Essential Bach: 36 of His Greatest Masterpieces

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Toccata in D minor
Orchester:
Boston Symphony Orchestra (in 1990-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-04)
recording of:
Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (in 1990-04)
Orchestrator(in):
Leopold Stokowski (conductor)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
Teil von:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
3:34
2Orchestral Suite No. 3: Air
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
Orchester:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
Tonmeister(in):
Stanley Goodall (engineer) (in 1970-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:14
3Prelude in C major
Harfe:
Marisa Robles (Spanish harpist) (in 1978-06)
arranger:
Marisa Robles (Spanish harpist)
aufgenommen bei:
St. George the Martyr (Queen Square, Holborn) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (catch-all for arrangements) (in 1978-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
3:17
4Brandenburg Concerto No. 4: Allegro
Geige / Violine:
José‐Luis García (violinist & conductor) (in 1974-10)
recorder:
David Munrow (UK early music historian & musician) (in 1974-10) und John Turner (recorder player) (in 1974-10)
Orchester:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1974-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:13
5Goldberg Variations: Aria
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (von 1982-04-13 bis 1982-04-15)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1982-04-13 bis 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1982-04-13 bis 1982-04-15)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:52
6Sleepers Awake
Orchester:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
Orchestrator(in):
Sir Granville Bantock (British composer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 645)
basiert auf:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Teil von:
Sechs Choräle von verschiedener Art
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
5:31
7Violin Concerto No. 1: Allegro Moderato
Cembalo:
Christopher Middleton (harpsichord) (in 1985-07)
Geige / Violine:
Salvatore Accardo (violinist and conductor) (in 1985-07)
Orchester:
Chamber Orchestra of Europe (in 1985-07)
conductor:
Salvatore Accardo (violinist and conductor) (in 1985-07)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1985-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
3:57
8Jesu, Joy of Man's Desiring (Cantata, BWV 147)
Orchester:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Lucien Cailliet und Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:05
9Keyboard Concerto No. 4: Allegro
Techniker(in):
Stanley Goodall (engineer)
Produzent(in):
Michael Haas (classical music producer)
Klavier:
András Schiff (pianist) (von 1989-01-24 bis 1989-01-26)
Orchester:
Chamber Orchestra of Europe (von 1989-01-24 bis 1989-01-26)
conductor:
András Schiff (pianist) (von 1989-01-24 bis 1989-01-26)
Interpret(in):
András Schiff (pianist)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
aufgenommen bei:
Konzerthaus: Großer Saal in Landstraße, Wien, Österreich (von 1989-01-24 bis 1989-01-26)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro (von 1989-01-24 bis 1989-01-26)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Keyboard Concerto no. 4 in A major, BWV 1055
4:02
10Cello Suite No. 3: Bourrees Nos. 1 & 2
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1981-08)
Gitarre und klassiche Gitarre:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (in 1981-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II)
Teil von:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
3:40
11Concerto for Oboe and Violin: Adagio
Cembalo:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) und Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
Geige / Violine:
Carmel Kaine (violinist) (in 1974-08)
Oboe:
Tess Miller (oboist) (in 1974-08)
Orchester:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
basiert auf:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:18
12Mass in B minor: Crucifixus
Techniker(in) und Produzent(in):
Vittorio Negri (conductor)
Chorgesang:
Academy of St Martin in the Fields Chorus (in 1977-11)
Orchester:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1977-11)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
3:46
13Cello Suite No. 1: Prelude
recorded in:
Vereinigte Staaten (in 1965-09)
Techniker(in):
Robert Eberenz
Produzent(in):
Harold Lawrence
Cello:
János Starker (Hungarian-American cellist) (in 1965-09)
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1965-09)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (in 1965-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:28
14French Suite No. 5: Gigue
Techniker(in):
Jonathan Stokes (engineer)
Produzent(in):
Christopher Raeburn (producer)
Klavier:
András Schiff (pianist) (von 1991-01-08 bis 1991-01-10)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
aufgenommen bei:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Deutschland (von 1991-01-08 bis 1991-01-10)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (von 1991-01-08 bis 1991-01-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
3:31
15Prelude in D minor
Gitarre:
Eduardo Fernández (guitarist) (in 1987-11)
Gitarre arranger:
Eduardo Fernández (guitarist)
arranger:
Eduardo Fernández (guitarist)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-11)
recording of:
Prelude in C minor, BWV 999 (catch-all for arrangements) (in 1987-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Prelude in C minor, BWV 999 (original for lute)
recording of:
Prelude in C minor, BWV 999 (catch-all for arrangements) (in 1987)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Prelude in C minor, BWV 999 (original for lute)
1:29
16Brandenburg Concerto No. 5: Allegro
Cembalo:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
flute:
Richard Adeney (flautist) (in 1974-10)
Geige / Violine:
José‐Luis García (violinist & conductor) (in 1974-10)
Orchester:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1974-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:13
17St. Matthew Passion: Wir Setzen Uns Mit Tranen Nieder
Chorgesang:
Chicago Symphony Chorus (in 1987-03)
Orchester:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1987-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
6:27
2▼CD
Nr.TitelBewertungLänge
1Brandenburg concerto, No. 2: Allegro
recorded in:
La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (von 1984-07-23 bis 1984-08-04)
Geige / Violine:
Pina Carmirelli (violinist) (von 1984-07-23 bis 1984-08-04), Italo Colandrea (violinist) (von 1984-07-23 bis 1984-08-04) und Antonio Perez Ruiz (violinist) (von 1984-07-23 bis 1984-08-04)
Oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (von 1984-07-23 bis 1984-08-04)
recorder:
Michael Copley (von 1984-07-23 bis 1984-08-04)
Trompete:
Guy Touvron (trumpet player) (von 1984-07-23 bis 1984-08-04)
aufgenommen bei:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (von 1984-07-23 bis 1984-08-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (von 1984-07-23 bis 1984-08-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:56
2Concerto for two violins: Largo
Produzent(in):
Vittorio Negri (conductor)
Geige / Violine:
Maurice Hasson (violinist) (in 1976-06) und Henryk Szeryng (violinist) (in 1976-06)
Orchester:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
6:30
3Lute suite, No. 4: Prelude
Gitarre:
Eduardo Fernández (guitarist) (in 1987-11)
arranger:
Eduardo Fernández (guitarist)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-11)
recording of:
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (in 1987-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a)
Teil von:
Suite E-Dur, BWV 1006a (catch all for arrangements)
3:53
4Sheep May Safely Graze
Produzent(in):
James Mallinson (producer)
Orchester:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:31
5Cello sonata, No. 3: Adagio (excerpt)
Cello:
János Starker (Hungarian-American cellist) (in 1963-04)
Klavier:
György Sebök (pianist) (in 1963-04)
aufgenommen bei und engineered at:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1963-04)
teilweise recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio (in 1963-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
3:14
6Italian concerto: Allegro
Techniker(in):
Jonathan Stokes (engineer)
Produzent(in):
Christopher Raeburn (producer)
Klavier:
András Schiff (pianist) (von 1991-01-08 bis 1991-01-10)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
aufgenommen bei:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Deutschland (von 1991-01-08 bis 1991-01-10)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (von 1991-01-08 bis 1991-01-10)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
Teil von:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:55
7Christmas oratorio: Pastoral sinfonia
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1966-09)
Orchester:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) und Karl Münchinger (German conductor) (in 1966-09)
aufgenommen bei:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Deutschland und Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
6:39
8Violin concerto, No. 1: Andante
Cembalo:
Christopher Middleton (harpsichord) (in 1985-07)
Geige / Violine:
Salvatore Accardo (violinist and conductor) (in 1985-07)
Orchester:
Chamber Orchestra of Europe (in 1985-07)
conductor:
Salvatore Accardo (violinist and conductor) (in 1985-07)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 1985-07)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
6:26
9Partita No. 1: Gigue
Gitarre:
Eduardo Fernández (guitarist) (in 1987-11)
Gitarre arranger:
Eduardo Fernández (guitarist)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-11)
recording of:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (catch-all for arrangements) (in 1987-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Partita no. 1 in B-flat major, BWV 825: VII. Gigue
2:34
10Orchestral suite, No. 2: Minuet
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:14
11Orchestral suite, No. 2: Badinerie
Cembalo:
Thurston Dart (conductor and keyboard player) (in 1970-12)
flute:
William Bennett (flautist) (in 1970-12)
Orchester:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:26
12Oboe concerto: Siciliano
Produzent(in) und Tonmeister(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
Oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05, von 1982-05 bis 1982-07)
Orchester:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1982-05) und Academy of St Martin in the Fields (von 1982-05 bis 1982-07)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05, von 1982-05 bis 1982-07)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (in 1982-05, von 1982-05 bis 1982-07)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (in 1982-05)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Oboe Concerto in F major, BWV 1053R
4:19
13Brandenburg concerto, No. 3: Allegro
Bratsche / Viola:
Quintin Ballardie (violist) (in 1974-10), Ruşen Güneş (violist) (in 1974-10) und Andrew Williams (viola player) (in 1974-10)
Cello:
Olga Hegedus (cellist) (in 1974-10), Anita Lasker-Wallfisch (in 1974-10) und Stephen Orton (cellist) (in 1974-10)
Geige / Violine:
José‐Luis García (violinist & conductor) (in 1974-10), Adrian Levine (violinist) (in 1974-10) und Simon Standage (English violinist and conductor) (in 1974-10)
Kontrabass:
Rodney Slatford (double bassist) (in 1974-10)
Orchester:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1974-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:36
14Violin partita, No. 2: Allemande
Produzent(in):
Christopher Raeburn (producer)
Geige / Violine:
Kyung-Wha Chung (violinist) (in 1974-11)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1974-11)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1974-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (in 1974-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
4:11
15Violin partita, No. 2: Gigue
Produzent(in):
Christopher Raeburn (producer)
Geige / Violine:
Kyung-Wha Chung (violinist) (in 1974-11)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1974-11)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1974-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1974-11)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
3:09
16Keyboard concerto, No. 2: Allegro (excerpt)
Klavier:
András Schiff (pianist) (in 1989-01)
Orchester:
Chamber Orchestra of Europe (in 1989-01)
conductor:
András Schiff (pianist) (in 1989-01)
aufgenommen bei:
Konzerthaus: Großer Saal in Landstraße, Wien, Österreich (in 1989-01)
Bearbeitung von:
Concerto No. 2 E-Dur, BWV 1053: I. Allegro von András Schiff (pianist), The Chamber Orchestra of Europe
teilweise recording of:
Keyboard Concerto no. 2 in E major, BWV 1053: I. Allegro (in 1989-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Oboe Concerto in F major, BWV 1053R: I. Allegro
Teil von:
Keyboard Concerto no. 2 in E major, BWV 1053
2:55
17Sanctify Us by Thy Goodness
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Klavier:
Alicia de Larrocha (pianist) (in 1977-06)
Tonmeister(in):
Colin Moorfoot (engineer)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
Arrangement von:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
3:13
18Keyboard concerto, No. 5: Largo
Cembalo:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
Orchester:
English Chamber Orchestra (in 1974-04)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1974-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:56
19Concerto in A minor for organ: Allegro
Orgel und Pfeifenorgel:
Wolfgang Rübsam (organist) (in 1977)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro) (in 1977)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593
3:34

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Veröffentlichung

ASIN:US: B00004SPLF [Info]
Diskografieeintrag:http://www.deccaclassics.com/gb/cat/4664652 [Info]