Classic Rock 1966–1988

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: 1966-1970
2▶CD: 1971-1978
3▼CD: 1979-1988
Nr.TitelKünstlerBewertungLänge
1Highway to Hell
recording engineer:
Mark Dearnley
assistierende(r) Techniker(in):
Kevin Dallimore (engineering)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Tony Platt (UK engineer and producer)
Bassgitarre:
Cliff Williams
Gitarre:
Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
Schlagzeug:
Phil Rudd
vocals:
Bon Scott (AC/DC member)
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1979)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 31), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 10), The Downloader’s Music Source Book (Nummer: 108), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 254)
recording of:
Highway to Hell
Texter und Komponist(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
AC/DC4.353:29
2Back in Black
assistierende(r) Techniker(in):
Benjamin Armbrister und Jack Nuber
Techniker(in):
Tony Platt (UK engineer and producer) (von 1980-04 bis 1980-05)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Brad Samuelsohn
Bassgitarre:
Cliff Williams (von 1980-04 bis 1980-05)
Gitarre [lead guitar]:
Angus Young (member of AC/DC) (von 1980-04 bis 1980-05)
Gitarre [rhythm guitar]:
Malcolm Young (guitar player for AC/DC) (von 1980-04 bis 1980-05)
Schlagzeug:
Phil Rudd (von 1980-04 bis 1980-05)
Sologesang:
Brian Johnson (AC/DC lead singer) (von 1980-04 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1980) und Leidseplein Presse B.V. (not for release label use!) (in 1980)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas (von 1980-04 bis 1980-05)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 37), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 1), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 17), BILLIONS CLUB, The Downloader’s Music Source Book (Nummer: 102) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 187)
recording of:
Back in Black (von 1980-04 bis 1980-05)
Verfasser(in):
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) und Zomba Management and Publishers Ltd. (in 1980)
AC/DC4.54:17
3Rough Boys
Techniker(in):
Bill Price (UK producer/engineer)
zusätzliche(r) Techniker(in):
Steve Nye (producer, engineer and pianist)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Tony Butler (English rock bassist with Big Country)
Gitarre, Synthesizer und Sologesang:
Pete Townshend (of The Who)
Keyboard ["straight" keyboard]:
John “Rabbit” Bundrick
Mundharmonika:
Peter Hope‐Evans
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Horn arranger:
Raphael Rudd
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Rough Boys
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. und Windswept Pacific
Pete Townshend34:02
4In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.35:30
5Jukebox Hero
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4:21
6Stop Draggin’ My Heart Around
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine und Tom Petty
Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Michael Campbell (Tom Petty and the Heartbreakers guitarist) und Tom Petty
Orgel:
Benmont Tench
Perkussion:
Phil Jones (Percussionist)
Schlagzeug:
Stan Lynch
Sologesang:
Stevie Nicks und Tom Petty
Gast-Interpret(in):
Tom Petty and the Heartbreakers
Interpret(in):
Tom Petty
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Stop Draggin’ My Heart Around
Texter:
Tom Petty
Komponist(in):
Mike Campbell (Tom Petty and the Heartbreakers guitarist)
publisher:
Gone Gator Music (ASCAP affiliated) und Wild Gator Music
Stevie Nicks4.354:04
7Southern Cross
Crosby, Stills & Nash4:43
8Owner of a Lonely Heart
recording of:
Owner of a Lonely Heart
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes4:30
9You Can’t Stop Rock ’n’ Roll
recording of:
You Can’t Stop Rock ’n’ Roll
Texter und Komponist(in):
Dee Snider
Twisted Sister34:43
10Valotte
Julian Lennon4:17
11Round and Round
assistierende(r) Techniker(in):
Dave Clark (engineer), Clif Smith (Engineer), Robin Laine und Ray Leonard (engineer)
Techniker(in):
Jim Faraci und Beau Hill
Produzent(in):
Beau Hill
Bassgitarre:
Juan Croucier
E-Gitarre:
Robbin Crosby und Warren DeMartini
Perkussion und Schlagzeug:
Bobby Blotzer
Hintergrundgesang:
Robbin Crosby, Juan Croucier und Warren DeMartini
Sologesang:
Stephen Pearcy
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten und The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 20), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 51) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 61)
recording of:
Round and Round
Verfasser(in):
Robbin Crosby, Warren DeMartini und Stephen Pearcy
publisher:
Ratt Music und Time Coast Music
Ratt4.54:25
12All I Need Is a Miracle
recording of:
All I Need Is a Miracle
Verfasser(in):
Christopher Neil und Mike Rutherford
publisher:
63 Songs Limited, Chappell & Co., Inc. (USA), Michael Rutherford Limited und Pun Music, Inc.
Mike + the Mechanics4:12
13Tonight, Tonight, Tonight
recording of:
Tonight, Tonight, Tonight
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Anthony Banks Ltd., Hit & Run Music (Publishing) Ltd, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. und Philip Collins Ltd.
geschrieben bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
Genesis8:52
14New Sensation
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1994)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
Musikvideos:
New Sensation (music video) von INXS
recording of:
New Sensation
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
PolyGram Music Publishing, Tol Muziek, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.953:41
15Wait
recording engineer, Techniker(in), Produzent(in) und Mix:
Michael Wagener
assistierende(r) Techniker(in):
Garth Richardson (Canadian music producer and engineer)
Bassgitarre:
James LoMenzo
Gitarre:
Vito Bratta
Schlagzeug:
Greg D’Angelo
Sologesang:
Mike Tramp
recording of:
Wait
Verfasser(in):
Vito Bratta und Mike Tramp
White Lion54:03
16Tall Cool One
recording of:
Tall Cool One
Verfasser(in):
Phil Johnstone und Robert Plant (of Led Zeppelin)
Robert Plant4:38

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000269196 [Info]