Baby Love: 100 Classic Love Songs of the 50’s and 60’s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.352:35
2It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.753:17
3The Night Has a Thousand Eyes
recording of:
The Night Has a Thousand Eyes
writer:
Marilyn Garrett, Dottie Wayne and Ben Weisman
publisher:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America and Shelby Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:37
4Lonely Teardrops
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 308)
recording of:
Lonely Teardrops
writer:
Tyran Carlo, Berry Gordy and Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Lena Music, Regent Music (BMI) and The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Jackie Wilson2:41
5Hey Paula
vocals:
Ray Hildebrand and Jill Jackson
recording of:
Hey Paula (in 1962)
lyricist and composer:
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:30
6April Love
conductor:
Billy Vaughn
phonographic copyright (℗) by:
Geffen Records. (in 1957)
recording of:
April Love (on 1957-09-15)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Leo Feist, Inc.
part of:
The 30th Academy Award for Best Original Song (number: 2)
Pat Boone2:43
7Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:40
8Tell Him
cover recording of:
Tell Him
lyricist and composer:
Bert Russell
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Warner/Chappell Music, Inc.
The Exciters2:24
9Blue Moon
The Marcels2:20
10Sheila
Tommy Roe2:02
11Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1957-12-03) and The Ray Charles Singers (on 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (on 1957-12-03)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments (on 1957-12-03)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como3.152:41
12Mr. Sandman
The Chordettes2:26
13Spanish Harlem
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
cello:
Charles McCracken (cellist) (on 1960-10-27)
double bass [bass]:
Lloyd Trotman (US jazz bassist) (on 1960-10-27)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1960-10-27)
guitar:
Al Caiola (on 1960-10-27)
percussion:
Phil Kraus (on 1960-10-27)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1960-10-27)
reeds:
Romeo Penque (on 1960-10-27)
background vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem (on 1960-10-27)
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King4.52:53
14Hurt
Timi Yuro2:30
15Sealed With a Kiss
vocals:
Brian Hyland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:41
16Everybody’s Somebody’s Fool
vocals:
Connie Francis (American former actress and chart-topping singer)
recording of:
Everybody’s Somebody’s Fool
lyricist:
Howard Greenfield
composer:
Jack Keller
Connie Francis2:38
17Johnny Angel
cover recording of:
Johnny Angel
lyricist:
Lyn Duddy
composer:
Lee Pockriss
publisher:
Emily Music Corp. (publisher), Ivanhoe Music LLC and Post Music, Inc. (ASCAP-affiliated)
Shelley Fabares52:23
18Ramona
cover recording of:
Ramona (English version)
lyricist:
L. Wolfe Gilbert
composer:
Mabel Wayne (in 1928)
The Blue Diamonds2:34
19One Fine Day
recording of:
One Fine Day
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Magna Music Co Ltd and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Chiffons2:08
20Stranger on the Shore
phonographic copyright (℗) by:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) and K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:56
21Venus in Blue Jeans
Jimmy Clanton2:26
22(’Til) I Kissed You
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 28)
recording of:
(’Til) I Kissed You (on 1959-07-07)
lyricist and composer:
Don Everly
The Everly Brothers2:27
23Come Softly to Me
arranger:
Bonnie Guitar
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 14)
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:26
24My Prayer
cover recording of:
My Prayer
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Avant de mourir
The Platters2:46
25Young Love
recorded in:
Nashville, Tennessee, United States (on 1956-10-30)
background vocals:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-10-30)
lead vocals:
Sonny James (US country singer and songwriter) (on 1956-10-30)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 40)
cover recording of:
Young Love (on 1956-10-30)
writer:
Ric Cartey (US rockabilly singer and songwriter) and Carole Joyner
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Sonny James2:30
2CD
#TitleArtistRatingLength
1Theme for a Dream
recording of:
Theme for a Dream (1961 song)
lyricist:
Earl S. Shuman (composer / lyricist)
composer:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
Cliff Richard & The Shadows2:06
2Chapel of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 18) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 279)
recording of:
Chapel of Love
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Dixie Cups42:48
3Leader of the PackThe Shangri‐Las4.52:49
4Red Roses for a Blue Lady
Vic Dana2:49
5Crazy
producer:
Owen Bradley
vocals:
Patsy Cline
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 85) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 195)
recording of:
Crazy (Willie Nelson song) (on 1961-08-21)
lyricist and composer:
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tree Publishing
Patsy Cline4.152:44
6Cupid
recording of:
Cupid
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
Sam Cooke2:33
7Twilight Time
recorded in:
New York, New York, United States (in 1958-01)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
cover recording of:
Twilight Time (in 1958-01)
lyricist:
Buck Ram
composer:
Artie Dunn, Al Nevins and Morty Nevins
publisher:
Chappell Music (UK), Devon Music Inc., EMI Davis Music Australia Pty Limited, Porgie Music, Songs of Universal, Inc. (BMI) and Victoria Music Publishing Co. Ltd.
translated version of:
Al caer la noche
The Platters4.52:47
8Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 478)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:19
9Easier Said Than Done
The Essex2:09
10My Special Angel
recording of:
My Special Angel
lyricist and composer:
Jimmy Duncan (US songwriter & producer from Texas)
publisher:
J. Albert & Son and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bobby Helms2:59
11If I Didn’t Have a Dime
Gene Pitney2:31
12Take Good Care of My Baby
recording of:
Take Good Care of My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee2:39
13Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:44
14Venus
vocals:
Frankie Avalon (American actor, singer)
conductor and chorus master:
Peter de Angelis
phonographic copyright (℗) by:
Chancellor Records Inc. (in 1959)
recording of:
Venus
lyricist and composer:
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:25
15Sail Along Silv’ry Moon
Billy Vaughn and His Orchestra2:09
16Only the Lonely (Know the Way I Feel)Roy Orbison2:28
17Oh! Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
Neil Sedaka32:19
18The WandererDion4.652:50
19Since I Don’t Have You
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 18)
recording of:
Since I Don’t Have You
writer:
Jimmy Beaumont, William King III, Walter Lester, Larry Martin (US songwriter), Joe Rock (US songwriter/band manager), John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
composer:
Jimmy Beaumont, Joseph Rock (US songwriter/band manager), Walter Lester, Lennie Martin, John Taylor (Pittsburgh doo-wop vocalist for The Skyliners), Joseph Verscharen and Janet Vogel
publisher:
Bonneyview Music Corp. (Bonneyview, Bonneyview Music), Bonnyview Music Corp., Calico Publishing Co. and Southern Music Publ. Co. Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Skyliners2:42
20It’s My Party
producer:
Quincy Jones
arranger:
Claus Ogerman
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 353)
recording of:
It’s My Party (on 1963-03-30)
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:16
21Teen Angel
recording of:
Teen Angel
lyricist and composer:
Jean Surrey
publisher:
Acuff Rose Musikverlag (German department of the US publishing company Acuff Rose Music, which began its exploration of foreign publishing markets in the 1950s), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Mark Dinning42:42
22Poetry in Motion
cover recording of:
Poetry in Motion
writer:
Mike Anthony (US songwriter) and Paul Kaufman (songwriter)
Johnny Tillotson42:31
23All Alone Am I
recording of:
All Alone Am I
lyricist:
Arthur Altman
composer:
Μάνος Χατζιδάκις (Manos Hatzidakis, Greek composer)
publisher:
Seed Point Music Publishing, Ltd. and Songs of Universal, Inc. (BMI)
translated version of:
Μη τον ρωτάς τον ουρανό
Brenda Lee2:46
24It’s Only Make Believe
recording of:
It’s Only Make Believe
writer:
Jack Nance (in 1958) and Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:14
25Answer Me
recording of:
Answer Me, My Love
lyricist:
Fred Rauch, Carl Sigman and Gerhard Winkler
composer:
Fred Rauch and Gerhard Winkler
translator:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
translated version of:
Mütterlein
Frankie Laine2:39
3CD
#TitleArtistRatingLength
1Love Letters in the Sand
producer:
Randy Wood (producer)
bass:
Larry Breen (on 1956-11-24)
clarinet:
Ryland Weston (on 1956-11-24)
drums (drum set):
Dick Shanahan (on 1956-11-24)
guitar:
Barney Kessel (on 1956-11-24) and Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1956-11-24)
piano:
Milt Rogers (bandleader, arranger and composer) (on 1956-11-24)
saxophone:
Babe Russin (on 1956-11-24) and Justin Gordon (on 1956-11-24)
vibraphone:
Bernie Mattinson (on 1956-11-24)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1956-11-24)
vocals:
Pat Boone (on 1956-11-24)
conductor:
Billy Vaughn (on 1956-11-24)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-24)
cover recording of:
Love Letters in the Sand (on 1956-11-24)
lyricist:
Charles Kenny (songwriter, violinist) and Nick Kenny
composer:
J. Fred Coots, Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. and Francis, Day & Hunter Ltd.
Pat Boone2:16
2Oh Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:00
3It’s All in the Game
conductor:
Leroy Holmes
arranger:
Leroy Holmes
cover recording of:
It’s All in the Game
lyricist:
Carl Sigman (in 1951)
composer:
Charles Dawes (in 1911)
publisher:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
is based on:
Melody in A major (instrumental)
Tommy Edwards42:39
4Moon River
recorded in:
Hollywood, Los Angeles, California, United States
recording engineer:
Al Schmitt
producer:
Dick Peirce
choir vocals:
The Henry Mancini Chorus
orchestra:
The Henry Mancini Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
recording of:
Moon River (on 1960-12-08)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Henry Mancini2:42
5Come Go With Me
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 441)
recording of:
Come Go With Me
publisher:
Joseph M. Averbach
lyricist and composer:
C.E. Quick
publisher:
Fee Bee Music Company and Gil Music Corporation
The Del‐Vikings42:37
6Remember (Walkin’ in the Sand)
edit of:
Remember (Walkin’ in the Sand) by The Shangri‐Las
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
lyricist and composer:
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:20
7Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway (on 1961-01-24)
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.42:20
8Calendar GirlNeil Sedaka2:41
9You Don’t Own Me
Lesley Gore2:31
10Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
11Personality
recording of:
Personality (in 1959)
lyricist and composer:
Harold Logan and Lloyd Price (US R&B/soul singer)
Lloyd Price2:36
12Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
vocals:
Brian Hyland
recording of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
publisher:
Campbell Connelly & Co. Ltd., Emily Music Corp. (publisher) and Music Sales Corporation (American copyright holder in both popular and classical music)
Brian Hyland3.652:22
13Little Ship
cover recording of:
Little Ship
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
The Blue Diamonds2:05
14Please Mr. Postman
producer:
Robert Bateman (R&B singer/songwriter/record producer) and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (in 1961-04)
drums (drum set):
Benny Benjamin (US drummer) (in 1961-04) and Marvin Gaye (in 1961-04)
guitar:
Eddie Willis (in 1961-04)
handclaps:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
instruments:
The Funk Brothers (in 1961-04)
percussion:
Eddie “Bongo” Brown (in 1961-04)
piano:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
background vocals:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) and Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
lead vocals:
Gladys Horton (in 1961-04)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1961-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 331) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 410)
recording of:
Please Mr. Postman (in 1961-04)
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
The Marvelettes4.62:30
15Little Darlin’
cover recording of:
Little Darlin’
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. and Excellorec Music
The Diamonds2:09
16Suspicion
recording of:
Suspicion
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
Terry Stafford4.52:34
17Only You (And You Alone)
piano:
Buck Ram (on 1955-04-26)
lead vocals:
Tony Williams (lead singer for The Platters) (on 1955-04-26)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey) (on 1955-04-26)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 10)
recording of:
Only You (on 1955-04-26)
lyricist and composer:
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:37
18Lipstick on Your CollarConnie Francis2:21
19Twenty Four Hours From Tulsa
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 36)
recording of:
Twenty Four Hours From Tulsa
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.53:00
20A Teenager in Love
performer:
Dion & The Belmonts
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 7)
recording of:
A Teenager in Love (in 1959)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:38
21Why
phonographic copyright (℗) by:
Chancellor (from 1959 to present) and Chancellor Records Inc. (in 1959)
recording of:
Why (1959 song)
lyricist:
Robert P. Marcucci
composer:
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Frankie Avalon2:38
22I Only Have Eyes for You
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 157) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 175)
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos4.253:24
23Where Did Our Love Go
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
instruments:
The Funk Brothers (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-04-08)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 29) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 472)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Supremes52:32
24Dance on Little Girl
recording of:
Dance On Little Girl
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music
Paul Anka1:56
25Wishin’ and Hopin’
producer:
John Franz
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1964) and Mercury Records Ltd. (not for release label use!) (in 1964)
cover recording of:
Wishin’ and Hopin’
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David Music, New Hidden Valley Music Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield4.52:53
4CD
#TitleArtistRatingLength
1Que Sera, Sera (Whatever Will Be, Will Be)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:07
2What a Diff’rence a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:31
3He’ll Have to Go
producer:
Chet Atkins
vocals:
Jim Reeves (US country & pop singer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1959)
recording of:
He’ll Have to Go (on 1959-10-15)
writer:
Audrey Allison and Joe Allison
publisher:
Campbell Connelly & Co. Ltd., Central Songs and Central Songs, Inc.
Jim Reeves4.352:20
4Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
lyricist and composer:
Del Shannon
Del Shannon2:12
5Spanish Eyes
producer:
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino2.52:48
6I Only Want to Be With You
producer:
John Franz
phonographic copyright (℗) by:
Mercury Ltd (not for release label use!) (in 1963)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 31) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
Dusty Springfield4.42:37
7Ginny Come LatelyBrian Hyland2:51
8I Will Follow Him
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) and ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (on 1963-01-07)
lyricist:
Norman Gimbel and Jacques Plante
composer:
Paul Mauriat and Franck Pourcel
publisher:
Universal MCA Music Publishing (France) and Universal Music Corporation (USA, affiliated with ASCAP)
version of:
Chariot
Peggy March4.22:28
9Catch a Falling Star
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1957) and The Ray Charles Singers (in 1957)
orchestra:
Mitchell Ayres and His Orchestra (in 1957)
performer:
The Ray Charles Singers and Mitchell Ayres and His Orchestra (in 1957)
arranger:
Joe Reisman
recording of:
Catch a Falling Star (in 1957)
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
Perry Como42:29
10The End of the World
engineer:
Bill Porter (engineer)
producer:
Chet Atkins
vocals:
Skeeter Davis
recording of:
The End of the World (in 1962)
lyricist:
Sylvia Dee (American lyricist)
composer:
Arthur Kent
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Summit Music Corp, (ASCAP-affiliated)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
11Roses Are Red (My Love)
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
vocals:
Bobby Vinton
conductor:
Robert Mersey
arranger:
Robert Mersey
recording of:
Roses Are Red (in 1962)
writer:
Al Byron and Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
12Come a Little Bit Closer
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1964)
recording of:
Come a Little Bit Closer
writer:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell and Bobby Hart
publisher:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Morris Music Inc
Jay & the Americans3.52:51
13Only Love Can Break a Heart
Gene Pitney2:50
14Lana
recording of:
Lana
writer:
Joe Melson and Roy Orbison
Roy Orbison2:19
15Hey! Baby
Bruce Channel2:23
16The Twelfth of Never
recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:31
17Be My Baby
miscellaneous support:
Phil Spector (task: under license of)
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Ronnie Spector (in 1963-07)
performer:
The Ronettes
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Phil Spector Records (in 1963)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
recording of:
Be My Baby (in 1963-07)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Ronettes4.152:42
18The Green Leaves of Summer
The Brothers Four2:57
19Tell Laura I Love HerRay Peterson2:57
20Breaking Up Is Hard to DoNeil Sedaka3.252:17
21Living Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:39
22I’m Sorry
recording of:
I’m Sorry (Brenda Lee song, 1960)
writer:
Dub Albritton (manager and songwriter) and Ronnie Self (rockabilly singer and songwriter)
publisher:
Songs of Universal (SOCAN)
Brenda Lee2:40
23Stay
double bass:
Albert Hill (double bassist)
drums (drum set) [drums]:
Willie Morrow
baritone vocals:
Charles Thomas (The Zodiacs)
lead vocals:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
tenor vocals:
Wiley Bennett
tenor vocals [falsetto tenor]:
Henry Gaston
phonographic copyright (℗) by:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 1)
recording of:
Stay
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. and Cherio Corp. (in 1960)
Maurice Williams and the Zodiacs51:40
24Put Your Head on My Shoulder
Paul Anka2:36
25Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:20

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2009)
Discogs:https://www.discogs.com/release/1678254 [info]
other databases:https://www.muziekweb.nl/Link/HDX8677/ [info]