Medea

~ Release by Cherubini; Maria Callas, Renata Scotto, Miriam Pirazzini, Mirto Picchi, Orchestra e Coro del Teatro alla Scala di Milano, Tullio Serafin (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Medea: Sinfonia
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Médée: Overture (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea (Italian translation of Franz Lachner's 1855 German version of the Cherubini/Hoffmann French opéra-comique Médée)
part of:
Médée
Luigi Cherubini6:54
2Medea: Atto I. “Che? Quando già corona amor”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Prima ancella]:
Lidia Morimpietri (soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Seconda ancella]:
Elvira Galassi (soprano / mezzo-soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Introduzione “Quando già corona Amor“ (Ancelle di Glauce, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini6:48
3Medea: Atto I. “O amore, vieni a me!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “O Amore, vieni a me!” (Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini5:07
4Medea: Atto I. “No, non temer”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Recitativo “No, non temer” (Creonte, Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:06
5Medea: Atto I. “O bella Glauce”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Marcia e coro “O bella Glauce” (coro, Glauce) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:29
6Medea: Atto I. “Colco! Pensier fatal!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Ah, Colco! Pensier fatal!” (Glauce, Giasone, Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini1:52
7Medea: Atto I. “Or che più non vedrò”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Or che più non vedrò” (Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:34
8Medea: Atto I. “Ah, già troppo turbò”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Ah! Già troppo turbò” (Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini0:33
9Medea: Atto I. “Pronube dive”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Terzetto e coro “Pronube dive” (Creonte, coro, Glauce, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini3:52
10Medea: Atto I. “Signor! Ferma una donna”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
bass vocals [Capo delle guardie]:
Alfredo Giacomotti (operatic bass) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Signor! Ferma una donna a vostre soglie sta” (Capitano, Creonte, Medea, Giasone, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
recording of:
Medea: Atto I. Terzetto e coro “Pronube dive” (Creonte, coro, Glauce, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini4:10
11Medea: Atto I. “Qui tremar devi tu”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Qui tremar devi tu” (Creonte, Glauce, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:15
12Medea: Atto I. “Taci, Giason”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Recitativo “Taci, Giasone“ (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini2:26
13Medea: Atto I. “Dei tuoi figli la madre”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini4:26
14Medea: Atto I. “Son vane qui minacce”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. “Son vane qui minacce” (Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
recording of:
Medea: Atto I. Aria “Dei tuoi figli la madre” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini (in 1909)
part of:
Medea: Atto I
Luigi Cherubini0:31
15Medea: Atto I. “Nemici senza cor”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto I. Duetto “Nemici senza core” (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto I
Luigi Cherubini4:20
2▼CD
#TitleArtistRatingLength
1Medea: Atto II. Introduction
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto II
Luigi Cherubini2:04
2Medea: Atto II. “Soffrir non posso”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Soffrir non posso” (Medea, Neris, Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:39
3Medea: Atto II. “Date almen per pietà”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Concertato “Date almen per pietà” (Medea, Creonte, Neris, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini9:50
4Medea: Atto II. “Medea, o Medea!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Medea, o Medea!” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:19
5Medea: Atto II. “Solo un pianto con te versare”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Aria “Solo un pianto con te versare” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:30
6Medea: Atto II. “Creonte a me solo un giorno dà?”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “A me Creonte un solo giorno dà?” (Medea, Neris, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:26
7Medea: Atto II. “Figli miei, miei tesor”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Duetto “Figli miei, miei tesori” (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:24
8Medea: Atto II. “Hai dato pronto ascolto”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. “Hai dato pronto ascolto al mio pregar” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:24
9Medea: Atto II. “Ah! Triste canto!” … “Dio dell'Amor!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Marcia e coro "Triste canto!” … “Dio de l'Amor!” (Medea, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini8:45
10Medea: Atto III. Introduction
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto III
Luigi Cherubini4:25
11Medea: Atto III. “Numi, venite a me”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Numi, venite a me” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:53
12Medea: Atto III. “Del fiero duol che il cor mi frange”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Aria “Del fiero duol che il cor mi frange” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:09
13Medea: Atto III. “Neris, che hai fatto”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Neris, che hai fatto” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini1:45
14Medea: Atto III. “E che? Io son Medea!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III: Finale “E che? Io son Medea!” (Neris, Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini11:12

Credits

Release

remastered versions:Medea by Luigi Cherubini (composer); Maria Meneghini Callas (soprano), Teatro alla Scala (Orchestra of La Scala, Milan), Tullio Serafin (conductor) (in 2014)
ASIN:US: B00000630T [info]