Baby Love: 100 Classic Love Songs of the 50’s and 60’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Que Sera, Sera (Whatever Will Be, Will Be)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:07
2What a Diff’rence a Day Makes
registrata a:
New York, New York, Stati Uniti (il 1959-02-19)
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (il 1959-02-19)
arrangiatore:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2.82:31
3He’ll Have to Go
produttore:
Chet Atkins
voce:
Jim Reeves (US country & pop singer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1959)
registrazione di:
He’ll Have to Go (il 1959-10-15)
autore:
Audrey Allison e Joe Allison
editore:
Campbell Connelly & Co. Ltd., Central Songs e Central Songs, Inc.
Jim Reeves4.352:20
4Keep Searchin’ (We’ll Follow the Sun)
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon2:12
5Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:48
6I Only Want to Be With You
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Ltd (not for release label use!) (nel 1963)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 31) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 323)
registrazione di:
I Only Want to Be With You (Dusty Springfield song) (nel 1963)
autore:
Mike Hawker e Ivor Raymonde
editore:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (fino al 1987) e Warner/Chappell Music International Ltd. (dal 1987 a oggi)
Dusty Springfield4.42:37
7Ginny Come Lately
registrazione di:
Ginny Come Lately
paroliere:
Peter Udell
compositore:
Gary Geld
editore:
Bibo Music Publishing, Inc. e Pogo Music Corp.
Brian Hyland2:51
8I Will Follow Him
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1963) e ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (nel 2009)
registrazione di:
I Will Follow Him (il 1963-01-07)
paroliere:
Norman Gimbel e Jacques Plante
compositore:
Paul Mauriat e Franck Pourcel
editore:
Universal MCA Music Publishing (France) e Universal Music Corporation (USA, affiliated with ASCAP)
versione di:
Chariot
Peggy March4.22:28
9Catch a Falling Star
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1957) e The Ray Charles Singers (nel 1957)
orchestra:
Mitchell Ayres and His Orchestra (nel 1957)
esecutore:
The Ray Charles Singers e Mitchell Ayres and His Orchestra (nel 1957)
arrangiatore:
Joe Reisman
registrazione di:
Catch a Falling Star (nel 1957)
autore:
Lee Pockriss e Paul Vance (US songwriter and producer)
Perry Como42:29
10The End of the World
tecnico:
Bill Porter (engineer)
produttore:
Chet Atkins
voce:
Skeeter Davis
registrazione di:
The End of the World (nel 1962)
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:38
11Roses Are Red (My Love)
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
voce:
Bobby Vinton
direttore d'orchestra:
Robert Mersey
arrangiatore:
Robert Mersey
registrazione di:
Roses Are Red (nel 1962)
autore:
Al Byron e Paul Evans (50s US rock n roll singer/songwriter)
Bobby Vinton2:39
12Come a Little Bit Closer
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1964)
registrazione di:
Come a Little Bit Closer
autore:
Tommy Boyce (US songwriter of Boyce and Hart), Wes Farrell e Bobby Hart
editore:
Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Morris Music Inc
Jay & the Americans3.52:51
13Only Love Can Break a Heart
Gene Pitney2:50
14Lana
registrazione di:
Lana
autore:
Joe Melson e Roy Orbison
Roy Orbison2:19
15Hey! Baby
Bruce Channel2:23
16The Twelfth of Never
registrazione di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
Johnny Mathis2:31
17Be My Baby
supporto a vario titolo:
Phil Spector (incarico: under license of)
tecnico:
Larry Levine
produttore:
Phil Spector
voce:
Ronnie Spector (nel 1963-07)
esecutore:
The Ronettes
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Phil Spector Records (nel 1963)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1963-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 19), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 22)
registrazione di:
Be My Baby (nel 1963-07)
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. e Trio Music Co., Inc. (nel 1963)
sub-editore:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (fino al 2014-12-31), EMI Music Publishing Japan C.F. division (fino al 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1963), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Ronettes4.152:42
18The Green Leaves of Summer
The Brothers Four2:57
19Tell Laura I Love Her
registrazione di:
Tell Laura I Love Her
paroliere:
Ben Raleigh
compositore:
Jeff Barry
editore:
E.B. Marks Music Corp. e Steeplechase Music
Ray Peterson2:57
20Breaking Up Is Hard to Do
voce:
Neil Sedaka
direttore d'orchestra:
Al Lorber
arrangiatore:
Al Lorber
registrazione di:
Breaking Up Is Hard to Do
paroliere e compositore:
Howard Greenfield e Neil Sedaka
editore:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers e Aldon (nel 1962)
Neil Sedaka3.252:17
21Living Doll
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Drifters (London group, pre-Shadows)
registrazione di:
Living Doll
paroliere e compositore:
Lionel Bart
editore:
J. Albert & Son Pty. Ltd.
Cliff Richard & The Drifters2:39
22I’m Sorry
registrazione di:
I’m Sorry (Brenda Lee song, 1960)
autore:
Dub Albritton (manager and songwriter) e Ronnie Self (rockabilly singer and songwriter)
editore:
Songs of Universal (SOCAN)
Brenda Lee2:40
23Stay
batteria [drums] :
Willie Morrow
contrabbasso :
Albert Hill (double bassist)
voce di baritono:
Charles Thomas (The Zodiacs)
voce di tenore:
Wiley Bennett
voce di tenore [falsetto tenor]:
Henry Gaston
voce principale:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
diritti fonografici (℗) detenuti da:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (nel 1987)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 1)
registrazione di:
Stay
paroliere e compositore:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
editore:
Cherio Music Publishers, Inc., J. Albert & Son Pty. Ltd. e Cherio Corp. (nel 1960)
Maurice Williams and the Zodiacs51:40
24Put Your Head on My Shoulder
Paul Anka2:36
25Blueberry Hill
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (nel 1957) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:20

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2009)
Discogs:https://www.discogs.com/release/1678254 [info]
altri database:https://www.muziekweb.nl/Link/HDX8677/ [info]