The Collector’s Edition

~ Veröffentlichung von Edward Elgar (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
21:39
2Symphony no. 1 in A‐flat, op. 55: II. Allegro molto
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
7:03
3Symphony no. 1 in A‐flat, op. 55: III. Adagio
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
12:16
4Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1962-08-28 bis 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-08-28 bis 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-08-28 bis 1962-08-29)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (von 1962-08-28 bis 1962-08-29)
Komponist(in):
Edward Elgar (composer) (von 1907 bis 1908)
Teil von:
Symphony no. 1 in A-flat major, op. 55
12:56
5Introduction and Allegro, op. 47
Produzent(in):
Victor Olof
Saiteninstrumente:
Allegri String Quartet (von 1962-05-10 bis 1962-05-11)
Orchester:
Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47 (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1905)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1905-03-08)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 47)
14:01
2▼CD
Nr.TitelBewertungLänge
1Symphony no. 2 in E‐flat, op. 63: I. Allegro vivace e nobilmente
Produzent(in):
Victor Olof
Orchester:
Hallé Orchestra (von 1964-04-20 bis 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-04-20 bis 1964-04-21)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (von 1964-04-20 bis 1964-04-21)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-04-20 bis 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (von 1964-04-20 bis 1964-04-21)
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
19:25
2Symphony no. 2 in E‐flat, op. 63: II. Larghetto
Produzent(in):
Victor Olof
Orchester:
Hallé Orchestra (von 1964-04-20 bis 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-04-20 bis 1964-04-21)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (von 1964-04-20 bis 1964-04-21)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-04-20 bis 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (von 1964-04-20 bis 1964-04-21)
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
13:50
3Symphony no. 2 in E‐flat, op. 63: III. Rondo: Presto
Produzent(in):
Victor Olof
Orchester:
Hallé Orchestra (von 1964-04-20 bis 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-04-20 bis 1964-04-21)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (von 1964-04-20 bis 1964-04-21)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-04-20 bis 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (von 1964-04-20 bis 1964-04-21)
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
8:20
4Symphony no. 2 in E‐flat, op. 63: IV. Moderato e maestoso
Produzent(in):
Victor Olof
Orchester:
Hallé Orchestra (von 1964-04-20 bis 1964-04-21)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1964-04-20 bis 1964-04-21)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (von 1964-04-20 bis 1964-04-21)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1964-04-20 bis 1964-04-21)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (von 1964-04-20 bis 1964-04-21)
Komponist(in):
Edward Elgar (composer) (von 1903 bis 1911)
Teil von:
Symphony no. 2 in E-flat major, op. 63
14:27
5Elegy, op. 58
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-06-16)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-06-16)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-06-16)
recording of:
Elegy, op. 58 (am 1966-06-16)
Komponist(in):
Edward Elgar (composer) (in 1909)
Premiere bei:
Mansion House in London (Greater London), England, Vereinigtes Königreich (am 1909-07-13)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 58)
4:29
6Sospiri, op. 70
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-06-16)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-06-16)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (am 1966-06-16)
Komponist(in):
Edward Elgar (composer) (in 1914)
gewidmet:
William Henry Reed
publisher:
Breitkopf & Härtel
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 70)
5:10
3▼CD
Nr.TitelBewertungLänge
1Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
3:15
2Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar’s Head, Revelry and Sleep
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
13:02
3Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: ‘Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk’
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
2:19
4Falstaff Symphonic Study in C minor, op. 68: III. Falstaff’s March
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
4:24
5Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow’s Orchard (Allegretto) – The New King – The Hurried Ride to London
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
teilweise recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
2:39
6Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V’s Progress – The Repudiation of Falstaff, and His Death
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Orchester:
Hallé Orchestra (am 1964-06-01)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1964-06-01)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1964-06-01)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (am 1964-06-01)
Komponist(in):
Edward Elgar (composer) (in 1913)
Teil von:
Falstaff, op. 68 (Symphonic Study)
8:53
7Cockaigne (in London Town) Concert Overture, op. 40
Produzent(in):
Victor Olof und James W. Burnett (producer) (in 1962-08)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-27)
recording of:
Cockaigne (In London Town), op. 40 (am 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1897)
Premiere bei:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1901-06-20)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 40)
14:45
8Froissart Concert Overture, op. 19
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-15)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-15)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-15)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-15)
recording of:
Froissart Overture, op. 19 (am 1966-07-15)
Premiere in:
Worcester, Worcestershire, England, Vereinigtes Königreich (am 1890-09-09)
Komponist(in):
Edward Elgar (composer) (in 1890)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 19)
14:13
4▼CD
Nr.TitelBewertungLänge
1Variations on an Original Theme ‘Enigma’, op. 36: Theme
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:29
2Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (Caroline Alice Edgar)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Caroline Alice Elgar (English author, married to Edward Elgar)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
3Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Hew David Steuart Powell
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
0:49
4Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Richard Baxter Townshend
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:28
5Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
William Meath Baker
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
0:30
6Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Richard Penrose Arnold
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
2:17
7Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Isabel Fitton
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:16
8Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Arthur Troyte Griffith
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:04
9Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Winifred Norbury
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:48
10Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A.J. Jaeger)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (von 1962-05-09 bis 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
3:35
11Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Dora Penny
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
2:25
12Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
George Robertson Sinclair
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
1:00
13Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Basil George Nevinson
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
2:53
14Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Lady Mary Lygon
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
2:46
15Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale: E.D.U. (The Composer)
Produzent(in):
Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-05-09, am 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-05-09, am 1962-08-27)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) (am 1962-05-09, am 1962-08-27)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-05-09, am 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (von 1962-05-09 bis 1962-08-27)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
5:36
16Pomp and Circumstance Military Marches, op. 39: No. 1 in D major
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (am 1962-08-29)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
6:40
17Pomp and Circumstance Military Marches, op. 39: No. 2 in A minor
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (am 1966-07-14)
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
Komponist(in):
Edward Elgar (composer) (in 1901)
Teil von:
Pomp and Circumstance Military Marches, op. 39
5:06
18Pomp and Circumstance Military Marches, op. 39: No. 3 in C minor
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (am 1966-07-14)
Komponist(in):
Edward Elgar (composer) (in 1904)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1905-03-08)
Teil von:
Pomp and Circumstance Military Marches, op. 39
6:06
19Pomp and Circumstance Military Marches, op. 39: No. 4 in G major
Produzent(in):
James W. Burnett (producer) und Victor Olof
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1962-08-29)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (am 1962-08-29)
Komponist(in):
Edward Elgar (composer) (in 1907)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1907-08-24)
Teil von:
Pomp and Circumstance Military Marches, op. 39
5:22
20Pomp and Circumstance Military Marches, op. 39: No. 5 in C major
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1966-07-14)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1966-07-14)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1966-07-14)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (am 1966-07-14)
Komponist(in):
Edward Elgar (composer) (in 1930)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1930-09-20)
Teil von:
Pomp and Circumstance Military Marches, op. 39
6:09
21Serenade in E minor, op. 20: I. Allegro piacevole
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
3:59
22Serenade in E minor, op. 20: II. Larghetto
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (original Gordon Walker formed orchestra) und Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
6:00
23Serenade in E minor, op. 20: III. Allegretto – Come prima
Produzent(in):
Victor Olof
Orchester:
Sinfonia of London (John Wilson’s session orchestra) (von 1962-05-10 bis 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (von 1962-05-10 bis 1962-05-11)
Tonmeister(in):
Harold Davidson (classical sound engineer, active from late 1950's) und Howard Davidson (engineer) (von 1962-05-10 bis 1962-05-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1962-05-10 bis 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (von 1962-05-10 bis 1962-05-11)
Komponist(in):
Edward Elgar (composer) (in 1892)
Teil von:
Serenade for Strings in E minor, op. 20
3:08
5▼CD
Nr.TitelBewertungLänge
1Sea Pictures, op. 37: I. Sea Slumber‐Song
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: I. Sea Slumber Song (am 1965-08-30)
Texter:
Roden Noel
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
5:04
2Sea Pictures, op. 37: II. In Haven (Capri)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: II. In Haven (Capri) (am 1965-08-30)
Texter:
Alice Elgar (English author, married to Edward Elgar)
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
2:06
3Sea Pictures, op. 37: III. Sabbath Morning at Sea
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: III. Sabbath Morning at Sea (am 1965-08-30)
Texter:
Elizabeth Barrett Browning
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
6:20
4Sea Pictures, op. 37: IV. Where Corals Lie
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: IV. Where Corals Lie (am 1965-08-30)
Texter:
Richard Garnett
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
4:11
5Sea Pictures, op. 37: V. The Swimmer
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto) (am 1965-08-30)
Orchester:
London Symphony Orchestra (am 1965-08-30)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-30)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-30)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-08-30)
recording of:
Sea Pictures, op. 37: V. The Swimmer (am 1965-08-30)
Texter:
Adam Lindsay Gordon
Komponist(in):
Edward Elgar (composer) (in 1899)
Teil von:
Sea Pictures, op. 37
6:13
6Cello Concerto in E minor, op. 85: I. Adagio – Moderato –
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
7:58
7Cello Concerto in E minor, op. 85: II. Lento – Allegro molto
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Interpret(in):
Sir John Barbirolli (conductor and cellist)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
4:31
8Cello Concerto in E minor, op. 85: III. Adagio
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
5:14
9Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Cello:
Jacqueline du Pré (cellist) (am 1965-08-19)
Orchester:
London Symphony Orchestra (am 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (am 1965-08-19)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s) (am 1965-08-19)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (am 1965-08-19)
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
12:17
6▼CD
Nr.TitelBewertungLänge
1Violin Sonata in E minor, op. 82: I. Allegro
Geige / Violine:
Hugh Bean (violinist) (am 1971-01-01)
Klavier:
David Parkhouse (pianist) (am 1971-01-01)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: I. Allegro (am 1971-01-01)
Komponist(in):
Edward Elgar (composer) (in 1918)
Teil von:
Sonata for Violin and Piano in E minor, op. 82
8:10
2Violin Sonata in E minor, op. 82: II. Romance: Andante
Geige / Violine:
Hugh Bean (violinist) (am 1971-01-01)
Klavier:
David Parkhouse (pianist) (am 1971-01-01)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: II. Romance: Andante (am 1971-01-01)
Komponist(in):
Edward Elgar (composer) (in 1918)
Teil von:
Sonata for Violin and Piano in E minor, op. 82
8:04
3Violin Sonata in E minor, op. 82: III. Allegro non troppo
Geige / Violine:
Hugh Bean (violinist) (am 1971-01-01)
Klavier:
David Parkhouse (pianist) (am 1971-01-01)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1971-01-01)
recording of:
Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo (am 1971-01-01)
Komponist(in):
Edward Elgar (composer) (in 1918)
Teil von:
Sonata for Violin and Piano in E minor, op. 82
9:18
4Violin Concerto in B minor, op. 61: I. Allegro
Geige / Violine:
Hugh Bean (violinist) (von 1972-06-15 bis 1972-06-16)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1972-06-15 bis 1972-06-16)
conductor:
Sir Charles Groves (conductor) (von 1972-06-15 bis 1972-06-16)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1972-06-15 bis 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: I. Allegro (von 1972-06-15 bis 1972-06-16)
Komponist(in):
Edward Elgar (composer) (von 1905 bis 1910)
Teil von:
Violin Concerto in B minor, op. 61
18:07
5Violin Concerto in B minor, op. 61: II. Andante
Geige / Violine:
Hugh Bean (violinist) (von 1972-06-15 bis 1972-06-16)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1972-06-15 bis 1972-06-16)
conductor:
Sir Charles Groves (conductor) (von 1972-06-15 bis 1972-06-16)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1972-06-15 bis 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (von 1972-06-15 bis 1972-06-16)
Komponist(in):
Edward Elgar (composer) (von 1905 bis 1910)
Teil von:
Violin Concerto in B minor, op. 61
11:38
6Violin Concerto in B minor, op. 61: III. Allegro molto – Cadenza (Accompagnata: Lento) – Allegro molto (Tempo I)
Geige / Violine:
Hugh Bean (violinist) (von 1972-06-15 bis 1972-06-16)
Orchester:
Royal Liverpool Philharmonic Orchestra (von 1972-06-15 bis 1972-06-16)
conductor:
Sir Charles Groves (conductor) (von 1972-06-15 bis 1972-06-16)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 1972-06-15 bis 1972-06-16)
recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (von 1972-06-15 bis 1972-06-16)
Komponist(in):
Edward Elgar (composer) (von 1905 bis 1910)
Teil von:
Violin Concerto in B minor, op. 61
19:19
7▼CD
Nr.TitelBewertungLänge
1Nursery Suite: I. Aubade (Awake) (Allegretto)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: I. Aubade
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
4:49
2Nursery Suite: II. The Serious Doll (Andantino)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: II. The Serious Doll
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
3:12
3Nursery Suite: III. Busy‐ness (Allegro molto)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: III. Busy-Ness
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
2:18
4Nursery Suite: IV. The Sad Doll (Andantino)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: IV. The Sad Doll
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
1:52
5Nursery Suite: V. The Wagon (Passes) (Allegretto)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: V. The Wagon (Passes)
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
1:45
6Nursery Suite: VI. The Merry Doll (Allegro molto)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: VI. The Merry Doll
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
1:32
7Nursery Suite: VII. Dreaming (Lento)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite: VII. Dreaming
Komponist(in):
Edward Elgar (composer)
Teil von:
Nursery Suite
3:11
8Nursery Suite: VIII. Envoy (Coda)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Nursery Suite
Komponist(in):
Edward Elgar (composer)
gewidmet:
Elizabeth Bowes-Lyon (The Queen Mother), Queen Elizabeth II (monarch) und Princess Margaret
4:34
9Severn Suite, op. 87: I. Worcester Castle (Introduction)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: I. Introduction (Worcester Castle) (for brass band)
Komponist(in):
Edward Elgar (composer) (in 1930)
Teil von:
The Severn Suite, op. 87 (for brass band)
2:35
10Severn Suite, op. 87: II. Tournament (Toccata)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: II. Toccata (Tournament) (for brass band)
Komponist(in):
Edward Elgar (composer) (in 1930)
Teil von:
The Severn Suite, op. 87 (for brass band)
4:16
11Severn Suite, op. 87: III. Cathedral (Fugue)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: III. Fugue (The Cathedral) (for brass band)
Komponist(in):
Edward Elgar (composer) (in 1930)
Teil von:
The Severn Suite, op. 87 (for brass band)
3:31
12Severn Suite, op. 87: IV. Commandery (Minuet)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: IV. Minuet (Commandery) (for brass band)
Komponist(in):
Sir Edward (= Harold Vick) (in 1930)
Teil von:
The Severn Suite, op. 87 (for brass band)
5:53
13Severn Suite, op. 87: V. Coda
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Severn Suite, op. 87: V. Coda (for brass band)
Komponist(in):
Edward Elgar (composer) (in 1930)
Teil von:
The Severn Suite, op. 87 (for brass band)
2:06
14Suite From ‘The Crown of India’, op. 66: Ia. Introduction (Allegro)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
teilweise recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
2:06
15Suite From ‘The Crown of India’, op. 66: Ib. Dance of Nautch Girls (Allegretto)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
teilweise recording of:
The Crown of India - Suite, op. 66: I. Introduction - Dance of the Nautch Girls
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
3:06
16Suite From ‘The Crown of India’, op. 66: II. Menuetto (Moderato)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: II. Menuetto
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
2:11
17Suite From ‘The Crown of India’, op. 66: III. Warriors’ Dance (Allegro)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: III. Warrior's Dance
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
2:18
18Suite From ‘The Crown of India’, op. 66: IV. Intermezzo (Andantino)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: IV. Intermezzo
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
3:20
19Suite From ‘The Crown of India’, op. 66: V. March of the Mogul Emperors (Moderato maestoso)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
The Crown of India - Suite, op. 66: V. March of the Mogul Emperors
Komponist(in):
Edward Elgar (composer) (in 1912)
Teil von:
Crown of India Suite, op. 66
4:11
20Coronation March, op. 65
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Coronation March, op. 65
Komponist(in):
Edward Elgar (composer) (in 1911)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1911-06-22)
Teil von:
Works of Edward Elgar by opus number (Nummer: op. 65)
10:47
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Nr.TitelKünstlerBewertungLänge
1Organ Sonata in G, op. 28: I. Allegro maestoso
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: I. Allegro maestoso (orchestrated by Jacob)
Orchestrator(in):
Gordon Jacob (composer)
Komponist(in):
Edward Elgar (composer) (in 1895)
Orchestrierung von:
Organ Sonata in G major, op. 28: I. Allegro maestoso
Teil von:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar8:32
2Organ Sonata in G, op. 28: II. Allegretto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: II. Allegretto (orchestrated by Jacob)
Orchestrator(in):
Gordon Jacob (composer)
Komponist(in):
Edward Elgar (composer) (in 1895)
Orchestrierung von:
Organ Sonata in G major, op. 28: II. Allegretto
Teil von:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar4:15
3Organ Sonata in G, op. 28: III. Andante espressivo
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: III. Andante espressivo (orchestrated by Jacob)
Orchestrator(in):
Gordon Jacob (composer)
Komponist(in):
Edward Elgar (composer) (in 1895)
Orchestrierung von:
Organ Sonata in G major, op. 28: III. Andante espressivo
Teil von:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar6:39
4Organ Sonata in G, op. 28: IV. Presto (comodo)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
Organ Sonata in G major, op. 28: IV. Presto (orchestrated by Jacob)
Orchestrator(in):
Gordon Jacob (composer)
Komponist(in):
Edward Elgar (composer) (in 1895)
Orchestrierung von:
Organ Sonata in G major, op. 28: IV. Presto
Teil von:
Organ Sonata in G major, op. 28 (orchestrated by Jacob)
Sir Edward Elgar5:09
5The Wand of Youth, First Suite, op. 1a: I. Overture: Allegro molto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: I. Overture
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar1:34
6The Wand of Youth, First Suite, op. 1a: II. Serenade: Andantino
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: II. Serenade
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:45
7The Wand of Youth, First Suite, op. 1a: III. Minuet (Old Style): Andante
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:00
8The Wand of Youth, First Suite, op. 1a: IV. Sun Dance: Presto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:43
9The Wand of Youth, First Suite, op. 1a: V. Fairy Pipers: Allegretto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar4:30
10The Wand of Youth, First Suite, op. 1a: VI. Slumber Scene: Moderato
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:33
11The Wand of Youth, First Suite, op. 1a: VII. Fairies and Giants: Presto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants
Komponist(in):
Edward Elgar (composer)
basiert auf:
Humoreske
Teil von:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:50
12The Wand of Youth, Second Suite, op. 1b: I. March: Alla marcia (Allegro moderato)
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: I. March
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar3:58
13The Wand of Youth, Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells (Scherzino)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:51
14The Wand of Youth, Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: III. Moths and Butterflies (Dance)
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:07
15The Wand of Youth, Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar3:16
16The Wand of Youth, Second Suite, op. 1b: V. The Tame Bear: Allegretto moderato
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:28
17The Wand of Youth, Second Suite, op. 1b: VI. The Wild Bears: Presto
Orchester:
Royal Liverpool Philharmonic Orchestra
conductor:
Vernon Handley (conductor)
recording of:
The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears
Komponist(in):
Edward Elgar (composer)
Teil von:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:20
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