The Paul Gambaccini Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1All at Sea
alto saxophone:
Jamie Talbot (English jazz alto saxophonist)
bass:
Geoff Gascoyne
guitar:
John Parricelli
membranophone:
Michael Strange (drums)
percussion:
Francis Fuster
tenor saxophone:
Ben Castle
additional vocals:
Ben Cullum
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
recording of:
All at Sea
lyricist and composer:
Jamie Cullum (pianist, jazz‐pop artist)
publisher:
EMI Music Publishing (do not use as a release label!)
Jamie Cullum4.54:34
2The Closest Thing to Crazy
engineer:
Steve Sale
producer:
Mike Batt
lead vocals:
Katie Melua
arranger:
Mike Batt
phonographic copyright (℗) by:
Dramatico Entertainment Ltd. (not release label) (in 2003) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
lyricist and composer:
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) and Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:13
3A Case of You
cover recording of:
A Case of You
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music, Joni Mitchell Publishing Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Diana Krall6:31
4Summertime
performer:
Joni Mitchell and Stevie Wonder
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Herbie Hancock feat. Joni Mitchell & Stevie Wonder4:40
5I Wanna Be Around
engineer:
Ted Brosnan and Frank Laico
producer:
Ernest Altschuler
piano:
Ralph Sharon (on 1962-10-19)
vocals:
Tony Bennett (US jazz/standards vocalist) (on 1962-10-19)
conductor:
Marty Manning (on 1962-10-19)
arranger:
Ralph Burns and Marty Manning
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1962-10-19)
cover recording of:
I Wanna Be Around (on 1962-10-19)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Tony Bennett2:12
6What a Diff’rence a Day Makes
recorded in:
New York, New York, United States (on 1959-02-19)
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (on 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington2.82:30
7Trouble Man
producer:
Marvin Gaye
lead vocals:
Marvin Gaye
arranger:
Dale Oehler (in 1972)
recording of:
Trouble Man
lyricist:
Marvin Gaye
composer:
Marvin Gaye (in 1972)
publisher:
Jobette Music Co. and WB Music Corp. (1929–2019)
Marvin Gaye43:50
8Compared to What
Les McCann & Eddie Harris8:46
9Broken Hearted Melody
vocals:
Sarah Vaughan (on 1958-01-08)
recording of:
Broken-Hearted Melody (on 1958-01-08)
lyricist:
Hal David
composer:
Sherman Edwards
Sarah Vaughan42:24
10Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:04
11Cast Your Fate to the Wind
recording engineer:
Hank McGill (in 1962-02)
double bass:
Monty Budwig
drums (drum set):
Colin Bailey (drummer)
piano:
Vince Guaraldi (pianist)
recorded at:
Station KQED (in 1962-02)
recording of:
Cast Your Fate to the Wind
lyricist:
Carel Werber
composer:
Vince Guaraldi (pianist)
publisher:
Atzal Music, Inc. and Unichappell Music, Inc.
Vince Guaraldi Trio3:06
12Wild Is the Wind
producer:
Hal Mooney
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1964-03-21)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Nina Simone3.656:58
13Here’s to Life
recording engineer and mixer:
Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
bass:
Chuck Domanico (American bassist)
percussion:
Harvey Mason (jazz drummer)
piano:
Alan Broadbent
solo French horn:
Richard Todd (American hornist)
vocals:
Shirley Horn
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
cover recording of:
Here’s to Life
lyricist:
Phyllis Molinary
composer:
Artie Butler
publisher:
Artie Butler Music (Podisuha Music Division) and Dominant Jeans Music
Shirley Horn5:37
14Feels So Good
recording of:
Feels So Good (instrumental)
composer:
Chuck Mangione
publisher:
Gates Music and Primary Wave Music (management, publishing and marketing company)
Chuck Mangione9:36
15Take the "A" Train
cover recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & Ella Fitzgerald6:43
2▶CD

Credits

Release

ASIN:UK: B0001W2ZTG [info]