Tracklist

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1Medea: Atto II. Introduction
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto II
Luigi Cherubini2:04
2Medea: Atto II. “Soffrir non posso”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Soffrir non posso” (Medea, Neris, Creonte) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:39
3Medea: Atto II. “Date almen per pietà”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Concertato “Date almen per pietà” (Medea, Creonte, Neris, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini9:50
4Medea: Atto II. “Medea, o Medea!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “Medea, o Medea!” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:19
5Medea: Atto II. “Solo un pianto con te versare”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Aria “Solo un pianto con te versare” (Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:30
6Medea: Atto II. “Creonte a me solo un giorno dà?”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Recitativo “A me Creonte un solo giorno dà?” (Medea, Neris, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini2:26
7Medea: Atto II. “Figli miei, miei tesor”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Duetto “Figli miei, miei tesori” (Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini6:24
8Medea: Atto II. “Hai dato pronto ascolto”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. “Hai dato pronto ascolto al mio pregar” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini1:24
9Medea: Atto II. “Ah! Triste canto!” … “Dio dell'Amor!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
baritone vocals [Creonte]:
Giuseppe Modesti (operatic bass-baritone) (from 1957-09-12 until 1957-09-19)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
soprano vocals [Glauce]:
Renata Scotto (operatic soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto II. Marcia e coro "Triste canto!” … “Dio de l'Amor!” (Medea, coro) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto II
Luigi Cherubini8:45
10Medea: Atto III. Introduction
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Introduzione (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
part of:
Medea: Atto III
Luigi Cherubini4:25
11Medea: Atto III. “Numi, venite a me”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Numi, venite a me” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:53
12Medea: Atto III. “Del fiero duol che il cor mi frange”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Aria “Del fiero duol che il cor mi frange” (Medea) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini4:09
13Medea: Atto III. “Neris, che hai fatto”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III. Recitativo “Neris, che hai fatto” (Medea, Neris) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini1:45
14Medea: Atto III. “E che? Io son Medea!”
miscellaneous support:
Harold Lawrence (task: musical supervisor)
producer:
Wilma Cozart
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-09-12 until 1957-09-19)
mezzo-soprano vocals [Neris]:
Miriam Pirazzini (mezzo soprano) (from 1957-09-12 until 1957-09-19)
soprano vocals [Medea]:
Maria Callas (soprano) (from 1957-09-12 until 1957-09-19)
tenor vocals [Giasone]:
Mirto Picchi (tenor) (from 1957-09-12 until 1957-09-19)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-09-12 until 1957-09-19)
conductor:
Tullio Serafin (conductor) (from 1957-09-12 until 1957-09-19)
chorus master:
Norberto Mola (chorus master) (from 1957-09-12 until 1957-09-19)
balance engineer:
Robert Fine
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1957-09-12 until 1957-09-19)
recording of:
Medea: Atto III: Finale “E che? Io son Medea!” (Neris, Medea, Giasone) (from 1957-09-12 until 1957-09-19)
composer:
Luigi Cherubini (composer)
librettist:
François Benoît Hoffmann
translator:
Carlo Zangarini
part of:
Medea: Atto III
Luigi Cherubini11:12

Credits

Release

remastered versions:Medea by Luigi Cherubini (composer); Maria Meneghini Callas (soprano), Teatro alla Scala (Orchestra of La Scala, Milan), Tullio Serafin (conductor) (in 2014)
ASIN:US: B00000630T [info]