The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1▶CD: Chamber
2▶CD: Chamber
3▶CD: Chamber
4▶CD: Chamber
5▶CD: Chamber
6▶CD: Chamber
7▶CD: Chamber
8▶CD: Chamber
9▶CD: Chamber
10▶CD: Chamber
11▶CD: Chamber
12▶CD: Chamber
13▶CD: Chamber
14▶CD: Chamber
15▶CD: Chamber
16▶CD: Chamber
17▶CD: Chamber
18▶CD: Chamber
19▶CD: Chamber
20▶CD: Chamber
21▶CD: Chamber
22▶CD: Chamber
23▶CD: Chamber
24▶CD: Chamber
25▶CD: Chamber
26▶CD: Chamber
27▶CD: Chamber
28▶CD: Chamber
29▶CD: Chamber
30▶CD: Chamber
31▶CD: Chamber
32▶CD: Chamber
33▶CD: Chamber
34▶CD: Chamber
35▶CD: Chamber
36▶CD: Chamber
37▶CD: Chamber
38▶CD: Chamber
39▶CD: Chamber
40▶CD: Chamber
41▶CD: Chamber
42▶CD: Chamber
43▶CD: Chamber
44▶CD: Chamber
45▶CD: Chamber
46▶CD: Chamber
47▶CD: Chamber
48▶CD: Chamber
49▶CD: Chamber
50▶CD: Orchestral
51▶CD: Orchestral
52▶CD: Orchestral
53▶CD: Orchestral
54▶CD: Orchestral
55▶CD: Orchestral
56▶CD: Orchestral
57▶CD: Orchestral
58▶CD: Orchestral
59▶CD: Orchestral
60▶CD: Orchestral
61▶CD: Orchestral
62▶CD: Orchestral
63▶CD: Orchestral
64▶CD: Orchestral
65▶CD: Orchestral
66▶CD: Orchestral
67▶CD: Orchestral
68▶CD: Orchestral
69▶CD: Orchestral
70▶CD: Orchestral
71▶CD: Orchestral
72▶CD: Orchestral
73▶CD: Orchestral
74▶CD: Orchestral
75▶CD: Orchestral
76▶CD: Orchestral
77▶CD: Orchestral
78▶CD: Orchestral
79▶CD: Orchestral
80▶CD: Orchestral
81▶CD: Orchestral
82▶CD: Orchestral
83▶CD: Orchestral
84▶CD: Orchestral
85▶CD: Orchestral
86▶CD: Orchestral
87▶CD: Orchestral
88▶CD: Orchestral
89▶CD: Orchestral
90▶CD: Orchestral
91▶CD: Orchestral
92▶CD: Orchestral
93▶CD: Orchestral
94▶CD: Orchestral
95▶CD: Orchestral
96▶CD: Orchestral
97▶CD: Orchestral
98▶CD: Orchestral
99▶CD: Orchestral
100▶CD: Orchestral
101▶CD: Orchestral
102▶CD: Theatre
103▶CD: Theatre
104▶CD: Theatre
105▶CD: Theatre
106▶CD: Theatre
107▶CD: Theatre
108▶CD: Theatre
109▶CD: Theatre
110▶CD: Theatre
111▶CD: Theatre
112▶CD: Theatre
113▶CD: Theatre
114▶CD: Theatre
115▶CD: Theatre
116▶CD: Theatre
117▶CD: Theatre
118▶CD: Theatre
119▶CD: Theatre
120▶CD: Theatre
121▶CD: Theatre
122▶CD: Theatre
123▶CD: Theatre
124▶CD: Theatre
125▼CD: Theatre
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
Wolfgang Amadeus Mozart4:15
2Die Entführung aus dem Serail, K. 384: Act I. "Hier soll ich dich denn sehen"
producer:
Peter Wadland (producer)
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:56
3Die Entführung aus dem Serail, K. 384: Act I. "Aber wie soll ich in den Palast kommen?"
producer:
Peter Wadland (producer)
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Belmonte] and tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart6:41
4Die Entführung aus dem Serail, K. 384: Act I. "Könnt ich mir doch noch so einen"
producer:
Peter Wadland (producer)
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart0:47
5Die Entführung aus dem Serail, K. 384: Act I. "Solche hergelauf'ne Laffen"
producer:
Peter Wadland (producer)
bass vocals [Osmin] and spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:11
6Die Entführung aus dem Serail, K. 384: Act I. "Geh nur, verwünschter Aufpasser"
producer:
Peter Wadland (producer)
spoken vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:32
7Die Entführung aus dem Serail, K. 384: Act I. "Konstanze, dich wiederzusehen, dich!"
producer:
Peter Wadland (producer)
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:18
8Die Entführung aus dem Serail, K. 384: Act I. "Geschwind, geschwind auf die Seite und versteckt!"
producer:
Peter Wadland (producer)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:58
9Die Entführung aus dem Serail, K. 384: Act I. "Singt dem großen Bassa Lieder"
producer:
Peter Wadland (producer)
choir vocals [Chor der Janitscharen]:
Academy of Ancient Music Chorus (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:37
10Die Entführung aus dem Serail, K. 384: Act I. "Immer noch traurig, geliebte Konstanze?"
producer:
Peter Wadland (producer)
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:09
11Die Entführung aus dem Serail, K. 384: Act I. "Ach ich liebte, war so glücklich"
producer:
Peter Wadland (producer)
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:09
12Die Entführung aus dem Serail, K. 384: Act I. "Ach, ich sagt' e wohl, du würdest mich hassen"
producer:
Peter Wadland (producer)
spoken vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
spoken vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart3:52
13Die Entführung aus dem Serail, K. 384: Act I. "Marsch! Trollt euch fort!"
producer:
Peter Wadland (producer)
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
tenor vocals [Belmonte]:
Uwe Heilmann (tenor) (in 1990-01)
tenor vocals [Pedrillo]:
Wilfried Gahmlich (tenor) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart2:18
14Die Entführung aus dem Serail, K. 384: Act II. "O des Zankens"-No. 8 "Durch Zärtlichkeit"
producer:
Peter Wadland (producer)
soprano vocals [Blonde] and spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart4:56
15Die Entführung aus dem Serail, K. 384: Act II. "Ei seht doch mal"
producer:
Peter Wadland (producer)
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
spoken vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:17
16Die Entführung aus dem Serail, K. 384: Act II. "Ich gehe, doch rate ich dir"
producer:
Peter Wadland (producer)
bass vocals [Osmin]:
Günter von Kannen (bass-baritone) (in 1990-01)
soprano vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart3:34
17Die Entführung aus dem Serail, K. 384: Act II. "Wie traurig das gute Mädchen"
producer:
Peter Wadland (producer)
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Wie traurig das gute Mädchen daherkommt!" (Blonde) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart2:19
18Die Entführung aus dem Serail, K. 384: Act II. "Traurigkeit ward mir zum Lose"
producer:
Peter Wadland (producer)
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart7:25
19Die Entführung aus dem Serail, K. 384: Act II. "Ach, mein bestes Fräulein..."
producer:
Peter Wadland (producer)
spoken vocals [Blonde]:
Marianne Hirsti (soprano) (in 1990-01)
spoken vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
spoken vocals [Selim]:
Wolfgang Hinze (German actor & director) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. Dialog "Ach mein bestes Fräulein" (Blonde, Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Christoph Friedrich Bretzner
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart1:41
20Die Entführung aus dem Serail, K. 384: Act II. "Martern aller Arten"
producer:
Peter Wadland (producer)
soprano vocals [Konstanze]:
Lynne Dawson (soprano) (in 1990-01)
orchestra:
Academy of Ancient Music (in 1990-01)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1990-01)
balance engineer:
John Dunkerley (engineer) (in 1990-01)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart9:33
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194▶CD: Doubtful Works
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