Essential Bach: 36 of His Greatest Masterpieces

~ Pubblicazione di Johann Sebastian Bach (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Toccata in D minor
orchestra:
Boston Symphony Orchestra (nel 1990-04)
direttore d'orchestra:
Seiji Ozawa (conductor and composer) (nel 1990-04)
registrazione di:
Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (nel 1990-04)
orchestratore:
Leopold Stokowski (conductor)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestrazione di:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
parte di:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
3:34
2Orchestral Suite No. 3: Air
produttore:
Michael Bremner (producer/engineer)
clavicembalo :
Thurston Dart (conductor and keyboard player) (nel 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1970-12)
direttore d'orchestra:
Neville Marriner (conductor) (nel 1970-12)
tecnico di bilanciamento:
Stanley Goodall (engineer) (nel 1970-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1971)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1970-12)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (nel 1970-12)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:14
3Prelude in C major
arpa :
Marisa Robles (Spanish harpist) (nel 1978-06)
arrangiatore:
Marisa Robles (Spanish harpist)
registrata presso:
St. George the Martyr (Queen Square, Holborn) in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1978-06)
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (catch-all for arrangements) (nel 1978-06)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
3:17
4Brandenburg Concerto No. 4: Allegro
flauto dolce :
David Munrow (UK early music historian & musician) (nel 1974-10) e John Turner (recorder player) (nel 1974-10)
violino :
José‐Luis García (violinist & conductor) (nel 1974-10)
orchestra:
English Chamber Orchestra (nel 1974-10)
direttore d'orchestra:
Raymond Leppard (conductor and harpsichordist) (nel 1974-10)
registrazione di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (nel 1974-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:13
5Goldberg Variations: Aria
tecnico:
Simon Eadon (classical music engineer)
produttore:
Michael Haas (classical music producer)
pianoforte :
András Schiff (pianist) (dal 1982-04-13 al 1982-04-15)
diritti fonografici (℗) detenuti da:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 1983)
registrata presso:
Kingsway Hall in London (Greater London), England, Regno Unito (dal 1982-04-13 al 1982-04-15)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (opening) (dal 1982-04-13 al 1982-04-15)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:52
6Sleepers Awake
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (nel 1958-05)
direttore d'orchestra:
Raymond Agoult (Hungarian, London-based conductor and composer) (nel 1958-05)
registrata presso:
Walthamstow Assembly Hall in London (Greater London), England, Regno Unito (nel 1958-05)
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (nel 1958-05)
orchestratore:
Sir Granville Bantock (British composer)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestrazione di:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
registrazione di:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Bach-Werke-Verzeichnis (numero: BWV 645)
si basa su:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
parte di:
Sechs Choräle von verschiedener Art
registrazione di:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
5:31
7Violin Concerto No. 1: Allegro Moderato
clavicembalo :
Christopher Middleton (harpsichord) (nel 1985-07)
violino :
Salvatore Accardo (violinist and conductor) (nel 1985-07)
orchestra:
Chamber Orchestra of Europe (nel 1985-07)
direttore d'orchestra:
Salvatore Accardo (violinist and conductor) (nel 1985-07)
registrazione di:
Violin Concerto in A minor, BWV 1041: I. Allegro (nel 1985-07)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Violin Concerto in A minor, BWV 1041
3:57
8Jesu, Joy of Man's Desiring (Cantata, BWV 147)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (nel 1977-10)
direttore d'orchestra:
Karl Münchinger (German conductor) (nel 1977-10)
arrangiatore:
Lucien Cailliet e Karl Münchinger (German conductor)
registrata presso:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germania (nel 1977-10)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (nel 1977-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:05
9Keyboard Concerto No. 4: Allegro
tecnico:
Stanley Goodall (engineer)
produttore:
Michael Haas (classical music producer)
pianoforte :
András Schiff (pianist) (dal 1989-01-24 al 1989-01-26)
orchestra:
Chamber Orchestra of Europe (dal 1989-01-24 al 1989-01-26)
direttore d'orchestra:
András Schiff (pianist) (dal 1989-01-24 al 1989-01-26)
esecutore:
András Schiff (pianist)
diritti fonografici (℗) detenuti da:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 1990)
registrata presso:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (dal 1989-01-24 al 1989-01-26)
registrazione di:
Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro (dal 1989-01-24 al 1989-01-26)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Keyboard Concerto no. 4 in A major, BWV 1055
4:02
10Cello Suite No. 3: Bourrees Nos. 1 & 2
registrata a:
London (Greater London), England, Regno Unito (nel 1981-08)
chitarra e chitarra classica :
Pepe Romero (classical and flamenco guitarist) (nel 1981-08)
registrazione di:
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (nel 1981-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II)
parte di:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
3:40
11Concerto for Oboe and Violin: Adagio
clavicembalo :
Christopher Hogwood (conductor, harpsichordist) (nel 1974-08) e Nicholas Kraemer (harpsichordist and conductor) (nel 1974-08)
oboe :
Tess Miller (oboist) (nel 1974-08)
violino :
Carmel Kaine (violinist) (nel 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 1974-08)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1974-08)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1975)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (dal 1973 al 1974, nel 1974-08)
registrazione di:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (nel 1974-08)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
si basa su:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
parte di:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:18
12Mass in B minor: Crucifixus
tecnico e produttore:
Vittorio Negri (conductor)
cori:
Academy of St Martin in the Fields Chorus (nel 1977-11)
orchestra:
Academy of St Martin in the Fields (nel 1977-11)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1977-11)
maestro del coro:
László Heltay (British/Hungarian conductor and composer) (nel 1977-11)
registrata presso:
St John’s, Smith Square in London (Greater London), England, Regno Unito (nel 1977-11)
registrazione di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (nel 1977-11)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:46
13Cello Suite No. 1: Prelude
registrata a:
Stati Uniti (nel 1965-09)
tecnico:
Robert Eberenz
produttore:
Harold Lawrence
violoncello :
János Starker (Hungarian-American cellist) (nel 1965-09)
registrata presso:
Fine Recording Studios in Manhattan, New York, New York, Stati Uniti (nel 1965-09)
registrazione di:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (nel 1965-09)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:28
14French Suite No. 5: Gigue
tecnico:
Jonathan Stokes (engineer)
produttore:
Christopher Raeburn (producer)
pianoforte :
András Schiff (pianist) (dal 1991-01-08 al 1991-01-10)
diritti fonografici (℗) detenuti da:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 1993)
registrata presso:
Reitstadel in Neumarkt in der Oberpfalz, Bayern (Baviera), Germania (dal 1991-01-08 al 1991-01-10)
registrazione di:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (dal 1991-01-08 al 1991-01-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Französische Suite Nr. 5 G-dur, BWV 816 (French Suite No. 5 in G major, BWV 816)
3:31
15Prelude in D minor
chitarra :
Eduardo Fernández (guitarist) (nel 1987-11)
arrangiatore chitarra :
Eduardo Fernández (guitarist)
arrangiatore:
Eduardo Fernández (guitarist)
registrata presso:
Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1987-11)
registrazione di:
Prelude in C minor, BWV 999 (catch-all for arrangements) (nel 1987-11)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Prelude in C minor, BWV 999 (original for lute)
registrazione di:
Prelude in C minor, BWV 999 (catch-all for arrangements) (nel 1987)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Prelude in C minor, BWV 999 (original for lute)
1:29
16Brandenburg Concerto No. 5: Allegro
clavicembalo :
Raymond Leppard (conductor and harpsichordist) (nel 1974-10)
flauto :
Richard Adeney (flautist) (nel 1974-10)
violino :
José‐Luis García (violinist & conductor) (nel 1974-10)
orchestra:
English Chamber Orchestra (nel 1974-10)
direttore d'orchestra:
Raymond Leppard (conductor and harpsichordist) (nel 1974-10)
registrazione di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (nel 1974-10)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione di:
Concerto D-Dur, BWV 1050a: III. Allegro
parte di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
5:13
17St. Matthew Passion: Wir Setzen Uns Mit Tranen Nieder
cori:
Chicago Symphony Chorus (nel 1987-03)
orchestra:
Chicago Symphony Orchestra (nel 1987-03)
direttore d'orchestra:
Sir Georg Solti (conductor) (nel 1987-03)
registrazione di:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (nel 1987-03)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
librettista:
Picander
parte di:
Matthäus-Passion, BWV 244: Teil II
6:27
2▶CD

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Pubblicazione

ASIN:US: B00004SPLF [info]
voce della discografia:http://www.deccaclassics.com/gb/cat/4664652 [info]