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1CD
#TitoloArtistaValutazioneDurata
1Black Fingernails, Red Wine
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Limited (nel 2006)
registrata presso:
The Grove Studios in New South Wales, Australia (nel 2004)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 78)
registrazione di:
Black Fingernails, Red Wine (nel 2004)
compositore:
Stuart MacLeod, Joel Quartermain e Kav Temperley
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Eskimo Joe34:06
2Save the Day
assistente tecnico di registrazione e assistente tecnico:
Matt Voight
tecnico di registrazione e tecnico:
Lindsay Gravina (engineer & guitarist)
produttore:
Lindsay Gravina (engineer & guitarist) e The Living End (Australian punk band)
tecnico di missaggio:
Jerry Finn
registrata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Save the Day
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End2.652:57
3Pump It
programmazione degli strumenti:
will.i.am (American rapper and producer)
tecnico:
Tal Herzberg, Jason "Ill-Aroma" Villaroman e will.i.am (American rapper and producer)
produttore:
will.i.am (American rapper and producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
basso e moog :
will.i.am (American rapper and producer)
chitarra :
George Pajon, Jr.
voce:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) e will.i.am (American rapper and producer)
campionamenti:
Misirlou Twist di Dick Dale and His Del‐Tones
video musicali:
Pump It (video) di The Black Eyed Peas (US pop/hip hop group)
registrazione di:
Pump It
autore:
apl.de.ap, Fergie (American singer), Thomas van Musser, Nicholas Roubanis (Greek American musician) e will.i.am (American rapper and producer)
si basa su:
Miserlou
The Black Eyed Peas3.953:35
4Dakota
tecnico:
Jim Lowe (sound engineer)
produttore e tecnico di missaggio:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) e Jim Lowe (sound engineer)
diritti fonografici (℗) detenuti da:
V2 Music Limited (holding company - do not use as release label) (nel 2005), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
Dakota
paroliere e compositore:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Stereophonics3.954:58
5Hey Jealousy
assistente tecnico:
James Senter (James "Left Of" Senter, Engineer)
tecnico e tecnico di missaggio:
John Hampton (engineer, producer)
produttore:
Gin Blossoms e John Hampton (engineer, producer)
basso :
Bill Leen
batteria [drums] e percussione :
Phillip Rhodes (drummer of Gin Blossoms)
chitarra :
Doug Hopkins (Gin Blossoms) e Jesse Valenzuela
chitarra acustica :
Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
mandolino :
Jesse Valenzuela
voce:
Jesse Valenzuela e Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti (nel 1992)
mixata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
video musicali:
Hey Jealousy di Gin Blossoms
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 354) e Indie 88: Top 500 Indie Rock Songs (numero: 440)
registrazione di:
Hey Jealousy
autore:
Doug Hopkins (Gin Blossoms)
editore:
East Jesus Music e WB Music Corp. (1929–2019)
Gin Blossoms43:55
6If You Could Only See
registrazione di:
If You Could Only See
paroliere e compositore:
Emerson Hart
editore:
EMI Blackwood Music Inc.
sub-editore:
EMI Music Publishing Germany GmbH (2008–today)
Tonic3.34:24
7Zombie
assistente tecnico e assistente produttore:
Julie Gardiner (engineer)
tecnico e produttore:
Stephen Street (famous producer, songwriter)
batteria e percussione :
Fergal Lawler
chitarra acustica e chitarra elettrica :
Noel Hogan e Dolores O’Riordan
chitarra basso :
Mike Hogan (bassist for The Cranberries)
tastiera e voce principale:
Dolores O’Riordan
voce di accompagnamento:
Noel Hogan
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (nel 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (dal 1993-11 al 1994-08) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1993-11 al 1994-08)
mixata presso:
The Manor in Oxfordshire, England, Regno Unito e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1994) e Indie 88: Top 500 Indie Rock Songs (numero: 234)
registrazione di:
Zombie
paroliere e compositore:
Dolores O’Riordan
editore:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) e Universal–Songs of PolyGram International, Inc.
The Cranberries4.25:07
8Tomorrow
tecnico di registrazione e tecnico di missaggio:
Kevin Shirley (producer & mixer)
produttore:
Kevin ‘Caveman’ Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1995)
registrata presso:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixata presso:
Eclipse Studio in Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 17)
registrazione di:
Tomorrow
paroliere e compositore:
Ben Gillies e Daniel Johns
editore:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1995), Sony/ATV Music Publishing Australia Pty Ltd. (dal 1997-10-14 al 2020-12-15) e Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (dal 2020-12-15 a oggi)
Silverchair4.14:26
9All You Zombies
tecnico di registrazione:
John Agnello (engineer & producer) e William Wittman
assistente tecnico:
Carol Cafiero e Dan Nash
produttore:
Rick Chertoff
tecnico di missaggio:
William Wittman
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
All You Zombies
autore:
Eric Bazilian e Rob Hyman
The Hooters55:56
10Pretty Vegas
tecnico di registrazione:
Richard Flack (producer/engineer)
tecnico di missaggio:
Serban Ghenea
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
registrazione di:
Pretty Vegas
paroliere:
Marty Casey, J. D. Fortune e Jordis Unga
compositore:
Andrew Farriss (in band INXS)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
INXS3.353:25
11The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:27
12Ironic
tecnico di registrazione:
Glen Ballard e Ted Blaisdell
produttore:
Glen Ballard
tecnico di missaggio:
Chris Fogel (engineer)
basso :
Lance Morrison
batteria e percussione :
Rob Ladd
chitarra :
Glen Ballard e Basil Fung
organo :
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
voce:
Alanis Morissette
video musicali:
Ironic di Alanis Morissette
registrazione di:
Ironic
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Aerostation Corporation, Arlovol Music e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette43:46
13Suffragette City
registrazione di:
Suffragette City
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Mainman Saag (New York), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
David Bowie3:26
14Shimmer
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1998)
registrazione di:
Shimmer
paroliere e compositore:
Carl Bell
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Fuel3.053:35
15O Yeah
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 2005)
registrazione di:
O Yeah
autore:
Justin Burford
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
si basa su:
Where Is My Mind?
End of Fashion3:01
16Always the Sun
tecnico:
Owen Morris
produttore:
Mike Kemp (UK recording engineer) e The Stranglers
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986)
video musicali:
Always the Sun di The Stranglers
registrazione di:
Always the Sun
autore:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
CBS Songs Ltd., Complete Music Ltd., EMI April Music Inc., EMI Music Ltd., EMI Music Publishing Limited (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers3.754:04
17Road to Nowhere
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:19
18Meant to Live
tecnico di registrazione:
John Fields (“Strawberry” – producer)
produttore:
John Fields (“Strawberry” – producer) e Switchfoot
tecnico di missaggio:
Chris Lord‐Alge
esecutore:
Switchfoot
video musicali:
Meant to Live di Switchfoot e Meant to Live (original) di Switchfoot
registrazione di:
Meant to Live
autore:
Jon Foreman e Tim Foreman
editore:
Meadowgreen Music Company, Penny Farthing Music e Reservoir Media Music
Switchfoot3.53:22
19Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:29
20Slide in Next to Me
Red Riders33:09
2CD

Accreditamenti

Pubblicazione

ASIN:US: B000SO7IU8 [info]

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0001549832 [info]