V8 Supercars: No Special Effects: A Full Tank of Rock 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Black Fingernails, Red Wine
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Limited (in 2006)
aufgenommen bei:
The Grove Studios in New South Wales, Australien (in 2004)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 78)
recording of:
Black Fingernails, Red Wine (in 2004)
Komponist(in):
Stuart MacLeod, Joel Quartermain und Kav Temperley
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Pty. Ltd.
Eskimo Joe34:06
2Save the Day
Assistent recording engineer und assistierende(r) Techniker(in):
Matt Voight
recording engineer und Techniker(in):
Lindsay Gravina (engineer & guitarist)
Produzent(in):
Lindsay Gravina (engineer & guitarist) und The Living End (Australian punk band)
Mix:
Jerry Finn
aufgenommen bei:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australien
mixed at:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Save the Day
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End2.652:57
3Pump It
drum machine-Programmierung:
will.i.am (American rapper and producer)
Techniker(in):
Tal Herzberg, Jason "Ill-Aroma" Villaroman und will.i.am (American rapper and producer)
Produzent(in):
will.i.am (American rapper and producer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Moog:
will.i.am (American rapper and producer)
Gitarre:
George Pajon, Jr.
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) und will.i.am (American rapper and producer)
Samples:
Misirlou Twist von Dick Dale and His Del‐Tones
Musikvideos:
Pump It (video) von The Black Eyed Peas (US pop/hip hop group)
recording of:
Pump It
Verfasser(in):
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) und will.i.am (American rapper and producer)
basiert auf:
Miserlou
The Black Eyed Peas3.953:35
4Dakota
Techniker(in):
Jim Lowe (sound engineer)
Produzent(in) und Mix:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
phonographisches Urheberrecht (℗) von:
V2 Music Limited (holding company - do not use as release label) (in 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Dakota
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
5Hey Jealousy
assistierende(r) Techniker(in):
James Senter (James "Left Of" Senter, Engineer)
Techniker(in) und Mix:
John Hampton (engineer, producer)
Produzent(in):
Gin Blossoms und John Hampton (engineer, producer)
Akustikgitarre:
Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
Bass:
Bill Leen
Gitarre:
Doug Hopkins (Gin Blossoms) und Jesse Valenzuela
Mandoline:
Jesse Valenzuela
Perkussion und Schlagzeug [drums]:
Phillip Rhodes (drummer of Gin Blossoms)
vocals:
Jesse Valenzuela und Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (in 1992)
mixed at:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
Musikvideos:
Hey Jealousy von Gin Blossoms
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 354) und Indie 88: Top 500 Indie Rock Songs (Nummer: 440)
recording of:
Hey Jealousy
Verfasser(in):
Doug Hopkins (Gin Blossoms)
publisher:
East Jesus Music und WB Music Corp. (1929–2019)
Gin Blossoms43:55
6If You Could Only See
recording of:
If You Could Only See
Texter und Komponist(in):
Emerson Hart
publisher:
EMI Blackwood Music Inc.
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today)
Tonic3.34:24
7Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner (engineer)
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre und E-Gitarre:
Noel Hogan und Dolores O’Riordan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Keyboard und Sologesang:
Dolores O’Riordan
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-08)
mixed at:
The Manor in Oxfordshire, England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1994) und Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries4.25:07
8Tomorrow
recording engineer und Mix:
Kevin Shirley (producer & mixer)
Produzent(in):
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
aufgenommen bei:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australien
mixed at:
Eclipse Studio in Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 17)
recording of:
Tomorrow
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.14:26
9All You Zombies
recording engineer:
John Agnello (engineer & producer) und William Wittman
assistierende(r) Techniker(in):
Carol Cafiero und Dan Nash
Produzent(in):
Rick Chertoff
Mix:
William Wittman
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
All You Zombies
Verfasser(in):
Eric Bazilian und Rob Hyman
The Hooters55:56
10Pretty Vegas
recording engineer:
Richard Flack (producer/engineer)
Mix:
Serban Ghenea
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Pretty Vegas
Texter:
Marty Casey, J. D. Fortune und Jordis Unga
Komponist(in):
Andrew Farriss (in band INXS)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
INXS3.353:25
11The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:27
12Ironic
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:46
13Suffragette City
recording of:
Suffragette City
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Mainman Saag (New York), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
David Bowie3:26
14Shimmer
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1998)
recording of:
Shimmer
Texter und Komponist(in):
Carl Bell
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Fuel3.053:35
15O Yeah
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 2005)
recording of:
O Yeah
Verfasser(in):
Justin Burford
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
basiert auf:
Where Is My Mind?
End of Fashion3:01
16Always the Sun
Techniker(in):
Owen Morris
Produzent(in):
Mike Kemp (UK recording engineer) und The Stranglers
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
Musikvideos:
Always the Sun von The Stranglers
recording of:
Always the Sun
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers3.754:04
17Road to Nowhere
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:19
18Meant to Live
recording engineer:
John Fields (“Strawberry” – producer)
Produzent(in):
John Fields (“Strawberry” – producer) und Switchfoot
Mix:
Chris Lord‐Alge
Interpret(in):
Switchfoot
Musikvideos:
Meant to Live von Switchfoot und Meant to Live (original) von Switchfoot
recording of:
Meant to Live
Verfasser(in):
Jon Foreman und Tim Foreman
publisher:
Meadowgreen Music Company, Penny Farthing Music und Reservoir Media Music
Switchfoot3.53:22
19Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:29
20Slide in Next to Me
Red Riders33:09
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rollover DJ
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Keyboard und Keyboard [keyboards]:
Billy Preston
Schlagzeug:
Chris Cester
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rollover D.J.
Verfasser(in):
Chris Cester, Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jet3.53:17
2Here Without You
Assistent recording engineer:
Honchol Sin und Tom Sweeney (US engineer)
recording engineer:
Steve Churchyard, Geoff Ott und Rick Parashar
zusätzlich recording engineer:
Steve Churchyard
sonstige Unterstützung:
Susie Katayama
assistierende(r) Techniker(in):
Gordon Sran und Latif Tayour
Techniker(in):
Geoff Ott, Rick Parashar und Steve Churchyard
Produzent(in):
Rick Parashar
assistierende(r) Mix:
Dean Maher und Paul Silveira
Mix:
Jack Joseph Puig und Randy Staub
Editing:
Geoff Ott und Rick Parashar
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Hammond-Orgel [Hammond B3]:
Rick Hopkins (keyboards)
Perkussion:
Matthew Burgess
Saiteninstrumente:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Schlagzeug:
Josh Freese (American drummer)
Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
concertmaster:
Joel G. Derouin
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002)
aufgenommen bei:
Greenhouse Studios (Burnaby, BC, Canada) in Burnaby, British Columbia, Kanada, London Bridge Studios in Seattle, Washington, Vereinigte Staaten und Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Armory Studios in Vancouver, British Columbia, Kanada
remixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Here Without You
Verfasser(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell, Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs und Songs of Universal, Inc. (BMI)
3 Doors Down4.43:56
3She’s So High
Produzent(in):
Bob Rock
Bassgitarre [bass]:
Chris Wyse
E-Gitarre, Klavier, Lap-Steel-Gitarre und Sologesang:
Tal Bachman
Moog und Wurlitzer Electric Piano [Wurlitzer]:
Buck Johnson
Schlagzeug [drums]:
Lance Porter (Drummer)
Hintergrundgesang:
Tal Bachman und Buck Johnson
recording of:
She's So High
Verfasser(in):
Tal Bachman
Tal Bachman4.53:43
4Get Free
recording engineer:
Doug Boehm (von 2001-07 bis 2002-02)
Produzent(in):
Rob Schnapf (producer and audio engineer)
assistierende(r) Mix:
Brian Douglass
Mix:
Andy Wallace (engineer) (in 2001)
Bass:
Patrick Matthews (von 2001-07 bis 2002-02)
E-Gitarre, Tamburin, Hintergrundgesang und Sologesang:
Craig Nicholls (von 2001-07 bis 2002-02)
Schlagzeug:
Joey Waronker (von 2001-07 bis 2002-02)
zusätzlich Perkussion:
Ethan Johns und Steven Rhodes (Engineer)
vocals:
Craig Nicholls
phonographisches Urheberrecht (℗) von:
Engine Room Music Pty Limited (in 2002)
aufgenommen bei:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-07 bis 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
Get Free (Vines song) (von 2001-07 bis 2002-02)
Texter und Komponist(in):
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:06
5When the River Runs Dry
recording of:
When the River Runs Dry
Verfasser(in):
John Archer (guitarist in Hunters & Collectors), Doug Falconer, Jack Howard (trumpeter), Rob Miles (Hunters & Collectors art/design & live sound), Barry Palmer (Australian Guitarist) und Mark Seymour
Hunters & Collectors35:01
6Santa Monica
recording engineer:
Michael Douglass
Koproduzent(in):
Brian Malouf und Michael Douglass
Produzent(in):
A.P. Alexakis (Singer and guitarist of the rock band Everclear.)
Mix:
Brian Malouf
Musikvideos:
Santa Monica von Everclear
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 425)
recording of:
Santa Monica
Texter und Komponist(in):
Art Alexakis (Singer and guitarist of the rock band Everclear.)
Everclear4.33:14
7Drops of Jupiter
recording engineer:
Nick DiDia und Brett Eliason
Programmierung:
Scott Underwood (Drummer for Train)
assistierende(r) Techniker(in):
Karl Egsieker und Steve Genewick
Techniker(in):
Steve Churchyard
zusätzliche(r) Techniker(in):
Ryan Williams (US recording engineer/producer)
Produzent(in):
Brendan O’Brien (engineer)
Mix:
John Burton (engineer), Brett Eliason und Brendan O’Brien (engineer)
Bass:
Charlie Colin und Rob Hotchkiss
Bratsche / Viola:
Evan Wilson (viola player)
Cello:
Dan Smith (cellist) und Suzie Katayama
Geige / Violine:
Michael Markman
Gitarre und Hintergrundgesang:
Charlie Colin, Rob Hotchkiss und Jimmy Stafford (member of Train)
Keyboard:
Brendan O’Brien (engineer) und Scott Underwood (Drummer for Train)
Klavier:
Chuck Leavell
Mandoline:
Jimmy Stafford (member of Train)
Perkussion:
Pat Monahan und Scott Underwood (Drummer for Train)
Schlagzeug:
Scott Underwood (Drummer for Train)
Sologesang:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
Musikvideos:
Drops of Jupiter von Train (US pop rock band)
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) und My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
Verfasser(in):
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) und Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) und EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:19
8If You Want My Love
assistierende(r) Techniker(in):
Paul Klingberg
Techniker(in):
Ian Taylor (rock producer/engineer)
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Pierce Arrow Recorders (Concert Venue) in Evanston, Illinois, Vereinigte Staaten
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
If You Want My Love
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music, EMI Music Publishing Australia Pty. Limited (not for release label use!) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.353:35
9Bad Case of Loving You (Doctor, Doctor)
recording engineer und Mix:
Karl Pitterson
Produzent(in):
Robert Palmer (English singer‐songwriter)
assistierende(r) Mix:
Benjamin Armbrister und Kendal Stubbs
E-Bass:
Pierre Brock
Gitarre:
Eddie Martinez (guitar) und Kenny Mazur
Keyboard:
Steve Robbins (US keyboardist) und Jack Waldman
Schlagzeug:
Dony Wynn
vocals:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Bad Case of Lovin’ You
Texter und Komponist(in):
Moon Martin
publisher:
Bug Music Ltd. und Sony/ATV Songs LLC
Robert Palmer4.653:11
10Helping Hand
The Screaming Jets5:16
11Don’t Need Love
recording of:
Don’t Need Love
Texter und Komponist(in):
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs und Mushroom Music Pty. Ltd.
Diesel3:57
12Summer Days
TZU3:56
13We’ve Gotta Get Out of This Place
cover recording of:
We Gotta Get Out of This Place
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Francis, Day & Hunter (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Angels4:40
14Hot Chilli Woman
recording of:
Hot Chilli Woman
Verfasser(in):
Steve Balbi und Justin Stanley
Noiseworks3:24
15Tell Me Goodnight
The Hot Lies2:55
16Sit on My Knee
assistierende(r) Produzent(in):
Daniel Clinch
Produzent(in) und Mix:
Paul McKercher
assistierende(r) Mix:
Chris Doherty und Michael Morgan (mix engineer)
Bass:
Dario Bortolin und Pat Bourke
Gitarre:
Dave Larkin (Australian guitarist/vocalist for Dallas Crane) und Pete Satchell
Schlagzeug:
Shannon Vanderwert
Hintergrundgesang:
Matty Anthes und Mahalia Barnes
Sologesang:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
vocals:
Dave Larkin (Australian guitarist/vocalist for Dallas Crane)
mixed at:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australien
produced at:
Tiger Recording in Sydney, New South Wales, Australien
recording of:
Sit On My Knee
Texter und Komponist(in):
Dallas Crane (Australian alternative rock band)
Jimmy Barnes & Dallas Crane2:44
17Monsters
Something for Kate3:37
18Wide Open Road
recording engineer:
Nick Mainsbridge (in 1985-08)
Techniker(in):
Nick Mainsbridge
Produzent(in):
Gil Norton (British record producer) und The Triffids (Australian rock band)
Bass:
Martin Casey (in 1985-08)
Gitarre:
Evil Graham Lee (Australian rock musician) (in 1985-08), David McComb (in 1985-08) und Rob McComb (in 1985-08)
Orgel:
Jill Birt (in 1985-08)
Pedal-Steel-Gitarre:
Evil Graham Lee (Australian rock musician) (in 1985-08)
Schlagzeug:
Alsy MacDonald (in 1985-08)
Synthesizer:
David McComb (in 1985-08)
Synthesizer [emulator]:
Adam Peters (in 1985-08)
vocals:
David McComb (in 1985-08)
arranger:
The Triffids (Australian rock band)
phonographisches Urheberrecht (℗) von:
Liberation Music (Australian, big L logo or “Liberation” on one line) (in 2010)
aufgenommen bei:
Mark Angelo Studios in Acton, Ealing, London (Greater London), England, Vereinigtes Königreich (in 1985-08)
mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Vereinigtes Königreich (in 1985-09)
recording of:
Wide Open Road (in 1985-08)
Texter und Komponist(in):
David McComb
publisher:
Mushroom Music (Mushroom label’s publishing company) und Mushroom Music Publishing
The Triffids34:06
19Forever Young
Youth Group3:58
20Touch
Jon Stevens4:18

Nennungen

Veröffentlichung

ASIN:US: B000SO7IU8 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001549832 [Info]