101 Film Classics

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Ride of the Valkyries (Apocalypse Now)
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1965-11) and Helen Watts (contralto) (in 1965-11)
mezzo-soprano vocals:
Claudia Hellmann (contralto) (in 1965-11)
soprano vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1965-11), Berit Lindholm (soprano) (in 1965-11), Vera Schlosser (in 1965-11) and Marilyn Tyler (soprano) (in 1965-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1965-11)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1965-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1965-11)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:20
2Ebben. No Andro Lontana (Diva)
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:56
3Recitar!... Vesti La Giubba (The Untouchables)
tenor vocals [Canio]:
Mario Del Monaco (tenor) (in 1959-07)
orchestra:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia) (in 1959-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1959-07)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1959-07)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:35
4O Mio Babbino Caro (A Room with a View)
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:07
5Casta Diva (Lorenzo's Oil)
choir vocals:
London Symphony Chorus (on 1964-07-15)
soprano vocals [Norma]:
Joan Sutherland (soprano) (on 1964-07-15)
orchestra:
London Symphony Orchestra (on 1964-07-15)
conductor:
Richard Bonynge (conductor and pianist) (on 1964-07-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1964-07-15)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1964-07-15)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:29
6Questa o Quello (Wall Street)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:47
7Soave Sia Il Vento (Sunday, Bloody Sunday)
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:41
8Belle Nuit, o Nuit D'Amour (Life Is Beautiful)
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:13
9Un Bel di Vedremo (Victor, Victoria)
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (James Locke, engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:33
10La Donna E Mobile (dirty Rotten Scoundrels)
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:26
11L'Amour Est Un Oiseau Rebelle (Trainspotting)
choir vocals:
Wiener Opernchor (Wiener Staatsoper Choir) (on 1967-10-13)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (on 1967-10-13)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:10
12Che Soave Zeffiretto (The Shawshank Redemption)
soprano vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:41
13Viens, Mallika... Dome Epais (Someone to Watch Over Me)
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:03
14Che Gelida Manina (Moonstruck)
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:38
15Je Crois Entendre Encore (The Man Who Cried)
recorded in:
Paris, Île-de-France, France (in 1953-10)
tenor vocals and tenor vocals [Nadir]:
Léopold Simoneau (tenor) (in 1953-10)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (in 1953-10)
conductor:
Jean Fournet (conductor) (in 1953-10)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1953-10)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:32
16Mesicku Na Nebi Hlubokem, (Song to the Moon) (Driving Miss Daisy)
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:10
17La Mamma Morta (Philadelphia)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:28
18Nussun Dorma! (The Witches of Eastwick)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:57
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