The Classic Albums Collection

~ Release by Harry “Sweets” Edison (see all versions of this release, 1 available)

Tracklist

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1▼CD: Buddy and Sweets / Sweets
#TitleRatingLength
1Yellow Rose of Brooklyn
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
Yellow Rose of Brooklyn (on 1955-09-01)
composer:
Harry “Sweets” Edison
4:31
2Easy Does It
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
Easy Does It (on 1955-09-01)
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
8:13
3All Sweets
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
All Sweets (on 1955-09-01)
composer:
Harry “Sweets” Edison
2:08
4Nice Work if You Can Get It
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
instrumental recording of:
Nice Work If You Can Get It (on 1955-09-01)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
4:04
5Barney's Bugle
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
Barney’s Bugle (on 1955-09-01)
composer:
Buddy Rich
8:56
6Now's the Time
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
Now’s the Time
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
4:39
7You're Getting to Be a Habit With Me
double bass [bass]:
John Simmons (bassist) (on 1955-09-01)
drums (drum set):
Buddy Rich (on 1955-09-01)
guitar:
Barney Kessel (on 1955-09-01)
piano:
Jimmy Rowles (on 1955-09-01)
trumpet:
Harry “Sweets” Edison (on 1955-09-01)
recording of:
You’re Getting to Be a Habit With Me (on 1955-09-01)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
5:11
8Hollering at the Watkins
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
3:33
9Used to Be Basie
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
5:57
10How Deep Is the Ocean (How High Is the Sky)
3:42
11Studio Call
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
8:07
12Willow Weep for Me
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
instrumental recording of:
Willow Weep for Me (on 1956-09-04)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:44
13Opus 711
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
5:04
14Love Is Here to Stay
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
instrumental recording of:
Love Is Here to Stay (on 1956-09-04)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:19
15K.M. Blues
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
3:30
16Walkin' With Sweets
double bass:
Joe Mondragon (on 1956-09-04)
drums (drum set):
Alvin Stoller (on 1956-09-04)
guitar:
Barney Kessel (on 1956-09-04)
piano:
Jimmy Rowles (on 1956-09-04)
tenor saxophone:
Ben Webster (on 1956-09-04)
trumpet:
Harry “Sweets” Edison (on 1956-09-04)
7:14
2▼CD: Gee, Baby Ain't I Good To You / Going For Myself
#TitleRatingLength
1Blues for Piney Brown
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:38
2Blues for the Blues
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
4:48
3Blues for Bill Basie
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
8:28
4Gee Baby, Ain't I Good to You
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1957-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:30
5You're Getting to Be a Habit With Me
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
6:49
6Taste on the Place
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:00
7Moonlight in Vermont
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:54
8Flic
6:10
9Our Love Is Here to Stay
5:49
10St. Tropez
8:35
11Waldorf Blues
5:58
12Sunday
6:51
13You're Getting to Be a Habit With Me
5:17
3▼CD: The Swinger / Sweetenings
#TitleRatingLength
1Pussy Willow
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
Pussy Willow (on 1958-09-18)
composer:
Harry “Sweets” Edison
7:31
2The Very Thought of You
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
The Very Thought of You (on 1958-09-18)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
6:03
3Nasty
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
Nasty (on 1958-09-18)
composer:
Harry “Sweets” Edison
5:18
4The Strollers
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
The Strollers (on 1958-09-18)
composer:
Harry “Sweets” Edison
6:53
5Sunday
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1958-09-18)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
6:54
6Fair Ground
bass:
Joe Benjamin (US jazz bassist) (on 1958-09-18)
drums (drum set) and timpani:
Charlie Persip (American jazz drummer) (on 1958-09-18)
guitar:
Freddie Green (on 1958-09-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1958-09-18)
tenor saxophone:
Jimmy Forrest (on 1958-09-18)
trumpet:
Harry “Sweets” Edison (on 1958-09-18)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-09-18)
recording of:
Fair Ground (on 1958-09-18)
composer:
Harry “Sweets” Edison
4:53
7Centerpiece
3:27
8Candy
2:31
9Jive at Five
2:50
10Imagination
2:35
11Louisiana
2:31
12Harriet
3:11
13It Happened in Monterey
2:04
14If I Had You
3:16
15Paradise
3:34
16(Back Home Again In) Indiana
1:50
17Pussy Willow
4:00
18Sweetenings
2:38
4▼CD: Together / Wanted To Do One Together
#TitleRatingLength
1Winter Weather
instrumental recording of:
Winter Weather
lyricist and composer:
Ted Shapiro
1:49
2I Don't Know Why (I Just Do)
2:27
3There's a Small Hotel
2:14
4Out of Nowhere
2:11
5Aren't You Glad You're You
2:23
6Remember
1:50
7Together
2:28
8Deep Purple
2:48
9Always
2:37
10Lover, Come Back to Me
4:05
11By the River Sainte Marie
recording of:
By the River Sainte Marie
writer:
Edgar Leslie and Harry Warren (US composer and lyricist)
1:56
12Alone Together
2:31
13Better Go
8:57
14How Long Has This Been Going On
5:30
15Kitty
7:58
16My Romance
4:11
17Did You Call Her Today
8:53
18Embraceable You
4:08