Four Classic Albums

~ Release by Charlie Byrd (see all versions of this release, 1 available)

Tracklist

1▼Digital Media: Jazz Recital / Blues for Night People
#TitleRatingLength
1Prelude
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
3:06
2My Funny Valentine
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-02-04)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
3:42
3Little Blue Girl
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
Little Girl Blue (on 1957-02-04)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
3:50
4My Heart Stood Still
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
instrumental recording of:
My Heart Stood Still (on 1957-02-04)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
3:20
5Interlude
flute:
Tommy Newsome (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
1:32
6Spring Is Here
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
instrumental recording of:
Spring Is Here (on 1957-02-04)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:07
7A Foggy Day
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
instrumental recording of:
A Foggy Day (in London Town) (on 1957-02-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:39
8Spanish Guitar Blues
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
2:17
9Chuck-A-Tuck
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
4:09
10Homage to Charlie Christian
double bass [bass]:
Al Lucas (Canadian jazz bassist) (on 1957-02-04)
drums (drum set):
Bobby Donaldson (on 1957-02-04)
guitar:
Charlie Byrd (on 1957-02-04)
woodwind:
Tommy Newsome (on 1957-02-04)
3:47
11First Show
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
8:36
122.00 A.M.
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
6:12
13Four O'Clock Funk
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:46
14Blues My Naughtie Sweetie Gives to Me
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
3:43
15Blue Prelude
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:24
16This Can't Be Love
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
2:44
17Jive At Five
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
bass:
Keeter Betts (in 1957)
classical guitar [spanish guitar]:
Charlie Byrd (in 1957)
membranophone:
Gus Johnson (drums) (in 1957)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1957)
5:45
18Byrd's Word
producer:
Orrin Keepnews
drums (drum set):
Bertell Knox (in 1958)
guitar:
Charlie Byrd (in 1958)
piano:
T. Carson (in 1958)
strings:
Keter Betts (in 1958)
tenor saxophone:
Buck Hill (saxophone) (in 1958)
valve trombone:
Bobby Felder (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
5:32
19Blue Turning Grey Over You
producer:
Orrin Keepnews
guitar:
Charlie Byrd (in 1958)
vocals:
Ginny Byrd (in 1958)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Edgewood Recording Studios in Washington, D.C., United States (in 1958)
instrumental recording of:
Blue, Turning Grey Over You (in 1958)
lyricist:
Andy Razaf
composer:
Thomas Waller (Fats Waller)
2:54
2▶Digital Media: Byrd's Word / The Guitar Artistry