Divine Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Ave Maria
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert6:19
2Jesu Joy of Man’s Desiring
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:42
3Jesu Redemptor
recording of:
Jesu Redemptor
composer:
Estêvão Lopes Morago
Estêvão Lopes Morago2:57
4Requiem op. 48: Pie Jesu
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Michel Legrand
recording of:
Requiem, op. 48: IV. Pie Jesu
composer:
Gabriel Fauré (French composer)
part of:
Requiem, op. 48 (1900, “concert” version)
Gabriel Fauré4:41
5Requiem op. 48: Sanctus
soprano vocals:
Barbara Bonney (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Michel Legrand
recording of:
Requiem, op. 48: III. Sanctus
composer:
Gabriel Fauré (French composer)
part of:
Requiem, op. 48 (1900, “concert” version)
Gabriel Fauré4:28
6Requiem in D minor KV 626: I. Requiem
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
version of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:17
7Requiem in D minor KV 626: II. Kyrie
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:42
8Requiem in D minor KV 626: III. Dies irae
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:55
9Messiah HWV 56: And the Glory of the Lord
George Frideric Handel2:34
10For Unto Us a Child Is Born
George Frideric Handel5:05
11Hallelujah
George Frideric Handel3:44
12Gloria RV 589 in D minor. Gloria In Excelsis
Antonio Vivaldi2:14
13Vespro Della Beata Vergine
Claudio Monteverdi2:07
14Ave Maris Stella
Claudio Monteverdi8:44
15Vesperae Solennes de Confessore
soprano vocals:
Joan Rodgers (soprano)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Vesperae solennes de confessore, K. 339
composed in:
Salzburg, Salzburg, Austria (in 1780)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 339), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 339) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 339)
Wolfgang Amadeus Mozart4:46
16St. Matthew Passion
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
17O Iidephonse
Tomás Luis de Victoria2:58
18Wachet auf, ruft uns die Stimme BWV 140
tenor vocals:
Kurt Equiluz (tenor)
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:03
19Easter, Gloria in Excelsis 11
Gregorian Chant Academy2:52
20Cherubic Hymn no 7
Дмитрий Бортнянский5:24