Quadromania: Gustav Mahler: Das Lied von der Erde & Other Vocal Symphonies

~ Release by Gustav Mahler (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde. Allegro pesante
tenor vocals:
Carl Martin Öhmann (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
8:52
2Das Lied von der Erde: II. Der Einsame im Herbst. Etwas schleichend. Ermüdet
mezzo-soprano vocals:
Kerstin Thorborg (contralto) (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
9:31
3Das Lied von der Erde: III. Von der Jugend. Behaglich heiter
tenor vocals:
Carl Martin Öhmann (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
3:19
4Das Lied von der Erde: IV. Von der Schönheit. Commodo Dolcissimo
mezzo-soprano vocals:
Kerstin Thorborg (contralto) (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
6:38
5Das Lied von der Erde: V. Der Trunkeneim Frühling. Allegro. Keck, aber nicht zu schnell
tenor vocals:
Carl Martin Öhmann (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
4:32
6Das Lied von der Erde: VI. Der Abschied. Schwer
mezzo-soprano vocals:
Kerstin Thorborg (contralto) (on 1939-10-05)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1939-10-05)
conductor:
Carl Schuricht (on 1939-10-05)
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1939-10-05)
live recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (on 1939-10-05)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
28:42
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1Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
orchestra:
Staatskapelle Berlin (in 1924)
conductor:
Oskar Fried (in 1924)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1924)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
21:47
2Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich. Nie eilen
orchestra:
Staatskapelle Berlin (in 1924)
conductor:
Oskar Fried (in 1924)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1924)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
10:05
3Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung
orchestra:
Staatskapelle Berlin (in 1924)
conductor:
Oskar Fried (in 1924)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1924)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
12:26
4Symphony no. 2 in C minor “Resurrection”: IV. Sehr feierlich, aber schlicht. Choralmäßig
contralto vocals:
Emmi Leisner (in 1924)
orchestra:
Staatskapelle Berlin (in 1924)
conductor:
Oskar Fried (in 1924)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1924)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
recording of:
Symphony no. 2 in C minor, "Resurrection": Urlicht: Sehr feierlich aber schlicht (Choralmässig)
version of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple)
5:59
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1Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend
contralto vocals:
Emmi Leisner (in 1924)
soprano vocals:
Gertrud Bindernagel (in 1924)
orchestra:
Staatskapelle Berlin (in 1924)
conductor:
Oskar Fried (in 1924)
recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1924)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
33:14
2Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritus
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo soprano vocals [Soprano III]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
5:38
3Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporis
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo soprano vocals [Soprano III]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
6:00
4Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo soprano vocals [Soprano III]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
8:11
5Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Domino
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-09)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo soprano vocals [Soprano III]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
2:36
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1Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Poco adagio. Più mosso
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
7:40
2Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Heilige Anachoreten (Chorus and Echo). Pater Ecstatucus
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo baritone vocals [Pater Ecstaticus]:
Carlos Alexander (baritone) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:38
3Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundus
solo bass vocals [Pater Profundus]:
George London (bass-baritone) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:00
4Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Engel. Chor seliger Knaben. Die jüngeren Engel
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:05
5Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Die vollendeteren Engel. Die jüngeren Engel. Die seligen Knaben. Doctor Marianus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo tenor vocals [Doctor Marianus]:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
7:09
6Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Büßerinnen
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo soprano vocals [Una Poenitentium]:
Uta Graf (soprano) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
3:02
7Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Magna Peccatrix. Mulier Samaritana
solo alto vocals [Mulier Samaritana]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo soprano vocals [Magna Peccatrix]:
Frances Yeend (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k1. Bei der Liebe, die den Füssen (Magna Peccatrix) (Magna Peccatrix only) (on 1950-04-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k2. Bei dem Bronn, zu dem schon weiland (Mulier Samaritana) (Mulier Samaritana only) (on 1950-04-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
3:29
8Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Maria Aegyptiaca
solo alto vocals [Maria Aegyptiaca]:
Louise Bernhardt (on 1950-04-09)
solo alto vocals [Mulier Samaritana]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo soprano vocals [Magna Peccatrix]:
Frances Yeend (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k3. Bei dem hochgeweihten Orte (Maria Aegyptiaca) (Maria Aegyptiaca only) (on 1950-04-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k4. Die du großen Sünderinnen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (on 1950-04-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca)
3:40
9Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Una Poenitentium. Selige Knaben. Una Poenitium
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09)
solo soprano vocals [Una Poenitentium]:
Uta Graf (soprano) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:48
10Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Mater Gloriosa. Doctor Marianus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo soprano vocals [Mater Gloriosa]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals [Doctor Marianus]:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:56
11Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-06)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:58

Credits

Release

part of:Quadromania (order: 3)
ASIN:DE: B00023BI4W [info]