1966-12-21 until 1966-12-23)
conductor:
Sir Adrian Boult (conductor) (from 1966-12-21 until 1966-12-23)
chorus master:
Frederic Jackson
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1967, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-12-21 until 1966-12-23)
recording of:
The Music Makers, op. 69: Allegro. "Great hail! we cry to the comers" (from 1966-12-21 until 1966-12-23)
lyricist:
Arthur William Edgar O'Shaughnessy
composer:
Edward Elgar (composer)
part of:
The Music Makers, op. 69
8:59
11The Sanguine Fan, Op. 81: A glade
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:50
12The Sanguine Fan, Op. 81: Pan enters piping, then curls up to sleep
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
1:28
13The Sanguine Fan, Op. 81: A Young Man enters, awaiting someone
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:21
14The Sanguine Fan, Op. 81: Two girls enter gaily; the Young Man returns the fan which the First Girl has dropped in the excitement of meeting
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-14 until 1973-05-15)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
1:21
15The Sanguine Fan, Op. 81: The Young Man declared his passion for the First Girl and is blindfolded; a quarrel
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
1:17
16The Sanguine Fan, Op. 81: Echo awakes Pan, who falls in love with her; they dance till exhausted
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
5:35
17The Sanguine Fan, Op. 81: Three Shepherdesses bring gifts for Pan
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
1:39
18The Sanguine Fan, Op. 81: The First Girl and the Young Man enter, she angry, he pleading; thunder
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:58
19The Sanguine Fan, Op. 81: Echo snatches Pan's pipes and tempts the Young Man
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:56
20The Sanguine Fan, Op. 81: Echo, now disguised as a mortal, captivates the Young Man
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:23
21The Sanguine Fan, Op. 81: Pan rouses and, full of jealous wrath, pursues the Young Man; thunder and lightning; the Young Man falls unconscious
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
0:29
22The Sanguine Fan, Op. 81: Echo, sans disguise, run back to Pan; they embrace madly and run off; the girl kneels by he prostrate lover; Pan glances back and laughs sardonically
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
2:00
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