The Paul Gambaccini Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1All at Sea
alto saxophone:
Jamie Talbot (English jazz alto saxophonist)
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Michael Strange (drums)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
additional vocals:
Ben Cullum
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
recording of:
All at Sea
lyricist and composer:
Jamie Cullum (pianist, jazz‐pop artist)
publisher:
EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.54:34
2The Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:13
3A Case of You
cover recording of:
A Case of You
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music, Joni Mitchell Publishing Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Diana Krall6:31
4Summertime
performer:
Joni Mitchell and Stevie Wonder
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Herbie Hancock feat. Joni Mitchell & Stevie Wonder4:40
5I Wanna Be Around
engineer:
Ted Brosnan and Frank Laico
producer:
Ernest Altschuler
piano:
Ralph Sharon (on 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-10-19)
conductor:
Marty Manning (on 1962-10-19)
arranger:
Ralph Burns and Marty Manning
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1962-10-19)
cover recording of:
I Wanna Be Around (on 1962-10-19)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:12
6What a Diff’rence a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:30
7Trouble Man
producer:
Marvin Gaye
lead vocals:
Marvin Gaye
arranger:
Dale Oehler (in 1972)
recording of:
Trouble Man
lyricist:
Marvin Gaye
composer:
Marvin Gaye (in 1972)
publisher:
Jobette Music Co. and WB Music Corp. (1929–2019)
Marvin Gaye43:50
8Compared to What
Les McCann & Eddie Harris8:46
9Broken Hearted Melody
vocals:
Sarah Vaughan (on 1958-01-08)
recording of:
Broken-Hearted Melody (on 1958-01-08)
lyricist:
Hal David
composer:
Sherman Edwards
Sarah Vaughan42:24
10Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:04
11Cast Your Fate to the Wind
recording engineer:
Hank McGill (in 1962-02)
double bass:
Monty Budwig
drums (drum set):
Colin Bailey (drummer)
piano:
Vince Guaraldi (pianist)
recorded at:
Station KQED (in 1962-02)
recording of:
Cast Your Fate to the Wind
lyricist:
Carel Werber
composer:
Vince Guaraldi (pianist)
publisher:
Atzal Music, Inc. and Unichappell Music, Inc.
Vince Guaraldi Trio3:06
12Wild Is the Wind
producer:
Hal Mooney
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1964-03-21)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Nina Simone3.656:58
13Here’s to Life
recording engineer and mixer:
Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
bass:
Chuck Domanico (American bassist)
percussion:
Harvey Mason (jazz drummer)
piano:
Alan Broadbent
solo French horn:
Richard Todd (American hornist)
vocals:
Shirley Horn
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
cover recording of:
Here’s to Life
lyricist:
Phyllis Molinary
composer:
Artie Butler
publisher:
Artie Butler Music (Podisuha Music Division) and Dominant Jeans Music
Shirley Horn5:37
14Feels So Good
recording of:
Feels So Good (instrumental)
composer:
Chuck Mangione
publisher:
Gates Music and Primary Wave Music (management, publishing and marketing company)
Chuck Mangione9:36
15Take the "A" Train
cover recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & Ella Fitzgerald6:43
2▼CD
#TitleArtistRatingLength
1Moody’s Mood for Love
cover recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
recording of:
Moody’s Mood for Love (1949 jazz instrumental)
composer:
Dorothy Fields (American librettist and lyricist), Jimmy McHugh (songwriter) and James Moody (jazz saxophonist)
publisher:
EMI Hastings Catalog Inc, EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
is based on:
I’m in the Mood for Love
Amy Winehouse2:51
2The Road Less Travelled
guest vocals:
Jamie Cullum (pianist, jazz‐pop artist)
performer:
Jamie Cullum (pianist, jazz‐pop artist)
recording of:
The Road Less Travelled
Clare Teal & Jamie Cullum3:35
3Don’t Think Twice, It’s Alright
Curtis Stigers7:18
4Stranger on the Shore
phonographic copyright (℗) by:
Polydor Ltd. UK (not for release label use; fka Polydor Records Ltd.) (in 1962) and K‐tel International (do not use as a release label! for copyrights/distributor use only) (in 1984)
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Acker Bilk2:54
5The "In" Crowd
Ramsey Lewis5:52
6More
Kai Winding2:03
7Desafinado
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
trumpet:
Charlie Byrd (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz5:49
8Soul Sauce
Cal Tjader2:25
9Bumpin’
Wes Montgomery6:50
10When the Saints Go Marching In
recording of:
When the Saints Go Marching In (Louis Armstrong’s version)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
Louis Armstrong2:41
11April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Count Basie & His Orchestra3:48
12Deedles’ Blues
Diane Schuur and The Count Basie Orchestra3:28
13Since I Fell for You
cover recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Aaron Neville5:06
14Moonlight Serenade
alto saxophone:
Hal McIntyre (on 1939-04-04) and Wilbur Schwartz (on 1939-04-04)
double bass:
Rolly Bundock (on 1939-04-04)
drums (drum set):
Frankie Carlson (on 1939-04-04)
guitar:
Allan Reuss (on 1939-04-04)
piano:
Chummy MacGregor (on 1939-04-04)
tenor saxophone:
Stanley Aronson (on 1939-04-04), Tex Beneke (on 1939-04-04) and Al Klink (on 1939-04-04)
trombone:
Al Mastren (on 1939-04-04), Glenn Miller (jazz band leader) (on 1939-04-04) and Paul Tanner (on 1939-04-04)
trumpet:
Legh Knowles (on 1939-04-04), Dale McMickle (on 1939-04-04) and Bob Price (Big band trumpet player) (on 1939-04-04)
orchestra:
Glenn Miller and His Orchestra (use only for releases Glenn Miller performed with) (on 1939-04-04)
conductor:
Glenn Miller (jazz band leader) (on 1939-04-04)
arranger:
Bill Finegan
phonographic copyright (℗) by:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 2009)
recorded at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1939-04-04)
recording of:
Moonlight Serenade (original instrumental version) (on 1939-04-04)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
instrumental recording of:
Moonlight Serenade (original instrumental version) (on 1939-04-04)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller13:24
15Passing Strangers
recording of:
Passing Strangers
writer:
Rita Mann (songwriter) (in 1957) and Mel Mitchell (songwriter) (in 1957)
Billy Eckstine & Sarah Vaughan32:39
16The Party’s Over
Anita O’Day3:09
17Walk on the Wild Side
Jimmy Smith5:57

Credits

Release

ASIN:UK: B0001W2ZTG [info]