Fetenhits: The Real Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Time to Wonder (live)
diritti fonografici (℗) detenuti da:
1 ST Records (nel 1989)
registrazione dal vivo di:
Time to Wonder
paroliere:
Kai Wingenfelder
compositore:
Christof Stein‐Schneider, Kai Wingenfelder e Thorsten Wingenfelder
editore:
BMG-Ufa (not for release label use! this is a music publisher) e Edition Fury
Fury in the Slaughterhouse4:22
2Need You Tonight
assistente tecnico:
Paula Jones (Australian audio engineer, producer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain e Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1987, nel 1997), PolyGram International Music B.V. (not for release label use!) (nel 1987) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1999)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
video musicali:
Need You Tonight (music video) di INXS
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 16) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 114)
registrazione di:
Need You Tonight
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (nel 1987) e Chardonnay Investments Ltd. (nel 1987)
INXS4.153:00
3Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:04
4So Lonely
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
armonica (a bocca) , basso e basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra e chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (dal 1978 a oggi)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
registrazione di:
So Lonely
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.054:45
5Sunday Bloody Sunday
assistente tecnico di registrazione:
Kevin Killen
tecnico:
Paul Thomas (engineer)
produttore:
Steve Lillywhite
batteria e percussione :
Larry Mullen, Jr.
chitarra e voce principale:
Bono (singer of U2)
chitarra basso :
Adam Clayton
chitarra elettrica e pianoforte :
The Edge (U2 guitarist David Evans)
tromba :
Kenny Fradley
violino elettrico :
Steve Wickham
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1983)
registrata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Sunday Bloody Sunday di U2 (Irish rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 268)
registrazione di:
Sunday Bloody Sunday
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.554:37
6More
co-produttore:
Jim Steinman
registrazione di:
More
paroliere e compositore:
Andrew Eldritch e Jim Steinman
editore:
Eldritch Boulevard Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Lost Boys Music (BMI affiliated) e Rightsong Music Inc.
The Sisters of Mercy4:46
7Sharp Dressed Man
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Sharp Dressed Man
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
compositore:
Chrome Division (Norwegian heavy metal band)
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
sub-editore:
BMG Gold Songs e Zazta Muzic Ltd.
ZZ Top4.64:14
8Money for Nothing
registrazione di:
Money for Nothing (Dire Straits song)
paroliere e compositore:
Mark Knopfler
compositore aggiunto:
Sting (singer, songwriter & member of The Police)
editore:
Chariscourt Ltd., Rondor Music (London) Ltd. e Virgin Music (Publishers) Ltd.
cita la musica di:
Don’t Stand So Close to Me
Dire Straits3:31
9Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
10Walking by Myself
assistente tecnico e assistente tecnico di missaggio:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris e Greg Muden
tecnico e tecnico di missaggio:
Ian Taylor (rock producer/engineer)
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Ian Taylor (rock producer/engineer)
armonica (a bocca) :
Frank Mead
batteria :
Graham Walker (UK drummer)
chitarra :
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso :
Andy Pyle
pianoforte :
Mick Weaver
voce:
Gary Moore (Thin Lizzy, blues guitar)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1990)
registrazione cover di:
Walking by Myself
paroliere e compositore:
Jimmy Rogers (blues artist)
editore:
Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs US e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore4.252:55
11Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:57
12Entre dos tierras
diritti fonografici (℗) detenuti da:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.) (nel 1991)
registrazione di:
Entre dos tierras
paroliere:
Rodrigo Rosado
autore:
Pedro Andreu, Joaquín Cardiel, Enrique Bunbury e Juan Valdivia
editore:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.)
Héroes del Silencio4:01
13Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:19
14Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:30
15Flieger, grüß mir die Sonne
registrazione cover di:
Flieger, grüß’ mir die Sonne (dal 1980-06 al 1980-07)
paroliere:
Walter Reisch
compositore:
Allan Gray
Extrabreit2:49
16Come On Eileen
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 1)
registrazione di:
Come On Eileen (nel 1982)
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express33:28
17Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
18Who the F… Is Alice
registrazione cover di:
Alice (Who the X Is Alice?)
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
arrangiamento di:
Living Next Door to Alice
Smokie3:35
19Eisgekühlter Bommerlunder
Die Toten Hosen2:27
2▶CD

Accreditamenti

Gruppo di pubblicazioni

parte di:Fetenhits (ordine: 1)
Discogs:https://www.discogs.com/master/782588 [info]
altri database:https://www.musik-sammler.de/album/156848/ [info]