101 Film Classics

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1O Fortuna (Excaliber)
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:25
2Adagio for Strings, Op.11 (Platoon, Elephant Man)
engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-10)
conductor:
Sir Neville Marriner (conductor) (in 1976-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-10)
recording of:
Adagio for Strings (in 1976-10)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:46
3Symphony No. 7 in A major, Op.92 - II. Allegretto (The King's Speech)
recording engineer:
James Brown (Decca engineer, 1960s) (in 1959-03)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-03)
conductor:
Herbert von Karajan (conductor) (in 1959-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-03)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1959-03)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:42
4Clarinet Concerto in A major, K622 - II. Adagio (Out of Africa, Green Card)
engineer:
John Pellowe (audio engineer)
producer:
Paul Myers (classical record producer) and Michael Woolcock (producer)
clarinet:
Franklin Cohen (clarinetist) (on 1991-10-06)
orchestra:
The Cleveland Orchestra (on 1991-10-06)
conductor:
Christoph von Dohnányi (German conductor) (on 1991-10-06)
balance engineer:
John Pellowe (audio engineer) and Philip Siney (sound engineer)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1991-10-06)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (on 1991-10-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:16
5Keyboard Suite in D minor, HWV 437 - Sarabande (Barry Lyndon)
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
George Frideric Handel2:54
6Harpsichord Concerto No. 5 in F minor, Bwv 1056 - II. Largo (Hanna and Her Sisters)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:04
7Canon in D major (The Father of the Bride)
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:30
8Bolero (excerpt) (10)
producer:
Michael Bremner (producer/engineer)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1963-04)
conductor:
Ernest Ansermet (conductor) (in 1963-04)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1963-04)
partial recording of:
Boléro (in 1963-04)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:05
9Suite No. 3 in D major, BWV 1068) 'Air on the G String' (Runaway Bride, the Spy Who Loved Me)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01) and James Lock (James Locke, engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:41
10String Quintet in C major, D956 - II. Adagio (excerpt) (Conspiracy)
cello:
Dietfried Gürtler (in 1970-03)
string quartet:
Weller Quartett (in 1970-03)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1970-03)
partial recording of:
String Quintet in C major, D. 956: II. Adagio (in 1970-03)
composer:
Franz Schubert (composer) (in 1828)
part of:
String Quintet in C major, D. 956
Franz Schubert5:15
11Swan Lake, Op.20 - Scene (Moderato) (Billy Elliot, Black Swan)
engineer:
Colin Moorfoot (engineer) (from 1991-05-29 until 1991-05-31)
producer:
Ray Minshull (record producer) (from 1991-05-29 until 1991-05-31)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1991-05-29 until 1991-05-31)
conductor:
Charles Dutoit (conductor) (from 1991-05-29 until 1991-05-31)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (from 1991-05-29 until 1991-05-31)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1991-05-29 until 1991-05-31)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
partial recording of:
Swan Lake, op. 20 (Лебединое озеро)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1875 until 1876)
part of:
The Tchaikovsky Handbook (number: TH 12), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 12) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 20)
Pyotr Ilyich Tchaikovsky2:55
12Jazz Suite No. 2 - Waltz No. 2 (Eyes Wide Shut)
engineer:
John Dunkerley (engineer) (from 1992-04-26 until 1992-05-03)
producer:
Andrew Cornall (engineer / producer)
orchestra:
Royal Concertgebouw Orchestra (from 1992-04-26 until 1992-05-03)
conductor:
Riccardo Chailly (conductor) (from 1992-04-26 until 1992-05-03)
phonographic copyright (℗) by:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1992) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1993)
recorded at:
Grotezaal, Concertgebouw in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1992-04-26 until 1992-05-03)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (from 1992-04-26 until 1992-05-03)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich3:41
13Suite Bergamasque - Clair de Lune (Orch. Mouton) (Ocean's 11)
recorded in:
United States (in 1959-05)
producer:
Wilma Cozart Fine
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recorded at:
Eastman Theatre in Rochester, New York, United States (in 1959-05)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1959-05)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:28
14The Planets, Op.32 - Saturn, the Bringer of Old Age (The Yards)
recording engineer:
Roger de Schot (from 1988-11-12 until 1988-11-13) and Stan Taal (from 1988-11-12 until 1988-11-13)
producer:
Michael Bremner (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1988-11-12 until 1988-11-13)
conductor:
Sir Colin Davis (English conductor) (from 1988-11-12 until 1988-11-13)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (from 1988-11-12 until 1988-11-13)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1988-11-12 until 1988-11-13)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 1988-11-12 until 1988-11-13)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:53
15Le Nozze di Figaro, K.492 - Overture (Trading Places)
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:51
16Messiah, HWV 56 - Hallelujah Chorus (Bridget Jones' Diary)
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:41
2▼CD
#TitleArtistRatingLength
1Lso Sprach Zarathustra, Op.30 - Prelude (2001. A Space Odyssey)
orchestra:
Los Angeles Philharmonic
conductor:
Zubin Mehta (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:02
2Symphony No. 9 in D minor, 'Choral' - IV. Presto - Allegro Assai (A Clockwork Orange)
alto vocals:
Marilyn Horne (American operatic mezzo-soprano)
bass vocals:
Martti Talvela (operatic bass)
choir vocals:
Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
James King (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Hans Schmidt‐Isserstedt
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven7:24
3Symphony No. 5 in C-sharp minor - IV. Adagietto (Death in Venice)
engineer:
Gordon Parry (engineer)
producer:
David Harvey (producer)
orchestra:
Chicago Symphony Orchestra (in 1970-04)
conductor:
Sir Georg Solti (conductor) (in 1970-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1970)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1970-04)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1970-04)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:51
4Symphony No. 25 in G minor, K183 - I. Allegro Con Brio (Amadeus)
producer:
Michael Bremner (producer/engineer)
orchestra:
Academy of St Martin in the Fields (in 1971-09)
conductor:
Sir Neville Marriner (conductor) (in 1971-09)
balance engineer:
Stanley Goodall (engineer) (in 1971-09)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1971-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart7:30
5Adagio for Strings and Organ in G minor (Gallipoli)
organ:
Alastair Ross (organist and harpsichordist)
violin:
Simon Standage (English violinist and conductor)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni8:51
6Zadok the Priest (Coronation Anthem No. 1, HWV 258) (The Madness of King George)
recording engineer:
Gordon Parry (engineer) (from 1963-07 until 1963-08)
producer:
Andrew Raeburn
harpsichord:
Thurston Dart (conductor and keyboard player) (from 1963-07 until 1963-08)
organ [organ continuo]:
John Langdon (organist) (from 1963-07 until 1963-08)
other instruments [continuo]:
Thurston Dart (conductor and keyboard player) (in 1963-07)
choir vocals:
Choir of King’s College, Cambridge (from 1963-07 until 1963-08)
orchestra:
English Chamber Orchestra (from 1963-07 until 1963-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1963-07 until 1963-08)
concertmaster:
Emanuel Hurwitz (violinist) (from 1963-07 until 1963-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom and King's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1963-07 until 1963-08)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 1963-07 until 1963-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel5:54
7The Arrival of the Queen of Sheba (Solomon, HWV 67) (Four Weddings and a Funeral)
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:15
8Cello Concerto in E minor, Op.85 - I. Adagio - Moderato (excerpt) (Hilary and Jackie)
cello:
Julian Lloyd Webber (cellist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
partial recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Sir Edward Elgar3:34
9La Forza Del Destino - Sinfonia (Jean de Floret)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 1995-12)
conductor:
Valery Gergiev (conductor) (in 1995-12)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (in 1995-12)
recording of:
La forza del destino: Preludio (alternate St. Petersburg version, 1862) (in 1995-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi3:07
10Cavalleria Rusticana - Intermezzo (Raging Bull)
recording engineer:
Colin Moorfoot (engineer)
producer:
Michael Woolcock (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1976-06-10 until 1976-06-16)
conductor:
Gianandrea Gavazzeni (conductor) (from 1976-06-10 until 1976-06-16)
balance engineer:
Kenneth Wilkinson (engineer) (in 1976-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1976-06-10 until 1976-06-16)
recording of:
Cavalleria rusticana: Intermezzo (from 1976-06-10 until 1976-06-16)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:11
11Double Violin Concerto in D minor, Bwv 1043 - II. Largo Ma Non Tanto (Children of a Lesser God)
producer:
Peter Wadland (producer)
cello:
Mark Claudle and Richard Webb (cellist)
chamber organ and harpsichord:
Christopher Hogwood (conductor, harpsichordist)
double bass:
Keith Marjoram
viola:
Katherine Hart (viola player) and Trevor Jones (British violist, ex. Salomon Quartet)
violin:
Alison Bury (violinist), Graham Cracknell, Roy Goodman (conductor and violinist), Christopher Hirons (violinist), John Holloway (violinist/conductor) and Monica Huggett (violinist)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:40
12Nulla in Mundo Pax, Rv 630 - 1. Nulla in Mundo Pax Sincera (excerpt) (Shine)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:46
13Serenade in G major, K525 ‘Eine Kleine Nachtmusik' - I. Allegro (Whole 9 Yards)
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:53
14Sonata for Cello and Continuo No. 3 in G minor, BWV 1029 - Ii. Adagio (excerpt) (Truly, Madly, Deeply)
cello:
János Starker (Hungarian-American cellist) (in 1963-04)
piano:
György Sebök (pianist) (in 1963-04)
recorded at and engineered at:
Fine Recording Studios in Manhattan, New York, New York, United States (in 1963-04)
partial recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1963-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach3:15
15Symphony No. 3 in C minor, Op.78 'Organ' -Lib. Maestoso - Piu Allegro (Babe)
organ:
Peter Hurford (organist) (in 1982-06)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1982-06)
conductor:
Charles Dutoit (conductor) (in 1982-06)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1982-06)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro (in 1982-06)
composer:
Camille Saint‐Saëns (composer) (in 1886)
publisher:
Éditions Durand (1947–present)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns37:44
3▼CD
#TitleArtistRatingLength
1Warsaw Concerto (Dangerous Moonlight)
piano:
Cristina Ortiz (Brazilian pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Moshe Atzmon (Hungarian-Israeli conductor)
recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Classic 100: Piano (2025) (number: 45)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell9:04
2The Heart Asks Pleasure First (The piano)
piano:
Jean‐Yves Thibaudet (pianist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
Michael Nyman2:11
3Piano Concerto No. 21 in C major, K467 - II. Andante (Elvira Madigan)
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Israeli conductor) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart3.37:15
4Sonata No. 14 in C-sharp minor, Op.27 No.2 'Moonlight' - I. Adagio Sostenuto
recording engineer:
John Dunkerley (engineer) (in 1977-09)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) (in 1977-09)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1977-09)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1977-09)
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:06
5Piano Concerto No. 5 in E-flat major, Op.73 'Emperor' - Adagio Un Poco Mosso
producer:
Andrew Cornall (engineer / producer)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
orchestra:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
balance engineer:
Simon Eadon (classical music engineer) (in 1986-04) and Colin Moorfoot (engineer) (in 1986-04)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1986-04)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:45
6Goldberg Variations, BWV 988 - Aria (Silence of the Lambs, Hannibal)
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:48
7Nocturne in C-sharp minor, Op. Posth. (The Pianist)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1999-06)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16 (in 1999-06)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)
Frédéric Chopin3:59
8Piano Trio No. 2 in E-flat major, D929 - II. Andante Con Moto (The piano Teacher)
cello:
Bernard Greenhouse (cellist) (in 1966)
piano:
Menahem Pressler (pianist) (in 1966)
violin:
Daniel Guilet (born Daniel Guilevitch) (in 1966)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1966)
recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929 (in 1966)
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 929)
recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto (in 1966)
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929
Franz Schubert58:54
9Piano Concerto No. 2 in C minor, Op.18 - II. Adagio Sostenuto (Extract) (Brief Encounter)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
edit of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto by Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist), London Symphony Orchestra, André Previn (pianist, conductor, composer, arranger)
Sergei Vasilyevich Rachmaninoff3:57
10Gymnopedie No. 1 (What Lies Beneath)
sound engineer:
Simon Eadon (classical music engineer) (in 1983-05)
producer:
Michael Haas (classical music producer)
piano:
Pascal Rogé (pianist) (in 1983-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
edit of:
3 Gymnopédies by Pascal Rogé (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:06
11The Dream of Olwen (While I live)
piano:
Wilhelm Davos (pianist)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Laszlo Tábor
instrumental recording of:
The Dream of Olwen
lyricist:
Winifred May
composer:
Charles Williams (UK film music composer & conductor)
part of:
While I Live
Charles Williams3:51
12Piano Concerto No. 3 in D minor, Op.30 - I. Allegro Ma Non Tanto (excerpt) (Shine)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Sergei Vasilyevich Rachmaninoff5:05
13Piano Sonata No. 11 in A major, K331 'Alla Turca' - III. Rondo (Truman Show)
engineer:
Arthur Lilley (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1981)
recorded at:
Decca Studios: Studio 3 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (in 1980-02)
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:28
14Hungarian Rhapsody No. 2 in C-sharp minor, S244 (Who Framed Roger Rabbit)
piano:
Misha Dichter (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C‐sharp minor, S. 244 no. 2 (original piano solo version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt8:56
4▼CD
#TitleArtistRatingLength
1Ride of the Valkyries (Apocalypse Now)
contralto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1965-11) and Helen Watts (contralto) (in 1965-11)
mezzo-soprano vocals:
Claudia Hellmann (contralto) (in 1965-11)
soprano vocals:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (in 1965-11), Berit Lindholm (soprano) (in 1965-11), Vera Schlosser (in 1965-11) and Marilyn Tyler (soprano) (in 1965-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1965-11)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1965-11)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1966) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1965-11)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:20
2Ebben. No Andro Lontana (Diva)
soprano vocals [Wally]:
Renata Tebaldi (soprano) (on 1968-06-26)
vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1968-06-26)
conductor:
Fausto Cleva (conductor) (on 1968-06-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:56
3Recitar!... Vesti La Giubba (The Untouchables)
tenor vocals [Canio]:
Mario Del Monaco (tenor) (in 1959-07)
orchestra:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia) (in 1959-07)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1960)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1959-07)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1959-07)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:35
4O Mio Babbino Caro (A Room with a View)
soprano vocals [Lauretta]:
Renata Tebaldi (soprano) (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (conductor) (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
Teatro Della Pergola in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:07
5Casta Diva (Lorenzo's Oil)
choir vocals:
London Symphony Chorus (on 1964-07-15)
soprano vocals [Norma]:
Joan Sutherland (soprano) (on 1964-07-15)
orchestra:
London Symphony Orchestra (on 1964-07-15)
conductor:
Richard Bonynge (conductor and pianist) (on 1964-07-15)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (on 1964-07-15)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1964-07-15)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini6:29
6Questa o Quello (Wall Street)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:47
7Soave Sia Il Vento (Sunday, Bloody Sunday)
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:41
8Belle Nuit, o Nuit D'Amour (Life Is Beautiful)
producer:
John Mordler (producer) and Michael Woolcock (producer)
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
soprano vocals:
Joan Sutherland (soprano) (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
balance engineer:
James Lock (James Locke, engineer)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:13
9Un Bel di Vedremo (Victor, Victoria)
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (James Locke, engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:33
10La Donna E Mobile (dirty Rotten Scoundrels)
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:26
11L'Amour Est Un Oiseau Rebelle (Trainspotting)
choir vocals:
Wiener Opernchor (Wiener Staatsoper Choir) (on 1967-10-13)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (American operatic mezzo-soprano) (on 1967-10-13)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (on 1967-10-13)
conductor:
Henry Lewis (conductor) (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (on 1967-10-13)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:10
12Che Soave Zeffiretto (The Shawshank Redemption)
soprano vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:41
13Viens, Mallika... Dome Epais (Someone to Watch Over Me)
engineer:
Michael Mailes (engineer) (on 1967-10-12) and Kenneth Wilkinson (engineer) (on 1967-10-12)
producer:
John Mordler (producer)
mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:03
14Che Gelida Manina (Moonstruck)
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:38
15Je Crois Entendre Encore (The Man Who Cried)
recorded in:
Paris, Île-de-France, France (in 1953-10)
tenor vocals and tenor vocals [Nadir]:
Léopold Simoneau (tenor) (in 1953-10)
orchestra:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra) (in 1953-10)
conductor:
Jean Fournet (conductor) (in 1953-10)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1953-10)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:32
16Mesicku Na Nebi Hlubokem, (Song to the Moon) (Driving Miss Daisy)
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák6:10
17La Mamma Morta (Philadelphia)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano5:28
18Nussun Dorma! (The Witches of Eastwick)
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:57
5▼CD
#TitleArtistRatingLength
1Main Title (Star Wars)
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Main Title (Star Wars) (in 1977-12)
composer:
John Williams (American score composer and conductor) (ended)
publisher:
Bantha Music, Fox Fanfare Music Inc., Utapau Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
part of:
Star Wars Holiday Special (television soundtrack)
part of:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
part of:
Star Wars, Episode II: Attack of the Clones (2002 film score)
part of:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
part of:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
part of:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
part of:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
part of:
Star Wars, Episode VII: The Force Awakens (2015 film score)
part of:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
part of:
Star Wars: Shadows of the Empire
recording of:
Star Wars (Episode IV: A New Hope 1981 radio drama)
writer:
Brian Daley
composer:
John Williams (American score composer and conductor)
cover recording of:
Star Wars: Suite / Main Title
composer:
John Williams (American score composer and conductor)
John Williams5:11
2Princess Leia's Theme (Star Wars)
producer:
Ray Minshull (record producer)
orchestra:
Los Angeles Philharmonic Orchestra (in 1977-12)
conductor:
Zubin Mehta (conductor) (in 1977-12)
balance engineer:
Simon Eadon (classical music engineer) (in 1977-12) and James Lock (James Locke, engineer) (in 1977-12)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1977-12)
cover recording of:
Princess Leia’s Theme (Star Wars, Episode IV: A New Hope) (in 1977-12)
orchestrator:
Herbert W. Spencer (composer and orchestrator)
composer:
John Williams (American score composer and conductor)
part of:
Star Wars, Episode IV: A New Hope (film soundtrack)
John Williams4:27
3My Heart Will Go On (Titanic)
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
instrumental cover recording of:
My Heart Will Go On (in 1999-05)
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
James Horner3:33
4Love Theme (Romeo and Juliet)
orchestra:
Prague Philharmonia (The City of Prague Philharmonic Orchestra) (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
recorded at:
Smecky Music Studios in Praha (Prague), Czechia (in 1999-05)
recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film) (in 1999-05)
lyricist:
Eugene Walter
composer:
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nino Rota3:24
5I Will Always Love You (The Bodyguard)
recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton3:29
6We Have All the Time in the World (On Her Majesty's Secret Service)
John Barry3:23
7Up Where We Belong (An Officer and a Gentleman)
Buffy Sainte‐Marie, Jack Nitzsche3:30
8Take My Breath Away (Top Gun)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (ended), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1986 winner)
Giorgio Moroder3:22
9Can You Feel the Love Tonight (The Lion King)
recording of:
Can You Feel the Love Tonight (The Lion King, end title lyrics)
lyricist:
Tim Rice
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Campbell Connelly & Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing)
part of:
The 67th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1994 winner)
version of:
Can You Feel the Love Tonight (The Lion King, dramatized Timon/Pumbaa/Simba/Nala lyrics)
part of:
De Leeuwenkoning (The Lion King 1994 film soundtrack, Dutch version)
part of:
Der König der Löwen (The Lion King 1994 film soundtrack, German version)
part of:
El Rey León (The Lion King 1994 film soundtrack, Spanish version)
part of:
Król lew (The Lion King 1994 film soundtrack, Polish version)
part of:
Le Roi Lion (The Lion King 1994 film soundtrack, French version)
part of:
Leijonakuningas (The Lion King 1994 film soundtrack, Finnish version)
part of:
Lejonkungen (The Lion King 1994 film soundtrack, Swedish version)
part of:
O Rei Leão (The Lion King 1994 film soundtrack, Brazilian Portuguese version)
part of:
O Rei Leão (The Lion King 1994 film soundtrack, Portuguese version)
part of:
The Lion King (1994 film soundtrack)
Elton John3:18
10Evergreen (A Star Is Born)
Barbra Streisand3:08
11Love Is All Around (Four Weddings and a Funeral)
Reg Presley3:17
12Nuovo Cinema Paradiso (Cinema Paradiso)
Ennio Morricone, Andrea Morricone3:13
13Gabriel's Oboe (The Mission)
Ennio Morricone3:19
14Try a Little Tenderness (The Commitments)
Harry Woods, James Campbell, Reginald Connelly3:24
15Moon River (Breakfast at Tiffany's)
Henry Mancini3:10
16Where Do I Begin (Love Story)
Francis Lai3:05
17When a Man Loves a Woman (When a Man Loves a Woman)
Calvin Lewis, Andrew Wright3:35
18The Way We Were (The Way We Were)
Marvin Hamlisch3:41
19Somewhere My Love (Doctor Zhivago)
Maurice Jarre3:39
20How Deep Is Your Love (Saturday Night Fever)
Barry Gibb, Robin Gibb, Maurice Gibb3:05
21Cavatina (The Deer Hunter)
Stanley Myers4:09
22Main Theme (Schindler's List)
producer:
Dominic Fyfe
violin:
Janine Jansen (Dutch violinist and violist) (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (conductor) (in 2003-02)
balance engineer:
Philip Siney (sound engineer) (in 2003-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2003)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
Main Theme (Schindler’s List) (in 2003-02)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams3:43
6▶CD