Zeit zum Entspannen: Klassik zum Wohlfühlen von Sandra Voss

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1Schneeflöckchen, Op. 12: Melodrama
orchestra:
Tchaikovsky Chamber Orchestra
conductor:
Lazar Gosman (violinist and conductor)
recording of:
The Snow Maiden, op. 12: Prologue - No 5a. Melodrama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1873)
part of:
The Snow Maiden, op. 12: Prologue
Пётр Ильич Чайковский3:24
2Der Duft von Lavendel
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Ladies in Lavender (theme, Ladies in Lavender) (from 2004-02 until 2004-06)
orchestrator:
Nigel Hess (British composer)
composer:
Nigel Hess (British composer) (, in 2004)
Nigel Hess4:04
3Konzert für Flöte und Harfe C-dur, KV 299: Andantino
flute:
James Galway (flautist) (in 1978-06)
harp:
Marisa Robles (Spanish harpist) (in 1978-06)
orchestra:
London Symphony Orchestra (in 1978-06)
conductor:
Eduardo Mata (conductor) (in 1978-06)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (in 1978-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart9:08
4Nefeli
piano:
Ludovico Einaudi (Italian composer and pianist)
recording of:
Nefeli
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi14:13
5Notenbüchlein der Anna Magdalena 2: Bist Du bei mir D-dur, BWV 509
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (on 1968-05-08)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:42
6Ein Sommernachtstraum, Op. 61, 7: Nocturne
producer:
Paul Myers (classical record producer)
orchestra:
Cleveland Orchestra (on 1967-01-13)
conductor:
George Szell (conductor, pianist, composer) (on 1967-01-13)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-01-13)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo (on 1967-01-13)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:13
7Suite Bergamasque: Clair de lune
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-02-17)
conductor:
Eugene Ormandy (conductor) (on 1963-02-17)
arranger:
Lucien Cailliet
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1963)
recorded at:
Town Hall (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1963-02-17)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (on 1963-02-17)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy5:02
8Xerxes: Largo
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel5:50
9The Wedding Night
Patrick Doyle2:08
10Klavierkonzert Nr. 5 F-moll, BWV 1056: Largo
producer:
Howard H. Scott (classical music producer)
piano:
Glenn Gould (pianist) (on 1958-05-01)
violin:
Charles Libove (on 1958-05-01)
orchestra:
Columbia Symphony Orchestra (on 1958-05-01)
conductor:
Vladimir Golschmann (conductor) (on 1958-05-01)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-05-01)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (on 1958-05-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:58
11Vocalise Op. 34, 14
soprano saxophone:
Branford Marsalis (saxophonist)
saxophone arranger:
Michel Colombier (French score composer)
Сергей Васильевич Рахманинов5:59
12Menuett Nr. 2 G-dur, WoO 10, 2
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Minuet in G major, WoO 10 no. 2 (for strings)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
6 Minuets for Piano, WoO 10: No. 2 in G major
Ludwig van Beethoven2:54
13Streichquartett Nr. 1 D-dur, Op. 11: Andante cantabile
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1871)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Пётр Ильич Чайковский6:39
14Fantasia on Greensleeves
violin:
David Nadien (on 1969-12-08)
orchestra:
New York Philharmonic (on 1969-12-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1969-12-08)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-12-08)
recording of:
Fantasia on “Greensleeves” (on 1969-12-08)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:58
15Menuett G-moll, BWV Anh. 115
piano:
Rosalyn Tureck (pianist and harpsichordist) (in 1981-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1981-04)
recording of:
Menuet in G minor, BWV Anh. 115 (in 1981-04)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
Johann Sebastian Bach1:55
2CD
#TitleArtistRatingLength
1Sinfonie Nr.4 f-Moll op. 36: Andantino in modo di canzona
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Lorin Maazel (conductor)
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Пётр Ильич Чайковский9:03
2Throw the Coins
orchestra:
Orchester Robert Ziegler
conductor:
Robert Ziegler (conductor)
Patrick Doyle3:09
3Arioso As-Dur
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-03-27)
conductor:
Eugene Ormandy (conductor) (on 1968-03-27)
arranger:
William Smith (conductor and arranger, associate conductor of The Philadelphia Orchestra from 1976–93)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (on 1968-03-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach4:32
4Sinfonie Nr. 5 D-Dur op. 107: Andante
orchestra:
New York Philharmonic (on 1966-12-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-12-29)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-12-29)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante (on 1966-12-29)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn3:58
5Touch Her Soft Lips and Part
piano:
Simon Mulligan (pianist)
arranger:
Simon Mulligan (pianist)
recording of:
Touch Her Soft Lips (catch-all for unknown arrangement)
composer:
William Walton (British composer and conductor)
publisher:
Oxford University Press
is based on:
Henry V
Sir William Walton4:25
6Tristan und Isolde: LiebestodRichard Wagner5:49
7Julia
piano:
Ludovico Einaudi (Italian composer and pianist)
recording of:
Julia
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi14:50
8Olga
violin:
Joshua Bell (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nigel Hess (British composer)
Nigel Hess3:27
9Suite für Orgel, Cembalo und Orchester: Air
orchestra:
Los Angeles Philharmonic
conductor:
Esa‐Pekka Salonen (conductor and composer)
arranger:
Gustav Mahler (composer)
Johann Sebastian Bach5:30
10Pavane pour une infante défunte
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (from 1963-01-11 until 1963-01-12)
conductor:
George Szell (conductor, pianist, composer) (from 1963-01-11 until 1963-01-12)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1963-01-11 until 1963-01-12)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1963-01-11 until 1963-01-12)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:19
11Madame Butterfly: Summchor
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:12
12Klavierkonzert Nr. 2 c-Moll op. 18: Adagio
engineer:
Kevin P. Boutote (engineer)
producer:
Gary Schultz (composer, arranger, sound engineer, and producer)
piano:
Yefim Bronfman (pianist) (from 1990-10-05 until 1990-10-08)
orchestra:
The Philharmonia (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-10-05 until 1990-10-08)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1990-10-05 until 1990-10-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-08)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1990-10-05 until 1990-10-08)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов11:02
3CD
#TitleArtistRatingLength
1Sinfonie Nr. 5 e-Moll op. 64: Valse - Allegro moderato
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (, on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (on 1960-05-16)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:10
2Love Theme (from 'Cinema Paradiso')
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
Nuovo cinema Paradiso: Tema d’amore
composer:
Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer)
part of:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:12
3Sinfonie Nr. 4 A-Dur op. 90: Andante con moto
producer:
Thomas Frost (classical music producer)
orchestra:
Cleveland Orchestra (on 1962-10-26) and The Cleveland Orchestra (from 1963-01-04 until 1963-01-05)
conductor:
George Szell (conductor, pianist, composer) (on 1962-10-26, from 1963-01-04 until 1963-01-05)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1962-10-26, from 1963-01-04 until 1963-01-05)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1962-10-26)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (from 1963-01-04 until 1963-01-05)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:17
4Nocturne Nr. 2 Es-Dur op. 9,2
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Arthur Harris (pianist, composer, arranger)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:03
5Amerikanische Suite A-Dur op. 98b: Andante con moto
recording engineer:
Wolfgang Gülich (engineer) and Mike Ross‐Trevor (engineer)
producer:
David Mottley (producer) and Paul Myers (classical record producer)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1976-06-16 until 1976-06-17)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1976-06-16 until 1976-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-06-16 until 1976-06-17)
recording of:
Suite in A major, op. 98b, B. 190 “American”: I. Andante con moto (for orchestra) (from 1976-06-16 until 1976-06-17)
composer:
Antonín Dvořák (composer) (in 1895)
part of:
Suite in A major, op. 98b, B. 190 “American” (for orchestra)
Antonín Dvořák4:54
6My Father's Favorite
recording engineer:
Paul Hulme
assistant engineer:
Jon Bailey (engineer), Ben Georgiades and Steve Orchard (producer and engineer)
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
editor:
Roy Prendergast
piano:
Tony Hymas
orchestra:
Orchester Robert Ziegler
conductor:
Robert Ziegler (conductor)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Sense and Sensibility: My Father’s Favourite
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator)
composer:
Patrick Doyle (Scottish score composer)
part of:
Sense and Sensibility
Patrick Doyle5:29
7Hänsel und Gretel: Abendsegen
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir)
composer:
Engelbert Humperdinck (German composer) (from 1891 until 1892)
librettist:
Adelheid Wette (German lyricist)
part of:
Hänsel und Gretel (original german lyrics)
Engelbert Humperdinck2:59
8Stella dell Mattino
piano:
Ludovico Einaudi (Italian composer and pianist)
recording of:
Stella del mattino
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi2:15
9Violinkonzert Nr. 1 a-Moll op. 18: Andante
assistant engineer:
Andreas Meyer (US sound engineer) (from 1999-05-24 until 1999-05-25)
engineer:
Rob Rapley (engineer) (from 1999-05-24 until 1999-05-25)
producer:
Thomas Frost (classical music producer)
violin:
Joshua Bell (violinist) (from 1999-05-24 until 1999-05-25)
orchestra:
Los Angeles Philharmonic (from 1999-05-24 until 1999-05-25)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-05-24 until 1999-05-25)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-05-24 until 1999-05-25)
recording of:
Violin Concerto no. 1 in A minor, op. 28: II. Andante (from 1999-05-24 until 1999-05-25)
composer:
Karl Goldmark (composer)
part of:
Violin Concerto no. 1 in A minor, op. 28
Karl Goldmark6:13
10Konzert für 2 Klaviere c-Moll BWV 1060: Largo ovvero Adagio
piano:
Gaby Casadesus (French pianist) and Robert Casadesus (French pianist/composer)
orchestra:
Zürcher Kammerorchester
conductor:
Edmond de Stoutz (conductor)
recording of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C minor for Two Harpsichords, BWV 1060
Johann Sebastian Bach6:04
11Klarinettenkonzert A-Dur KV 622: Adagio
producer:
Thomas Frost (classical music producer)
clarinet:
Robert Marcellus (clarinetist) (on 1961-10-21)
orchestra:
The Cleveland Orchestra (on 1961-10-21)
conductor:
George Szell (conductor, pianist, composer) (on 1961-10-21)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1961-10-21)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (on 1961-10-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
recording of:
Concerto in A major for Clarinet and Orchestra, K. 622: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart7:44
12End Title (from 'Oscar and Lucinda')
vocals:
The Paulist Choristers of California
orchestra:
Orchester Thomas Newman
conductor:
Thomas Newman (American score composer)
recording of:
Oscar and Lucinda (End Title)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
part of:
Oscar and Lucinda (1997 film score)
Thomas Newman2:48
13Sinfonie Nr.6 F-Dur op. 68: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
orchestra:
New York Philharmonic (on 1963-05-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1963-05-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-05-13)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country") (on 1963-05-13)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
live recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (Symphony no. 6 in F major, op. 68 "Pastoral": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven11:07
4CD
#TitleArtistRatingLength
1Gabriel's Oboe
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) and Coro di voci bianche dell'Accademia di Santa Cecilia
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Ennio Morricone (Italian classical and score composer)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:22
2Sinfonie Nr. 6 h-Moll op. 74 "Pathétique": Allegro con grazia
orchestra:
Chicago Symphony Orchestra (on 1986-11-10)
conductor:
Claudio Abbado (conductor) (on 1986-11-10)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1986-11-10)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (on 1986-11-10)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский7:42
3Emmanuel
engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Mowrey
soprano saxophone:
Branford Marsalis (saxophonist)
orchestra:
The English Chamber Orchestra
conductor:
Andrew Litton (conductor)
orchestrator:
Michel Colombier (French score composer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recording of:
Emmanuel
composer:
Michel Colombier (French score composer)
Michel Colombier2:49
4Klavierkonzert Nr. 21 C-Dur KV 467: Andante
producer:
Thomas Frost (classical music producer)
piano:
Robert Casadesus (French pianist/composer) (on 1961-11-05)
orchestra:
Members of the Cleveland Orchestra (on 1961-11-05)
conductor:
George Szell (conductor, pianist, composer) (on 1961-11-05)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1961-11-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (on 1961-11-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:47
5Petite suite: En bateau
producer:
Andrew Kazdin (American record producer)
orchestra:
The Cleveland Orchestra (on 1969-07-21)
conductor:
Louis Lane (American conductor) (on 1969-07-21)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1969-07-21)
recording of:
Petite Suite, L. 65, CD 71b : I. En bateau (for orchestra) (on 1969-07-21)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (French composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
Claude Debussy3:43
6Chanson de nuit op. 15,2
orchestra:
English Chamber Orchestra
conductor:
José‐Luis García (violinist & conductor)
Sir Edward Elgar3:55
7Semele: Where'er you walk
organ:
E. Power Biggs (English organist/harpsichordist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
arranger:
Daniel Pinkham (American composer, organist, and harpsichordist)
recording of:
Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter)
composer:
George Frideric Handel (German‐British baroque composer) (in 1743)
librettist:
William Congreve
part of:
Semele, HWV 58: Act II
recording of:
Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter) (catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter)
Georg Friedrich Händel4:12
8Zeit der Unschuld
Elmer Bernstein4:37
9Railroad Man
piano:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
坂本龍一4:37
10Kantate BWV 208 "Was mir behagt, ist die muntere Jagd": "Schafe können sicher weiden"
orchestra:
Columbia Symphony (on 1966-03-05)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1966-03-05)
arranger:
Thomas Frost (classical music producer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1966-03-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (on 1966-03-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:37
11Albumblatt "Für Elise" a-Moll WoO 59
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
William Smith (conductor and arranger, associate conductor of The Philadelphia Orchestra from 1976–93)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:26
12Ein Sommernachtstraum op. 61,5: Intermezzo
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (on 1967-01-13)
conductor:
George Szell (conductor, pianist, composer) (on 1967-01-13)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1967-01-13)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (on 1967-01-13)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:22
13Capriol Suite: Pavane
orchestra:
English Chamber Orchestra
conductor:
José‐Luis García (violinist & conductor)
recording of:
Capriol Suite: II. Pavanne (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:34
14The Gadfly op. 97a: Nocturne
producer:
Teo Macero (American jazz saxophonist and composer)
orchestra:
André Kostelanetz and His Orchestra (from 1965-11-23 until 1965-11-29)
conductor:
André Kostelanetz (conductor) (from 1965-11-23 until 1965-11-29)
recording of:
The Gadfly Suite, op. 97a: X. Nocturne (from 1965-11-23 until 1965-11-29)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
part of:
The Gadfly Suite, op. 97a
Дмитрий Дмитриевич Шостакович3:52
15Pelléas et Mélisande, Suite op. 80: Sicilienne
engineer:
Ben Bernfeld (from 1989-06-28 until 1989-06-29)
producer:
David Mottley (producer)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (from 1989-06-28 until 1989-06-29)
conductor:
Zubin Mehta (conductor) (from 1989-06-28 until 1989-06-29)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (from 1989-06-28 until 1989-06-29)
recording of:
Pelléas et Mélisande, op. 80: III. Sicilienne (from 1989-06-28 until 1989-06-29)
composer:
Gabriel Fauré (French composer)
part of:
Pelléas et Mélisande, op. 80
Gabriel Fauré3:48
16Oboenkonzert d-moll: Adagio
oboe:
Neil Black (oboist)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello3:39
17Les Erinnyes: Elegie
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
instrumental recording of:
Élégie (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer) (in 1873)
arrangement of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano)
recording of:
Élégie (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer) (in 1873)
arrangement of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano)
recording of:
Élégie, op. 24 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Élégie pour violoncelle et piano, op. 24
Jules Massenet4:07

Credits

Release

ASIN:DE: B00170KCX2 [info]