Divine Classics

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1▼CD
#	Title	Artist	Rating	Length
1	Ave Maria recording of: Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) lyricist: [anonymous] (special purpose artist) composer: Franz Schubert (composer) version of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Franz Schubert		6:19
2	Jesu Joy of Man’s Desiring orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:42
3	Jesu Redemptor recording of: Jesu Redemptor composer: Estêvão Lopes Morago	Estêvão Lopes Morago		2:57
4	Requiem op. 48: Pie Jesu soprano vocals: Barbara Bonney (soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Michel Legrand recording of: Requiem, op. 48: IV. Pie Jesu composer: Gabriel Fauré (French composer) part of: Requiem, op. 48 (1900, “concert” version)	Gabriel Fauré		4:41
5	Requiem op. 48: Sanctus soprano vocals: Barbara Bonney (soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) conductor: Michel Legrand recording of: Requiem, op. 48: III. Sanctus composer: Gabriel Fauré (French composer) part of: Requiem, op. 48 (1900, “concert” version)	Gabriel Fauré		4:28
6	Requiem in D minor KV 626: I. Requiem orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) version of: Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		4:17
7	Requiem in D minor KV 626: II. Kyrie orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		2:42
8	Requiem in D minor KV 626: III. Dies irae orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626 (catch-all for unknown editions)	Wolfgang Amadeus Mozart		1:55
9	Messiah HWV 56: And the Glory of the Lord	George Frideric Handel		2:34
10	For Unto Us a Child Is Born	George Frideric Handel		5:05
11	Hallelujah	George Frideric Handel		3:44
12	Gloria RV 589 in D minor. Gloria In Excelsis	Antonio Vivaldi		2:14
13	Vespro Della Beata Vergine	Claudio Monteverdi		2:07
14	Ave Maris Stella	Claudio Monteverdi		8:44
15	Vesperae Solennes de Confessore soprano vocals: Joan Rodgers (soprano) conductor: Nikolaus Harnoncourt (conductor) recording of: Vesperae solennes de confessore, K. 339 composed in: Salzburg, Salzburg, Austria (in 1780) composer: Wolfgang Amadeus Mozart (classical composer) (in 1780) part of: Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 339), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 339) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 339)	Wolfgang Amadeus Mozart		4:46
16	St. Matthew Passion conductor: Nikolaus Harnoncourt (conductor) recording of: Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 162) part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		2:11
17	O Iidephonse	Tomás Luis de Victoria		2:58
18	Wachet auf, ruft uns die Stimme BWV 140 tenor vocals: Kurt Equiluz (tenor) conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) adaptations: Prelude to Peace is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		4:03
19	Easter, Gloria in Excelsis 11	Gregorian Chant Academy		2:52
20	Cherubic Hymn no 7	Дмитрий Бортнянский		5:24

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Discogs:	https://www.discogs.com/release/8548616 [info]

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