The New Complete Edition

~ Release by W.A. Mozart (see all versions of this release, 27 available)

Tracklist

1▶CD: Chamber
2▶CD: Chamber
3▶CD: Chamber
4▶CD: Chamber
5▶CD: Chamber
6▶CD: Chamber
7▶CD: Chamber
8▶CD: Chamber
9▶CD: Chamber
10▶CD: Chamber
11▶CD: Chamber
12▶CD: Chamber
13▶CD: Chamber
14▶CD: Chamber
15▶CD: Chamber
16▶CD: Chamber
17▶CD: Chamber
18▶CD: Chamber
19▶CD: Chamber
20▶CD: Chamber
21▶CD: Chamber
22▶CD: Chamber
23▶CD: Chamber
24▶CD: Chamber
25▶CD: Chamber
26▶CD: Chamber
27▶CD: Chamber
28▶CD: Chamber
29▶CD: Chamber
30▶CD: Chamber
31▶CD: Chamber
32▶CD: Chamber
33▶CD: Chamber
34▶CD: Chamber
35▶CD: Chamber
36▶CD: Chamber
37▶CD: Chamber
38▶CD: Chamber
39▶CD: Chamber
40▶CD: Chamber
41▶CD: Chamber
42▶CD: Chamber
43▶CD: Chamber
44▶CD: Chamber
45▶CD: Chamber
46▶CD: Chamber
47▶CD: Chamber
48▶CD: Chamber
49▶CD: Chamber
50▶CD: Orchestral
51▶CD: Orchestral
52▶CD: Orchestral
53▶CD: Orchestral
54▶CD: Orchestral
55▶CD: Orchestral
56▶CD: Orchestral
57▶CD: Orchestral
58▶CD: Orchestral
59▶CD: Orchestral
60▶CD: Orchestral
61▶CD: Orchestral
62▶CD: Orchestral
63▶CD: Orchestral
64▶CD: Orchestral
65▶CD: Orchestral
66▶CD: Orchestral
67▶CD: Orchestral
68▶CD: Orchestral
69▶CD: Orchestral
70▶CD: Orchestral
71▶CD: Orchestral
72▶CD: Orchestral
73▶CD: Orchestral
74▶CD: Orchestral
75▶CD: Orchestral
76▶CD: Orchestral
77▶CD: Orchestral
78▶CD: Orchestral
79▶CD: Orchestral
80▶CD: Orchestral
81▶CD: Orchestral
82▶CD: Orchestral
83▶CD: Orchestral
84▶CD: Orchestral
85▶CD: Orchestral
86▶CD: Orchestral
87▶CD: Orchestral
88▶CD: Orchestral
89▶CD: Orchestral
90▶CD: Orchestral
91▶CD: Orchestral
92▶CD: Orchestral
93▶CD: Orchestral
94▶CD: Orchestral
95▶CD: Orchestral
96▶CD: Orchestral
97▶CD: Orchestral
98▶CD: Orchestral
99▶CD: Orchestral
100▶CD: Orchestral
101▶CD: Orchestral
102▶CD: Theatre
103▶CD: Theatre
104▶CD: Theatre
105▶CD: Theatre
106▶CD: Theatre
107▶CD: Theatre
108▶CD: Theatre
109▶CD: Theatre
110▶CD: Theatre
111▶CD: Theatre
112▶CD: Theatre
113▶CD: Theatre
114▶CD: Theatre
115▶CD: Theatre
116▶CD: Theatre
117▶CD: Theatre
118▶CD: Theatre
119▶CD: Theatre
120▶CD: Theatre
121▶CD: Theatre
122▶CD: Theatre
123▶CD: Theatre
124▶CD: Theatre
125▶CD: Theatre
126▶CD: Theatre
127▶CD: Theatre
128▶CD: Theatre
129▶CD: Theatre
130▶CD: Theatre
131▶CD: Theatre
132▶CD: Theatre
133▶CD: Theatre
134▶CD: Theatre
135▶CD: Theatre
136▶CD: Theatre
137▶CD: Theatre
138▶CD: Theatre
139▶CD: Theatre
140▶CD: Theatre
141▶CD: Theatre
142▶CD: Theatre
143▶CD: Theatre
144▶CD: Theatre
145▶CD: Theatre
146▶CD: Theatre
147▶CD: Theatre
148▶CD: Theatre
149▶CD: Theatre
150▶CD: Theatre
151▶CD: Theatre
152▶CD: Theatre
153▶CD: Sacred
154▶CD: Sacred
155▶CD: Sacred
156▶CD: Sacred
157▶CD: Sacred
158▶CD: Sacred
159▶CD: Sacred
160▶CD: Sacred
161▶CD: Sacred
162▶CD: Sacred
163▶CD: Sacred
164▶CD: Sacred
165▶CD: Sacred
166▶CD: Sacred
167▶CD: Sacred
168▶CD: Sacred
169▶CD: Sacred
170▶CD: Sacred
171▶CD: Private
172▶CD: Private
173▶CD: Private
174▶CD: Fragments
175▶CD: Fragments
176▶CD: Completions
177▶CD: Completions
178▶CD: Completions
179▶CD: Arrangements
180▶CD: Arrangements
181▶CD: Arrangements
182▶CD: Arrangements
183▶CD: Arrangements
184▶CD: Arrangements
185▶CD: Arrangements
186▶CD: Arrangements
187▼CD: Arrangements
#TitleArtistRatingLength
1Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:07
2Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:14
3Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:30
4Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:59
5Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:27
6Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:00
7Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel1:25
8Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:30
9Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:02
10Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:44
11Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel2:51
12Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:57
13Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Recit: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel0:21
14Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
bass vocals:
Alastair Miles (operatic bass)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Das Alexander-Fest, K. 591: Part II
George Frideric Handel3:29
15Ode auf St. Caecilia, K. 592: Overture
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Overture
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:10
16Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Recit: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:19
17Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Natur lag unter einer Last"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:12
18Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Durch Harmonie"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:25
19Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Leidenschaften stillt und weckt Musik"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel6:49
20Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:05
21Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Trompete, dein Schmettern erweckt uns zum Streit"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:19
22Ode auf St. Caecilia, K. 592: March
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: March
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel1:49
23Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Der Flöte Klageton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:55
24Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Scharf klingt der Geigenton"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:04
25Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Doch o! wer preiset ganz"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel3:53
26Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Aria: "Orpheus gewann ein wildes Volk"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:07
27Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Acc. Recit: "Doch Du, Caecilia"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel0:40
28Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Wie durch die Macht des heil'gen Sang's"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel2:12
29Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
recording engineer:
Jonathan Stokes (engineer)
producer:
Chris Sayers (producer)
baritone vocals:
William Sharp (baritone)
soprano vocals:
Lynne Dawson (soprano)
tenor vocals:
John Mark Ainsley (tenor)
orchestra:
Handel and Haydn Society
conductor:
Christopher Hogwood (conductor, harpsichordist)
recorded at:
Methuen Memorial Music Hall (Methuen Memorial Hall) in Methuen, Massachusetts, United States (from 1993-04-27 until 1993-04-29)
recording of:
Ode auf St. Caecilia, K. 592: Chorus: "Was tot ist lebt"
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Ode auf St. Caecilia, K. 592 (Mozart's arrangement of Händel's cantata)
George Frideric Handel4:13
188▶CD: Self-Arrangements
189▶CD: Self-Arrangements
190▶CD: Self-Arrangements
191▶CD: Self-Arrangements
192▶CD: Self-Arrangements
193▶CD: Self-Arrangements
194▶CD: Doubtful Works
195▶CD: Doubtful Works
196▶CD: Doubtful Works
197▶CD: Doubtful Works
198▶CD: Doubtful Works
199▶CD: Doubtful Works
200▶CD: Doubtful Works