Four Classic Albums

~ Release by Charlie Byrd (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Jazz Recital / Blues for Night People
#TitleRatingLength
1Prelude
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
3:06
2My Funny Valentine
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-02-04)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:42
3Little Blue Girl
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
Little Girl Blue (on 1957-02-04)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
3:50
4My Heart Stood Still
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
My Heart Stood Still (on 1957-02-04)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:20
5Interlude
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
1:32
6Spring Is Here
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
instrumental recording of:
Spring Is Here (on 1957-02-04)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:07
7A Foggy Day
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
instrumental recording of:
A Foggy Day (in London Town) (on 1957-02-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:39
8Spanish Guitar Blues
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
2:17
9Chuck-A-Tuck
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
4:09
10Homage to Charlie Christian
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
3:47
11First Show
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
8:36
122.00 A.M.
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
6:12
13Four O'Clock Funk
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:46
14Blues My Naughtie Sweetie Gives to Me
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
3:43
15Blue Prelude
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:24
16This Can't Be Love
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
2:44
17Jive At Five
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:45
18Byrd's Word
producer:
Orrin Keepnews
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
tenor saxophone:
Buck Hill (saxophone) (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
5:32
19Blue Turning Grey Over You
producer:
Orrin Keepnews
guitar:
Charlie Byrd (in 1958)
vocals:
Ginny Byrd (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
Blue, Turning Grey Over You (in 1958)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
2:54
2▼Digital Media: Byrd's Word / The Guitar Artistry
#TitleRatingLength
1Bobby in Bassoonville
producer:
Orrin Keepnews
bassoon:
Kenneth Pasmanick (in 1958)
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
4:28
2Satin Doll
producer:
Orrin Keepnews
drums (drum set):
Eddie Phyfe (in 1958)
guitar:
Charlie Byrd (in 1958)
strings:
Keter Betts (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
Satin Doll (in 1958)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
4:43
3Tri-X
producer:
Orrin Keepnews
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
tenor saxophone:
Buck Hill (saxophone) (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
4:31
4Conversation Piece
producer:
Orrin Keepnews
drums (drum set):
Eddie Phyfe (in 1958)
guitar:
Charlie Byrd (in 1958)
strings:
Keter Betts (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
3:34
5What's New
producer:
Orrin Keepnews
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
tenor saxophone:
Buck Hill (saxophone) (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
What’s New? (in 1958)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
4:16
6Stompin' at the Savoy
producer:
Orrin Keepnews
drums (drum set):
Eddie Phyfe (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
Charlie Schneer (in 1958)
strings:
Keter Betts (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
Stompin’ at the Savoy (in 1958)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:25
7Don't Explain
producer:
Orrin Keepnews
guitar:
Charlie Byrd (in 1958)
vocals:
Ginny Byrd (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
Don’t Explain (in 1958)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:29
8Buck's Hill
producer:
Orrin Keepnews
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
tenor saxophone:
Buck Hill (saxophone) (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
4:39
9Taking a Chance on Love
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Taking a Chance on Love (in 1960)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
1:58
10Moonlight in Vermont
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Moonlight in Vermont (in 1960)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:55
11Speak Low
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
3:46
12Nuages
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
recording of:
Nuages (instrumental) (in 1960)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:03
13Everything I've Got Belongs to You
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Ev’rything I’ve Got (in 1960)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:22
14Makin' Whoopee
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Makin’ Whoopee! (in 1960)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:45
15Django
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
recording of:
Django (in 1960)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
3:26
16Nice Work If You Can Get It
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Nice Work If You Can Get It (in 1960)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
1:48
17The House of the Rising Sun
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
House of the Rising Sun (in 1960)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
5:33
18Ring Them Harmonics
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
3:51
19Taboo
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
instrumental recording of:
Tabú (original 1934 spanish lyrics) (in 1960)
lyricist and composer:
Margarita Lecuona (Cuban composer) (in 1934)
9:44
20To Ginny
engineer:
Bob Arnold (engineer)
producer:
Orrin Keepnews
double bass:
Keter Betts (in 1960)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (in 1960)
guitar:
Charlie Byrd (in 1960)
arranger:
Charlie Byrd
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1960)
5:26