Classic Rock 1966–1988

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD: 1966-1970
#TitleArtistRatingLength
1In the Midnight Hour
producer:
The Young Rascals (US soul & rock group, formerly known as The Young Rascals)
drums (drum set):
Dino Danelli
guitar:
Gene Cornish
organ:
Felix Cavaliere (American singer, songwriter, record producer, and musician)
percussion:
Eddie Brigati
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
cover recording of:
In the Midnight Hour
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
The Young Rascals4:03
2Bluebird
recording engineer:
Bruce Botnick (from 1967-04 until 1967)
co-producer:
Ahmet Ertegun (US songwriter/producer)
producer:
Ahmet Ertegun (US songwriter/producer) and Stephen Stills
banjo:
Charlie Chin (asian american folk singer) (from 1967-04 until 1967)
bass and bass guitar:
Bob West (US session bassist, producer & songwriter) (from 1967-04 until 1967)
drums (drum set):
Dewey Martin (from 1967-04 until 1967)
guitar:
Richie Furay (from 1967-04 until 1967), Stephen Stills (from 1967-04 until 1967) and Neil Young (Canadian singer, songwriter & musician) (from 1967-04 until 1967)
vocals:
Richie Furay (from 1967-04 until 1967) and Stephen Stills (from 1967-04 until 1967)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1967-04 until 1967)
recording of:
Bluebird (from 1967-04 until 1967)
lyricist and composer:
Stephen Stills
publisher:
Cotillion Music Inc. (BMI), Greene Knight Music (BMI), Richie Furay Music (BMI), Sound Harmonics (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield3.54:28
3In-A-Gadda-Da-VidaIron Butterfly4.2517:03
4I Am a Child
recording engineer:
Adrian Barber (producer/engineer), Phil Iehle and Jim Messina (on 1968-02-05)
producer:
Jim Messina
bass guitar:
Gary Marker (engineer) (on 1968-02-05)
drums (drum set):
Dewey Martin (on 1968-02-05)
guitar and harmonica and lead vocals:
Neil Young (Canadian singer, songwriter & musician) (on 1968-02-05)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1968-02-05)
recording of:
I Am a Child (on 1968-02-05)
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Richie Furay Music (BMI), Springalo Toones (BMI) and Ten‐East Music (BMI)
Buffalo Springfield4.52:20
5White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Cream4.24:58
6You Keep Me Hanging On
Vanilla Fudge7:28
7Dazed and Confused
engineer:
Glyn Johns
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
drums (drum set):
John Bonham (in 1968-10)
electric bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968-10)
guitar:
Jimmy Page (in 1968-10)
vocals:
Robert Plant (of Led Zeppelin) (in 1968-10)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1968-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Dazed and Confused (Led Zeppelin version) (from 1968-09 until 1968-10)
lyricist and composer:
Jimmy Page
additional writer:
Jake Holmes
publisher:
WB Music Corp. (1929–2019)
version of:
Dazed and Confused (original)
Led Zeppelin3.76:29
8Suite: Judy Blue Eyes
recording engineer:
Bill Halverson
producer:
David Crosby, Graham Nash and Stephen Stills
mixer:
David Crosby, Bill Halverson, Graham Nash and Stephen Stills
bass guitar, guitar and percussion:
Stephen Stills (in 1969)
vocals:
David Crosby (in 1969), Graham Nash (in 1969) and Stephen Stills (in 1969)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
recorded at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States (in 1969)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 222) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 418)
recording of:
Suite: Judy Blue Eyes (in 1969)
lyricist and composer:
Stephen Stills
publisher:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.67:25
9Whole Lotta Love
engineer:
George Chkiantz
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
mixer:
Eddie Kramer (engineer)
bongos and drums (drum set):
John Bonham (in 1969-04)
electric bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1969-04)
electric guitar and theremin:
Jimmy Page (in 1969-04)
background vocals and lead vocals:
Robert Plant (of Led Zeppelin) (in 1969-04)
additionally recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States (in 1969-04), Mystic Sound Studio in Hollywood, Los Angeles, California, United States (in 1969-04) and Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1969-06)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1969-04)
mixed at:
A&R Recording Studio, room A-1 (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, United States (from 1969-08-29 until 1969-08-30)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 75), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 128) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Whole Lotta Love (from 1969-04 until 1969-08)
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
You Need Love
Led Zeppelin4.355:35
10Layla
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar:
Carl Radle (on 1970-09-09)
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1970-09-09)
electronic organ and piano:
Bobby Whitlock (on 1970-09-09)
guitar:
Duane Allman (on 1970-09-09) and Eric Clapton (on 1970-09-09)
lead vocals:
Eric Clapton (on 1970-09-09)
vocals:
Bobby Whitlock (on 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-09-09)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 27) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 224)
recording of:
Layla (on 1970-09-09)
writer:
Eric Clapton and Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.57:07
11Ohio
engineer:
Bill Halverson
producer:
David Crosby, Graham Nash, Stephen Stills and Neil Young (Canadian singer, songwriter & musician)
bass:
Calvin Samuels (on 1970-05-21)
drums (drum set):
John Barbata (on 1970-05-21)
guitar:
David Crosby (on 1970-05-21), Stephen Stills (on 1970-05-21) and Neil Young (Canadian singer, songwriter & musician) (on 1970-05-21)
vocals:
David Crosby (on 1970-05-21), Graham Nash (on 1970-05-21), Stephen Stills (on 1970-05-21) and Neil Young (Canadian singer, songwriter & musician) (on 1970-05-21)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (on 1970-05-21)
part of:
Paste: The 25 Best Songs About Ohio Ever Made (number: 2) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 385)
recording of:
Ohio (on 1970-05-21)
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music and Broken Arrow Music Pub, Co.
Crosby, Stills, Nash & Young3.752:58
2CD: 1971-1978
#TitleArtistRatingLength
1I’ve Seen All Good People
recording of:
I’ve Seen All Good People
writer:
Jon Anderson (Yes/Jon & Vangelis) and Chris Squire (Yes bassist)
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Yessongs Ltd.
quotes lyrics from:
Give Peace a Chance
Yes6:53
2Brown Sugar
recording of:
Brown Sugar
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Westminster Music Ltd.
The Rolling Stones3:51
3Stairway to Heaven
engineer and mixer:
Andy Johns
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
SWR1 Hitparade 2003 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 1), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 2), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 15), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 31), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 61) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Stairway to Heaven
writer:
Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Superhype Music, Inc. (ended), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. (holding: file NO releases), Warner Brothers (publisher, not an imprint), Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) (ended), Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (ended) and Neue Welt Musikverlag GmbH München
Led Zeppelin4.158:00
4Heart of the Sunrise
assistant engineer:
Gary Martin (sound engineer)
engineer:
Eddy Offord
producer:
Eddy Offord and Yes (British progressive rock band)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Heart of the Sunrise (in 1971-09)
writer:
Jon Anderson (Yes/Jon & Vangelis), Bill Bruford and Chris Squire (Yes bassist)
publisher:
Cotillion Music Inc. (BMI), Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and WB Music Corp. (1929–2019)
Yes10:35
5Give It to Me
The J. Geils Band6:30
6Karn Evil 9
Emerson, Lake & Palmer4:48
7Can’t Get Enough
Bad Company4:16
8The Carpet CrawlersGenesis5:16
9Welcome to My Nightmare
assistant producer:
Michael Sherman (producer)
producer:
Bob Ezrin
acoustic guitar:
Dick Wagner
bass guitar:
Tony Levin (US rock bassist/Chapman stick player)
clarinet:
Jozef Chirowski
drums (drum set):
Johnny Badanjek
guitar:
Steve Hunter (rock guitarist)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975–present)
arranger:
Bob Ezrin and Allan MacMillan
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
produced for:
My Own Production Company Ltd.
recording of:
Welcome to My Nightmare
writer:
Alice Cooper (the singer, active as a solo artist 1975–present) and Dick Wagner
publisher:
Early Frost Music Corp., Ezra Music, Ezra Music Corp., Spirit One Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.55:19
10You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:43
11Feels Like the First Time
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4.23:52
12Solsbury Hill
additional recording engineer:
Jim Frank, Keith Grant (classical recording engineer), Dave Harris (Recording engineer at Morgan Studios, London), Rod O’Brien, Robert Hrycyna and Robert Stasiak
recording engineer:
Brian Christian
programming:
Larry Fast (American synthesizer player and composer)
producer:
Bob Ezrin
acoustic guitar and pedal steel guitar:
Steve Hunter (rock guitarist)
banjo and classical guitar:
Robert Fripp
bass and tuba:
Tony Levin (US rock bassist/Chapman stick player)
bones and percussion:
Jimmy Maelen (percussion)
drums (drum set):
Allan Schwartzberg
electric guitar and guitar:
Robert Fripp and Steve Hunter (rock guitarist)
flute and recorder:
Peter Gabriel (formerly of Genesis)
keyboard:
Jozef Chirowski and Peter Gabriel (formerly of Genesis)
synthesizer:
Larry Fast (American synthesizer player and composer)
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1977) and Peter Gabriel Ltd. (UK record and music publishing company associated with Peter Gabriel) (in 1977)
additionally recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recorded at and mixed at:
Sound Stage (Nimbus 9 Studios) in Toronto, Ontario, Canada
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 472)
recording of:
Solsbury Hill
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
Ear Pieces, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Australia Pty Ltd, Hit & Run Music, Intersong Music, Pentagon Lipservices Real World and Real World Music, Ltd.
Peter Gabriel4.54:22
13Miss You
recording of:
Miss You
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
The Rolling Stones4:48
3CD: 1979-1988
#TitleArtistRatingLength
1Highway to Hell
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore (engineering)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Tony Platt (UK engineer and producer)
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
vocals:
Bon Scott (AC/DC member)
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
triple j’s Hottest 100 of Australian Songs (number: 31), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 10), The Downloader’s Music Source Book (number: 108), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 254)
recording of:
Highway to Hell
lyricist and composer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
AC/DC4.353:29
2Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (UK engineer and producer) (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (member of AC/DC) (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (AC/DC lead singer) (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (not for release label use!) (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
triple j’s Hottest 100 of Australian Songs (number: 37), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 1), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
AC/DC4.54:17
3Rough Boys
additional engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar, synthesizer and lead vocals:
Pete Townshend (of The Who)
harmonica:
Peter Hope‐Evans
keyboard ["straight" keyboard]:
John “Rabbit” Bundrick
horn arranger:
Raphael Rudd
additionally recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Eel Pie Studios in London (Greater London), England, United Kingdom
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Eel Pie Studios in London (Greater London), England, United Kingdom
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
recording of:
Rough Boys
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. and Windswept Pacific
Pete Townshend34:02
4In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
Phil Collins (of Genesis) (in 1980)
violin:
Sharokav (in 1980)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:30
5Jukebox Hero
recording of:
Juke Box Hero
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner4:21
6Stop Draggin’ My Heart Around
engineer:
Shelly Yakus
producer:
Jimmy Iovine and Tom Petty
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
drums (drum set):
Stan Lynch
guitar:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) and Tom Petty
organ:
Benmont Tench
percussion:
Phil Jones (Percussionist)
lead vocals:
Stevie Nicks and Tom Petty
guest performer:
Tom Petty and the Heartbreakers
performer:
Tom Petty
phonographic copyright (℗) by:
Modern Records, Inc. (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
lyricist:
Tom Petty
composer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) and Wild Gator Music
Stevie Nicks4.354:04
7Southern Cross
Crosby, Stills & Nash4:43
8Owner of a Lonely Heart
recording of:
Owner of a Lonely Heart
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Yes4:30
9You Can’t Stop Rock ’n’ Roll
recording of:
You Can’t Stop Rock ’n’ Roll
lyricist and composer:
Dee Snider
Twisted Sister34:43
10Valotte
Julian Lennon4:17
11Round and RoundRatt4.54:25
12All I Need Is a MiracleMike + the Mechanics4:12
13Tonight, Tonight, TonightGenesis8:52
14New Sensation
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
INXS (in 1994)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
music videos:
New Sensation (music video) by INXS
recording of:
New Sensation
writer:
Andrew Farriss (in band INXS) and Michael Hutchence
publisher:
PolyGram Music Publishing, Tol Muziek, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.953:41
15Wait
recording engineer, engineer, producer and mixer:
Michael Wagener
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
bass guitar:
James LoMenzo
drums (drum set):
Greg D’Angelo
guitar:
Vito Bratta
lead vocals:
Mike Tramp
recording of:
Wait
writer:
Vito Bratta and Mike Tramp
White Lion54:03
16Tall Cool One
recording of:
Tall Cool One
writer:
Phil Johnstone and Robert Plant (of Led Zeppelin)
Robert Plant4:38