The Classic Albums Collection

~ Release by Harry “Sweets” Edison (see all versions of this release, 1 available)

Tracklist

1▶CD: Buddy and Sweets / Sweets
2▼CD: Gee, Baby Ain't I Good To You / Going For Myself
#TitleRatingLength
1Blues for Piney Brown
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:38
2Blues for the Blues
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
4:48
3Blues for Bill Basie
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
8:28
4Gee Baby, Ain't I Good to You
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1957-03)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
3:30
5You're Getting to Be a Habit With Me
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
You’re Getting to Be a Habit With Me (in 1957-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
6:49
6Taste on the Place
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
7:00
7Moonlight in Vermont
recorded in:
Los Angeles, California, United States (from 1957-03-05 until 1957-03-30)
bass:
Ray Brown (jazz bassist) (from 1957-03-05 until 1957-03-30)
drums (drum set):
Alvin Stoller (from 1957-03-05 until 1957-03-30)
guitar:
Barney Kessel (from 1957-03-05 until 1957-03-30)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1957-03-05 until 1957-03-30)
tenor saxophone:
Ben Webster (from 1957-03-05 until 1957-03-30)
trumpet:
Harry Edison (from 1957-03-05 until 1957-03-30)
instrumental recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
Moonlight in Vermont (in 1957-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:54
8Flic
6:10
9Our Love Is Here to Stay
5:49
10St. Tropez
8:35
11Waldorf Blues
5:58
12Sunday
6:51
13You're Getting to Be a Habit With Me
5:17
3▶CD: The Swinger / Sweetenings
4▶CD: Together / Wanted To Do One Together