Tracklist

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1Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Poco adagio. Più mosso
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
7:40
2Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Heilige Anachoreten (Chorus and Echo). Pater Ecstatucus
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo baritone vocals [Pater Ecstaticus]:
Carlos Alexander (baritone) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:38
3Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundus
solo bass vocals [Pater Profundus]:
George London (bass-baritone) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:00
4Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Engel. Chor seliger Knaben. Die jüngeren Engel
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:05
5Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Die vollendeteren Engel. Die jüngeren Engel. Die seligen Knaben. Doctor Marianus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo tenor vocals [Doctor Marianus]:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
7:09
6Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chor der Büßerinnen
choir vocals:
Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo soprano vocals [Una Poenitentium]:
Uta Graf (soprano) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
3:02
7Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Magna Peccatrix. Mulier Samaritana3:29
8Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Maria Aegyptiaca3:40
9Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Una Poenitentium. Selige Knaben. Una Poenitium
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09)
solo soprano vocals [Una Poenitentium]:
Uta Graf (soprano) (on 1950-04-09)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
4:48
10Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Mater Gloriosa. Doctor Marianus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo soprano vocals [Mater Gloriosa]:
Camilla Williams (operatic soprano) (on 1950-04-09)
solo tenor vocals [Doctor Marianus]:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:56
11Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus
choir vocals:
Boys' Chorus from Public School No. 12, Manhattan (on 1950-04-09), Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1950-04-09) and Westminster Choir (Princeton, USA) (on 1950-04-09)
solo alto vocals [Alto I]:
Martha Lipton (mezzo soprano) (on 1950-04-09)
solo alto vocals [Alto II]:
Louise Bernhardt (on 1950-04-09)
solo baritone vocals:
Carlos Alexander (baritone) (on 1950-04-06)
solo bass vocals:
George London (bass-baritone) (on 1950-04-09)
solo soprano vocals [Soprano I]:
Frances Yeend (on 1950-04-09)
solo soprano vocals [Soprano II]:
Uta Graf (soprano) (on 1950-04-09)
solo tenor vocals:
Eugene Conley (tenor) (on 1950-04-06)
orchestra:
New York Philharmonic (in 1950)
conductor:
Leopold Stokowski (conductor) (in 1950)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1950-04-09)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (on 1950-04-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
5:58

Credits

Release

part of:Quadromania (order: 3)
ASIN:DE: B00023BI4W [info]