Blues for Bill Basie
~ Recording by Ben Webster & Harry “Sweets” Edison
Appears on releases
| # | Title | Length | Track artist | Release title | Release artist | Release group type | Country/Date | Label | Catalog# |
|---|---|---|---|---|---|---|---|---|---|
| Official | |||||||||
| 1.3 | Blues for Bill Basie | ?:?? | Harry Edison | Gee Baby Ain’t I Good to You | Harry Edison | Album |
| Verve (jazz label, aka “Verve Records”, use this for release labels) | MGV-8211 |
| 2.6 | Blues for Bill Basie | 9:31 | Ben Webster & Harry “Sweets” Edison | Complete Sextet Studio Sessions | Ben Webster & Harry “Sweets” Edison | Album + Compilation |
| Essential Jazz Classics | EJC55589 |
| 2.3 | Blues for Bill Basie | 8:28 | Harry “Sweets” Edison | The Classic Albums Collection | Harry “Sweets” Edison | Album + Compilation |
| Enlightenment (A Crazy Jazz Label) | EN4CD9157 |
Relationships
| recorded in: | Los Angeles, California, United States (from 1957-03-05 until 1957-03-30) |
|---|
| bass: | Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30) |
|---|---|
| drums (drum set): | Alvin Stoller (from 1957-03-05 until 1957-03-30) |
| guitar: | Barney Kessel (from 1957-03-05 until 1957-03-30) |
| piano: | Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30) |
| tenor saxophone: | Ben Webster (from 1957-03-05 until 1957-03-30) |
| trumpet: | Harry Edison (from 1957-03-05 until 1957-03-30) |
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