| # | Title | Artist | Rating | Length |
|---|
| 1 | Don't Worry Be Happy | Bobby McFerrin | 4.35 | 4:52 |
| 2 | L-O-V-E | Nat King Cole | 5 | 2:35 |
| 3 | At Last | Etta James | 4.5 | 3:02 |
| 4 | Don’t Wait Too Long | Madeleine Peyroux | | 3:12 |
| 5 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968) and Project 3 Records Inc. (in 1988)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 3.95 | 2:20 |
| 6 | Soul Bossa Nova | Quincy Jones | 4 | 2:48 |
| 7 | Sunrise- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar and banjolin:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- slit drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Sunrise (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.85 | 3:21 |
| 8 | The Girl From Ipanema | Stan Getz & João Gilberto | | 5:15 |
| 9 | Hit the Road Jack | Shirley Horn | | 3:12 |
| 10 | Don’t Stop the Music | Jamie Cullum | 3.5 | 4:52 |
| 11 | Take Five- recorded in:
- New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording engineer:
- Fred Plaut
- producer:
- Teo Macero
- alto saxophone:
- Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- double bass:
- Eugene Wright (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- drums (drum set):
- Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- piano:
- Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- phonographic copyright (℗) by:
- Compulsion , Milestones Records, Unknown Pleasures Sound, Columbia Records (in 1959), BNF Collection 2013 (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
- recorded at:
- CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
- recording of:
- Take Five (on 1959-07-01)
- composer:
- Paul Desmond
- publisher:
- Derry Music Company, Desmond Music Company , Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
- part of:
- The Real Book
| Dave Brubeck | 4.35 | 5:26 |
| 12 | Sunny | James Brown | | 3:20 |
| 13 | The Ghetto | George Benson | | 5:00 |
| 14 | Cry Me a River- engineer:
- John Kraus (in 1955-08)
- producer:
- Bobby Troup
- double bass [bass]:
- Ray Leatherwood
- guitar:
- Barney Kessel
- vocals:
- Julie London (in 1955-08)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1957)
- recorded at and mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
- recording of:
- Cry Me a River (in 1955-08)
- lyricist and composer:
- Arthur Hamilton
- publisher:
- Chappell & Co., Inc. , Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Julie London | 4.65 | 2:58 |
| 15 | Bumpin’ on Sunset | Wes Montgomery | | 4:51 |
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