Zeit zum Entspannen: Klassik zum Wohlfühlen von Sandra Voss

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Sinfonie Nr.4 f-Moll op. 36: Andantino in modo di canzona
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Lorin Maazel (conductor)
recording of:
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Пётр Ильич Чайковский9:03
2Throw the Coins
orchestra:
Orchester Robert Ziegler
conductor:
Robert Ziegler (conductor)
Patrick Doyle3:09
3Arioso As-Dur
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-03-27)
conductor:
Eugene Ormandy (conductor) (on 1968-03-27)
arranger:
William Smith (conductor and arranger, associate conductor of The Philadelphia Orchestra from 1976–93)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": I. Sinfonia ("Arioso", catch-all for arrangements) (on 1968-03-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
arrangement of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Johann Sebastian Bach4:32
4Sinfonie Nr. 5 D-Dur op. 107: Andante
orchestra:
New York Philharmonic (on 1966-12-29)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1966-12-29)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1966-12-29)
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante (on 1966-12-29)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn3:58
5Touch Her Soft Lips and Part
piano:
Simon Mulligan (pianist)
arranger:
Simon Mulligan (pianist)
recording of:
Touch Her Soft Lips (catch-all for unknown arrangement)
composer:
William Walton (British composer and conductor)
publisher:
Oxford University Press
is based on:
Henry V
Sir William Walton4:25
6Tristan und Isolde: Liebestod
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner5:49
7Julia
piano:
Ludovico Einaudi (Italian composer and pianist)
recording of:
Julia
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi14:50
8Olga
violin:
Joshua Bell (violinist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Nigel Hess (British composer)
Nigel Hess3:27
9Suite für Orgel, Cembalo und Orchester: Air
orchestra:
Los Angeles Philharmonic
conductor:
Esa‐Pekka Salonen (conductor and composer)
arranger:
Gustav Mahler (composer)
Johann Sebastian Bach5:30
10Pavane pour une infante défunte
producer:
Paul Myers (classical record producer)
orchestra:
The Cleveland Orchestra (from 1963-01-11 until 1963-01-12)
conductor:
George Szell (conductor, pianist, composer) (from 1963-01-11 until 1963-01-12)
recorded at:
Severance Hall in Cleveland, Ohio, United States (from 1963-01-11 until 1963-01-12)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1963-01-11 until 1963-01-12)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:19
11Madame Butterfly: Summchor
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:12
12Klavierkonzert Nr. 2 c-Moll op. 18: Adagio
engineer:
Kevin P. Boutote (engineer)
producer:
Gary Schultz (composer, arranger, sound engineer, and producer)
piano:
Yefim Bronfman (pianist) (from 1990-10-05 until 1990-10-08)
orchestra:
The Philharmonia (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-10-05 until 1990-10-08)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1990-10-05 until 1990-10-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-10-05 until 1990-10-08)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto (from 1990-10-05 until 1990-10-08)
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов11:02
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ASIN:DE: B00170KCX2 [info]