Fetenhits: The Real Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Time to Wonder (live)
diritti fonografici (℗) detenuti da:
1 ST Records (nel 1989)
registrazione dal vivo di:
Time to Wonder
paroliere:
Kai Wingenfelder
compositore:
Christof Stein‐Schneider, Kai Wingenfelder e Thorsten Wingenfelder
editore:
BMG-Ufa (not for release label use! this is a music publisher) e Edition Fury
Fury in the Slaughterhouse4:22
2Need You Tonight
assistente tecnico:
Paula Jones (Australian audio engineer, producer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain e Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1987, nel 1997), PolyGram International Music B.V. (not for release label use!) (nel 1987) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1999)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
video musicali:
Need You Tonight (music video) di INXS
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 16) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 114)
registrazione di:
Need You Tonight
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (nel 1987) e Chardonnay Investments Ltd. (nel 1987)
INXS4.153:00
3Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:04
4So Lonely
tecnico:
Chris Gray (UK engineer) e Nigel Gray (UK producer)
produttore:
The Police (British rock band)
armonica (a bocca) , basso e basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra e chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (dal 1978 a oggi)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
registrazione di:
So Lonely
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.054:45
5Sunday Bloody Sunday
assistente tecnico di registrazione:
Kevin Killen
tecnico:
Paul Thomas (engineer)
produttore:
Steve Lillywhite
batteria e percussione :
Larry Mullen, Jr.
chitarra e voce principale:
Bono (singer of U2)
chitarra basso :
Adam Clayton
chitarra elettrica e pianoforte :
The Edge (U2 guitarist David Evans)
tromba :
Kenny Fradley
violino elettrico :
Steve Wickham
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1983)
registrata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Sunday Bloody Sunday di U2 (Irish rock band)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 268)
registrazione di:
Sunday Bloody Sunday
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.554:37
6More
co-produttore:
Jim Steinman
registrazione di:
More
paroliere e compositore:
Andrew Eldritch e Jim Steinman
editore:
Eldritch Boulevard Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Lost Boys Music (BMI affiliated) e Rightsong Music Inc.
The Sisters of Mercy4:46
7Sharp Dressed Man
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Sharp Dressed Man
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
compositore:
Chrome Division (Norwegian heavy metal band)
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
sub-editore:
BMG Gold Songs e Zazta Muzic Ltd.
ZZ Top4.64:14
8Money for Nothing
registrazione di:
Money for Nothing (Dire Straits song)
paroliere e compositore:
Mark Knopfler
compositore aggiunto:
Sting (singer, songwriter & member of The Police)
editore:
Chariscourt Ltd., Rondor Music (London) Ltd. e Virgin Music (Publishers) Ltd.
cita la musica di:
Don’t Stand So Close to Me
Dire Straits3:31
9Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
10Walking by Myself
assistente tecnico e assistente tecnico di missaggio:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris e Greg Muden
tecnico e tecnico di missaggio:
Ian Taylor (rock producer/engineer)
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Ian Taylor (rock producer/engineer)
armonica (a bocca) :
Frank Mead
batteria :
Graham Walker (UK drummer)
chitarra :
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso :
Andy Pyle
pianoforte :
Mick Weaver
voce:
Gary Moore (Thin Lizzy, blues guitar)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1990)
registrazione cover di:
Walking by Myself
paroliere e compositore:
Jimmy Rogers (blues artist)
editore:
Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs US e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore4.252:55
11Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:57
12Entre dos tierras
diritti fonografici (℗) detenuti da:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.) (nel 1991)
registrazione di:
Entre dos tierras
paroliere:
Rodrigo Rosado
autore:
Pedro Andreu, Joaquín Cardiel, Enrique Bunbury e Juan Valdivia
editore:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.)
Héroes del Silencio4:01
13Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:19
14Black Betty
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (dal 1977 a oggi) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam4.52:30
15Flieger, grüß mir die Sonne
registrazione cover di:
Flieger, grüß’ mir die Sonne (dal 1980-06 al 1980-07)
paroliere:
Walter Reisch
compositore:
Allan Gray
Extrabreit2:49
16Come On Eileen
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 1)
registrazione di:
Come On Eileen (nel 1982)
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners & The Emerald Express33:28
17Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
18Who the F… Is Alice
registrazione cover di:
Alice (Who the X Is Alice?)
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
arrangiamento di:
Living Next Door to Alice
Smokie3:35
19Eisgekühlter Bommerlunder
Die Toten Hosen2:27
2▼CD
#TitoloArtistaValutazioneDurata
1Sieben Tage lang
registrazione di:
Sieben Tage lang
paroliere e arrangiatore:
Hans Sanders (folk singer, guitarist and songwriter)
compositore:
[traditional] (special purpose artist)
traduttore:
Lerryn e Günter Wallraff (writer and undercover journalist)
editore:
BMG Rights Management (Benelux) B.V. T/A BMG Talpa Music e BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
versione tradotta di:
Zeven dagen lang
Bots3:28
2The Great Song of Indifference
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1990)
registrazione di:
The Great Song of Indifference
paroliere e compositore:
Bob Geldof
editore:
Intersong Music Ltd. (nel 1990) e NOB Music (publisher) (nel 1990)
Bob Geldof44:39
3Loop-Di-Love
registrazione di:
Loop Di Love
autore:
Dieter Dierks e Michael Schepior
J. Bastos3:16
4All You Zombies
tecnico di registrazione:
John Agnello (engineer & producer) e William Wittman
assistente tecnico:
Carol Cafiero e Dan Nash
produttore:
Rick Chertoff
tecnico di missaggio:
William Wittman
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
All You Zombies
autore:
Eric Bazilian e Rob Hyman
The Hooters55:56
5Urgent
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sassofono :
Mark Rivera
sassofono solista :
Junior Walker
sintetizzatore :
Thomas Dolby
tastiera :
Michael Fonfara e Mick Jones (Foreigner/Spooky Tooth, worked in France)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Urgent
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd. e Somerset Songs Publishing Inc.
sub-editore:
Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4.154:27
6Bobby Brown
produttore:
Frank Zappa (US musician, composer, activist & filmmaker)
basso :
Patrick O’Hearn (American bass guitarist and keyboardist)
batteria :
Terry Bozzio
chitarra elettrica [lead] e voce principale:
Frank Zappa (US musician, composer, activist & filmmaker)
arrangiatore:
Frank Zappa (US musician, composer, activist & filmmaker)
diritti fonografici (℗) detenuti da:
Zappa Family Trust (legal entity which holds title and copyright to Frank Zappa's musical and artistic products) (nel 1979)
registrata presso:
Odeon Hammersmith (Eventim Apollo, pka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1978-01-27)
lavorazione tecnica effettuata presso:
UMRK (UMRK) in Los Angeles, California, Stati Uniti
registrazione di:
Bobby Brown
paroliere e compositore:
Frank Zappa (US musician, composer, activist & filmmaker)
editore:
Munchkin Music
registrazione dal vivo di:
Bobby Brown
paroliere e compositore:
Frank Zappa (US musician, composer, activist & filmmaker)
editore:
Munchkin Music
Frank Zappa3.82:51
7I Don’t Like Mondays
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats4.53:45
8Relight My Fire
registrazione di:
Relight My Fire (nel 1979)
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Dan Hartman4.653:47
9It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
10A Walk in the Park
produttore:
Jeremy Paul (British producer, engineer & remixer Jeremy Paul Solomons)
registrazione di:
A Walk in the Park
paroliere e compositore:
Nicholas Charles Bailey
Nick Straker Band3:47
11She Works Hard for the Money
edit di:
She Works Hard for the Money (album version) di Donna Summer (soul/disco diva)
registrazione di:
She Works Hard for the Money (nel 1983)
autore:
Michael Omartian e Donna Summer (soul/disco diva)
editore:
Warner Chappell, See This House Music (dal 1983 a oggi) e Sweet Summer Night Music (dal 1983 a oggi)
Donna Summer54:09
12Maniac
produttore:
Phil Ramone e Michael Sembello
voce:
Michael Sembello (nel 1983)
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1983)
registrazione di:
Maniac (nel 1983)
autore:
Dennis Matkosky e Michael Sembello
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1983 nominee)
Michael Sembello4.154:14
13The Ballroom Blitz
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Phil Wainman
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso e lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
The Ballroom Blitz
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Sweet4.64:01
14Breakaway
diritti fonografici (℗) detenuti da:
Stiff Records Ltd. (nel 1982, nel 1983)
registrazione cover di:
Breakaway
autore:
Jackie DeShannon e Sharon Sheeley
editore:
United Artists Music Ltd.
Tracey Ullman3.652:35
15Barbara Ann
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Dean Torrence e Brian Wilson (Beach Boys co‐founder)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrazione cover di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adattamenti:
Bomb Iran (Vince Vance & the Valiants parody)
adattamenti:
Bomb Iran (Paul Shanklin parody)
adattamenti:
Bomb Iraq
The Beach Boys42:05
16Send Me an Angel
registrata a:
Australia
tecnico:
Andrew Scott (Australian producer/engineer)
produttore:
Ross Cockle e Glenn Wheatley
produttore esecutivo:
Mike Curb e Jack Schwartzman
diritti fonografici (℗) detenuti da:
Curb Records, Inc. (holding company - do not use as release label) (nel 1983)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
mixata presso:
Fast Forward Studios in Warranwood, Melbourne, Victoria, Australia
registrazione di:
Send Me an Angel
paroliere:
David Sterry
compositore:
Richard Zatorski
editore:
Chappell & Co. GmbH (Publisher, do not use as a release label!), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. e Wheatley Music Pty Ltd. (nel 1983)
Real Life4.53:52
17Tainted Love
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1981)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell2:55
18Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order3.77:27

Accreditamenti

Gruppo di pubblicazioni

parte di:Fetenhits (ordine: 1)
Discogs:https://www.discogs.com/master/782588 [info]
altri database:https://www.musik-sammler.de/album/156848/ [info]